Men and women have been treated differently throughout history. In the 19th century, manual labor was much more prominent than it is today. It is possible that women were viewed as less than men because men traditionally did manual labor. They were considered as the overall weaker sex. Women’s mental state were believed to be weaker and more prone to mental health issues. These fragile women were often overlooked when came to mental illnesses. A woman with severe depression may just be considered sad, or she could just be overworked. It was rarely considered as serious of an illness as it is today. A woman with a mental illness was often overlooked and not treated properly. Mental illness could have been looked at as just another weakness that women have. The Yellow Wallpaper exhibits exactly how women were treated at this time. She may well have been suffering from postpartum depression, yet she was told to rest and wait to be better. She could not get excited or else she may relapse because she was so fragile. It is constantly mentioned how weak she is, and that is what society believed at that point in time. The Yellow Wallpaper was a work that showcased the malpractice of society with …show more content…
It is a firsthand account of a mentally ill woman from this time. She recalls that “[A doctor] sent me home with solemn advice to ‘live a domestic a life as far as possible,’ to ‘have but two hours ‘intellectual life a day,’ and 'never to touch pen, brush or pencil again as long as I lived.’" (Gilman 968). A credible doctor believed that if a woman could just rest then her ailment would just fade away. That clearly shows how women were viewed at this time. The fact that society thought of women as fragile little minds that should not stress too much or think too hard shows just how society negligent society can
This tells the readers about the imprisonment women had to face and the effort they require to attain the freedom of thought
Many were completing tasks that equivalent the men’s task at the time such as wood chopping or hard work in mills and fields. This significant work difference in types of tasks displays the divide between the physical jobs they had to deal with. One had family household duties to please their husbands. The other had to work in order to earn a wage and a living for themselves in strenuous jobs. The women groups had treatment differences.
Ideas such as women working daily jobs or women in positions of power would have been completely laughed away when this story came out, which I believe goes to show just how far we have come as a society in breaking down those gender roles and norms. That being said, these gender expectations are what made the narrator ill in the first place. Over the course of The Yellow Wallpaper, the narrator’s mental health is in a consistent downward spiral. At the start of the story, she already has an illness called “Nervous Prostration” which she has as a result of these extreme expectations put on her simply because she is a woman.
In the early 1900s, it was a man’s world; everything was controlled by men and the women were just supposed to clean, cook, and produce children. Many women had a nervous disorder, meaning they were nervous about everything, or they had crippling depression where they couldn’t seem to accomplish anything without being upset. Numerous women were sent to male doctors, there were few female doctors at this time, for these disorders; the doctors almost always prescribed the rest cure, intending that the women would do little to no work and just rest. In 1898, Charlotte Perkins Gilman wrote “The Yellow Wallpaper,” in which Gilman uses various literary devices that helps to show how the narrator is becoming fixated on the wallpaper as well as deranged
Furthermore, Gilman’s conditions as a woman of how society perceived women, and how her illness was misunderstood led to her mental illness. In the nineteenth century, female hysteria was a common topic in literature, in which the narrator in The Yellow Wallpaper makes reference. Hysteria is a psychological disorder whose symptoms include conversion of psychological stress into physical symptoms (somatization) . The term hysteria has a controversial mental history, as this disease specifically targeted women in the 1900s – to which Sigmund Freud considered a female disease. In the fifth century, Hippocrates related hysteria, as a female disease.
The Yellow Wallpaper, by writer Charlotte Perkins Gillman, was produced in a time where there was a presence of feminist hysteria. So much so that when a woman’s mental and/or physical health was not up to par for whatever reason it was coined as being “hysterical.” A possible reason being that as Professor stated, “[it was], a sort of catch-all diagnosis for women of a certain class who didn 't behave in the ways women of a certain class were supposed to behave or simply because depression and other illnesses were not properly understood. Gilman writes, “You see he does not believe I am sick! If a physician of high standing, and one’s own husband assures friends and relatives that there is really nothing […] what is one to do” (Gilman 10).
Charlotte Perkins Gilman’s “The Yellow Wallpaper,” the narrator, Jane, has postpartum depression. In order to cure this depression, John, Jane’s husband and a doctor, administer the rest treatment on her. Gilman wrote “The Yellow Wallpaper” through her personal experience. Along with writing “The Yellow Wallpaper” she wrote an explanation for why she wrote “The Yellow Wallpaper.”
The Yellow Wallpaper by Charlotte Perkins Gilman is a short story told through diary entries of a woman who suffers from postpartum depression. The narrator, whose name is never mentioned, becomes obsessed with the ugly yellow wallpaper in the summer home her husband rented for them. While at the home the Narrator studies the wallpaper and starts to believe there is a woman in the wallpaper. Her obsession with the wallpaper slowly makes her mental state deteriorate. Throughout The Yellow Wallpaper Charlotte Perkins Gilman uses many literary devices such as symbolism, personification and imagery to help convey her message and get it across to the reader.
The yellow wallpaper could be symbolic to the narrator because it resembles bars that confine her from social interaction and free thinking. Eventually this drives the narrator mad beyond repair and the story ends there. A major theme of this story is how culture at the time restricted women’s free thinking and acting capabilities to a point where they are just meant for a few purposes. Women were commonly suppressed during this time almost as if they were obedient children. This can be seen in another example in the story with John’s sister, who despite seeing that the narrator’s condition wasn’t getting better from the treatment being given, still chose to be obedient to
In the 19th century, the misogynist standards left women in a state where their potential was suppressed. Charlotte Gilman argued against a society where a woman’s mentality and physical health was not fully cared for because of men. She herself had been a victim of these standards causing depression and her journey to not rely on another man shaped her feminist attitude. In 1892, she wrote a piece entitled The Yellow Wallpaper where she unravels the destruction anti-feminist attitudes can cause. By the use of setting Gilman formed her meaning that women deserve not only the same rights but compromise/ To start off, let’s look at the isolated house in the yellow wallpaper
“The Yellow Wall-Paper” which was published in the late nineteenth century shows that the women of that time did not have much cultural value. In the story the husband acts more like a father to his wife than a husband. Throughout the story he calls her ‘little girl’ and like a father has rules that must be obeyed. He has locked her up in a nursery room that she hates in a large castle and ordered her not to move from the bed, because she is on a ‘rest cure’ that is supposedly going to help her get over her post-partum depression. Because she is stuck in a room that she despises, she becomes very lonely and even more depressed which causes her to start staring at the wallpaper and slowly become crazy from the isolation.
The Culture of The Yellow Wallpaper Through her many stories, Charlotte Perkins Gilman, developed the notion of how being a strong independent woman can be inspirational to all. The expression of her personal feelings and opinions behind the guise of a seemingly fictional story brings new life to the story itself. During the nineteenth century, there were many stereotypes of what was expected from women. In the short story “The Yellow Wallpaper” Gilman composes the story of a woman who suffers from postpartum depression and finds an infatuation with a wall covered with yellow wallpaper.
Early nineteenth century American Literature proves to be a very appealing subject. My research has focused on a piece of nineteenth century American literature, The Yellow Wallpaper. This story was written by a female author that was seen as an early pioneer for women’s rights. I will analyze the concept of women’s oppression in The Yellow Wallpaper.
The medicalization of women’s bodies may illustrate this best. During the nineteenth century the female body started to be studied as part of research of the medical profession (Bates, & Denmark, 2005). Before then women were primarily in charge of healing women’s bodies, maintaining healthy pregnancies and ensuring birth was successful. With the rise of men physicians, and doctoring seen as a male profession midwives and women healers were evidently pushed aside in terms of the care of other women (Bates, & Denmark, 2005). “As in many other spheres of western thought, the male was taken as the norm and females were found deficient by comparison.”
Women to this day are known as the weaker sex. Incapable of doing the dirty work and lifting heavy objects. What people overlooked is that women worked in factories and mills if they didn’t have husbands to take care of them. It wasn’t exactly folding clothes or cooking either. It was hard labor.