In the essay the “World of Tomorrow” by E.B White, personification is displayed between the 1939 New York World Fair and himself. For example, on page 139 of the text he states,” I wasn’t really prepared for the World Fair last week, and it certainly wasn’t prepared for me. Between the two of us there was a considerable of a mix-up.” In this sentence he speaks of the World Fair as if it were a person by giving it human qualities and also using pronouns such as “us”. I also feel as if there is a disconnect between the fair and White which is why he states what he stated. Also throughout the text he capitalizes “Tomorrow” multiple times as if it were a pronoun. For example, this is seen on page 139 when he says, “When you can’t breathe through
Throughout the course of his The Devil in the White City, Erik Larson describes Chicago’s 1893 World’s Fair through the eyes of two different main characters: Herman Webster Mudgett—a psychopathic serial killer who builds his famous “death castle” on the outskirts of the fairgrounds, and Daniel Burnham—the director of works for the World’s Columbian Exposition. Larson employs the use of many contrasting themes within his writing including success and failure, but perhaps most importantly, murder and beauty. In order to emphasize said themes, Larson juxtaposes the accounts of his two main characters: Mudgett and Burnham. There is no doubt that the manner in which Larson portrays Mudgett is sketchy at best. Rather than introducing him with a concise description, Larson familiarizes the reader with Mudgett over the course of several chapters.
Many students and teachers love “The Voice” and some hate him, but no one is able to ignore him. Here, the reader discovers the reason why Owen’s dialogue is always capitalized: he wrote all his columns, and all his school papers and letters, in capital letters, “BECAUSE IT WILL INSTANTLY GRAB THE READER’S ATTENTION” (289) -- a comment that seems to come as much from the author as it comes from Owen. Later, when John and Owen try to discover the identity of John’s father, they meet a voice teacher who tells them that Owen’s voice would never change in puberty, and that he was stuck with a “permanent scream”
He had nothing,” page 6. Also, when Brian thinks, “They might come today”, he
He uses slang in his writing, such as the statement, “Boy, was I wrong” (79). It helps his article appeal to younger generations. Also, he uses dialogue to advance the article, either between himself the reader or between himself and an imaginary “Dungeon Master”(79). It helps him draw his reader even further into his rhetoric. He references different parts of pop culture, with statements like “local youths can’t tell or write a story longer than 140 characters” (79) and “strapping on my headset and playing ‘Halo’ or ‘Gears of War’” (83).
In Sharon Old’s poem “On The Subway”, she contrasts both worlds of the African American male and white women through literary techniques such as imagery and similies. Old’s uses imagery to bring a contrast to the two characters in the poem. The white woman describes the man as having “the casual look of a mugger” to let the reader understand the mindset of the white woman being at first afraid of him. The lady wonders whether the African American male has a sort of advantage over her based on his appearance, and the way he appears to be carrying himself while on the subway.
The Chicago World’s Fair was an opportunity for the city to come together and create event so spectacular to shock the world. However, as Chicago prepared to awe people with this extravagant fair the city faced skepticism on weather or not issues of urbanization, sanitation, and crime would be fixed in time for the World’s Fair. In beginning of the novel, Larson takes the reader back to the start before Chicago wins the bid for the World’s fair to be held in Chicago. The idea of the World’s Fair in the United
For instance, describing a white man as “the master of ceremonies” suggests that when he looks into this twisted mirror of self perception, he sees a ruler, a ring-leader standing up on its podium, controlling the circus acts below. This false sense of supremacy
In The Veldt created by the one and only Ray Bradbury, he uses multiple examples of author’s craft such as personification and tone or mood. These crafts were written into the story to help prove and point out the theme of influencing children with so much technology early on can not only stir up violent thoughts but, can also cause breaks between friend and family relationships. The first author’s craft that can prove this theme to be true is personification. One example is, “the walls began to purr and recede.” Although walls can not do this, Ray Bradbury uses it in his story to show how much technology the family living in the Happy Home have given to their children.
Before this remark, the narrator only would put one to two words maximum in all capital letters. This remark has the total of four words which if a big jump from one
Personification can be used in so many ways, from making a spoon fly to trees dancing, all of which help give the poem more life and support the theme. In “Hunter’s Moon,” Fisk uses personification to provide more vivid pictures when describing the kelp and sky and bring the moon to life. In lines 1 and 2, “the sky slips down the rungs of its blue ladder”. Suggesting that as time goes on, the sky is getting darker and darker, creeping closer and closer to the end. Throughout the poem, the moon is described as shining on us all, but when Fisk writes “Its pale gaze caresses the lovers…” (lines 12-13), this line could be interpreted as Fisk trying to hint at another way of representing the moon; way of subtly suggesting to readers that the moon
Frankenburg (1993) argues that studying whiteness will put whiteness in the centre of the spotlight of intellectual inquiry. Frankenburg (1993) further questions why scholars need to explore whiteness, identifying that there is a risk of contributing to the process of re-centering, rather than de-centering it, while reifying the term and inhabitants of whiteness. Furthermore, re-centering whiteness may result in whiteness studies developing into a discourse of love, lending itself to narcissistic self-promotion. This in turn would see whiteness progressing into social and bodily models (Ahmed,
“It was a national white doll contest. Love hate affair with white dolls, with mythicized white femininity.” (pg 533) The pageant displays the beauty that the dolls are based on. Most of the contestants that take part in Miss America pageants and winners are white female with the exception of a few black females, but they are not emphasized as much.
I will be taking a postmodern approach to the text and supplementing it with modernism and psychoanalytic theories before stating my final stance that postmodernism may be the most appropriate approach. This approach ensures that different perspectives are present in my analysis and ensures that it is not one-sided. The question that I hope to focus my argument on is “Does the postmodernist approach better emerge the idea of self from racism?” Rottenberg, Catherine. " Passing : Race, Identification, and Desire. " Criticism, vol. 45, no. 4, 2004, pp. 435-452.
The author writes in short choppy sentences to show Malcolm's lack of well sentence structure. The sentence structure is
Yet, language ignores the implications of how his white looking body is perceived in white subjectivity. Though Charles Bon appears to look white,