Description: The picture, which is in portrait mode, is of an American soldier during World War 2 who was killed by the Germans in a building. Starting from the left of the image, there is a very faint picture frame on a wall. Most of it is covered by the shadow of the open door to the right of it. The wall with the door and the wall with the picture frame are perpendicular so they create a corner. The floor, that covers a third of the picture is light and looks tiled. The soldier that was shot has his head leaned on the door and is laying on the ground. His head looks like its also leaning on a black box; maybe a suitcase. He is wearing a helmet, dark gloves, a medium toned long sleeve shirt, and light jeans. His body is facing up and angles …show more content…
The one of the right is longer. A little to the right of the blood is a bullet that’s laying on the ground. His other hand seems to be grabbing something near his chest and isn’t wearing any glove. There appears to be a knife or something that was stabbed into his stomach. His waist is off the ground and his knees are bent, holding him up. His right leg is cut off by the door frame so his foot isn’t visible. His left knee looks like it hits the edge of a table on a balcony. The balcony has a rail that is dark with a design. The very left starts with a swirl that comes out from the doorway and angles downwards. Then there is a vertical line and a circle and then another vertical line. It reaches a corner and repeats this design but flipped, so it starts with a circle and then a swirl that faces the left. Outside, there is a lot of trees and bushes that are visible. To the right of the man and the doorway, is just a dark wall and then another window thats cut off at the edge of the photo. Below, and a little to the left of the second window, is a chair that faces the right with a round top that connects to the arms. There is a helmet facing upwards on the seat of the
Source A is a propaganda and was created by Norma Lindsay for the Commonwealth Government of Australia in 1918. It was sourced by W.E Smith LTD. Sydney. This poster Depicts a group of armed German soldiers threatening a young man pinned against a water tank. The other victims in this scene include an elderly man in the foreground, who has been shot, an elderly woman on her knees pleading with their captors, and a young woman in a state of half-undress who is being restrained by two German soldiers in the background.
Source A: “Will you fight now,or wait for THIS”, was created by the Commonwealth Government of Australia. This source is a propaganda poster created in WW1,1918 and is sourced in Australia. Source A poster was created to persuade civilians, in particular males in between the ages of 18 to 45, to enlist in the military to fight in WW1. The intended audience for this Source would be Australian citizens. This source would be useful to a historian studying propaganda in the field of Australian War history during WW1.
His wrist is slightly pivoted about 10° clockwise. This also has his left elbow is bent 25° inward. The tip
Then the eyes meets the mother figure, thinking intensely, possibly about the person taking the picture or thinking about how to start over and repair what is lost. Lastly, the eye moves to the background, where a middle aged man is busy, as if he is trying to find a way to clean up or restore the unfixable damage. The clothes and belongs strung across the wooden frame symbolize life; once put together and neat, but now messy and imparable.
Source A “Will you fight now or wait for this” has been created by the Commonwealth Government of Australia. This source is a poster from World War 1 and designed in 1918. The poster was created to persuade people from Australia, especially men between the ages of 18 and 35 to fight against the Triple Alliance, and to also prevent the German Empire from invading Australia. Additionally, Source A would be useful to a historian studying the impact of propaganda on the Australian society during World War 1. This source would be useful because it depicts the outcome of Australia, If no troops from Australia were ordered to fight against the German Empire, nevertheless It also shows the experiences and impacts directed towards the civilians after
This image represents how the Germans were always creeping up in the water and attacking U.S. supply ships. The portrait also tells the people viewing it to buy liberty bonds to help support the war. Document 12, “Rivets Are Bayonets,” 1918, shows an average man loading a rivet with the war scene behind him. The background shows the American flag in a yellow sky which represents the constant gunfire that shows in the sky. Also, the shadow of the man is showing the men what they should be doing.
In the image by The Evening Star (Document C), it shows a man
The picture also contains a gun or pistol which is pointed directly at the young adults head. It is not an actual gun that is present but it is smoke, the smoke from the cigarette creates a shape of the gun. Although the man is not going anything else but smoking, the picture creates an effect that portrays smoking negatively. The picture show that smoking is causing one selfs hard and death. Through Facial expression he doesn't seem happy and possible sad
Propaganda posters first appeared during WW1 (1914-18) when governments decided it was important to show their engagement with the public, it was also a method of enlisting men and selling war bonds in order to finance the military campaign. It was a time of war and this meant that advertising was used to attract war workers, volunteers and soldiers. One of the most notable posters was in 1914, which was an image of the Minister of War in the England with a steely gaze pointing his finger in an attempt to urge young men to enlist in the army. Every other country in the war then seemed to follow suite and use the exact same propaganda approach. In Germany a Reich soldier, pointing his finger patriotically or an Italian soldier doing the same.
One angle is also bearing the symbols of the crucifixion like the lance Christ was stabbed with and the crown of thorns. The top part of the painting as a very calming and gentle tone to it. Both panels show Jesus but they look like two different people. On the left he 's lifeless, has no clothes on and seems weak. The middle ground between heave and hell is small.
The image above is from the post modern picture book ‘Voices in the park’ by Anthony Browne. Browne’s picture book uses various meta-fictive devices such as, a non-traditional plot arrangement, a purposeful interplay between image and text to position the reader thus, allowing for collaboration in determining the text’s meaning (Anstey, 2002). The result of this consequently is a polyphonic narrative that explores a single outing to the park from four individual perspectives; the upper class mother, the despondent single father, the mother’s educated but lonely son Charles and the father’s optimistic daughter named Smudge. This image is located in Charles’ portion or the third voice within the book.
Part A: Battle Report When did the battle occur? From as early as December 1915, Australian, British and Canadian miners had been digging an intricate tunnel system under the enemy’s front line. A seven day preliminary bombardment was also conducted to put pressure on the enemy before the infantry assault.
Behind him, another man is holding some instruments. In the background, there are waves of blue. At the left side of the painting, there are lightening bolts. At the bottom left of the painting, there is a board connecting the ground to the boats, allowing some animals to enter. Behind that, there is a person on a ladder, carrying an item on their back.
A mixture of both Painting and collaged elements were used to create this image. Starting with the collaged elements; from the lower left, you are confronted with a modern pastel pink fringed, above the fridge there are three bottles of 7up and behind them, hung on the wall, is a reproduction of an abstract expressionistic painting. To right of the painting are plastic flowers and
Olly is on the left side while maddy is on the right side of the picture. Beautiful house and trees are in the background, Olly is in the middle ground and maddy is in the foreground. Looking shocked about the fact that Maddy left the house, Olly is trying to tell her to go back and you cannot see Maddy’s face in this frame, but she looks like she is trying to convince him to go. Olly and Maddy are having an intense conversation on whether she should leave or go back to the house. It looks like the scene is in the early morning.