Wuthering Heights Gothic Analysis

Wuthering Heights, 1847, is a well esteemed novel by Emily Bronte which belongs to the group of is the specific type of tales, where almost all the elements of gothic novel can be found. It includes not merely the love, which is rather tragical than the usual live-happily-ever-after stories, but the existence of supernatural beings can be also seen by representing ghosts. The all-consuming passion cannot be missed out from the elements of specification as well as the set of the novel. These motives do not simply make the novel be classified as a Gothic Novel, and nothing more, than giving the reader a better look into the world of haunted people, ghosts, fear or suspense. It can happen that the reader cannot be satisfied by only showing which

In most cases settings always contain information about the type of genre it has, and they can also refer to the primary feelings, which surround the whole writing. As far Wuthering Heights is concerned with its environment and with the elements of it has, it also indicate the connection with the gothic style. Representing constituents as like dark, scary castles, dungeons or even more ghosts in a writing obviously refer to the genre of gothic fiction.

On the other hand, with the analysis of the title, Wuthering Heights, can testify the verity which was made by the environment before, and also can be used as an extension, which was created by the location of the title and has many references to the latter

The characters themselves were created to be fit into the mysterious environment surrounded by the style elements of gothic. Especially the portrays of the female characters as Isabella, Cathy Linton and Catherine Earnshaw plead the manner. In order to one discussion, which states that Bronte created the gothic style in her writing to be able to give portraiture description of these ladies. First of all take a deeper look into the personality of one character, who had been identified as a literary type of “Gothic demon”. Catherine Earnshaw, who went through on a “shape-shifts”, when she made a decision and she rather chose Edgar Linton to her husband, than to be with a man from a lower social class. This movement of hers defined her personality and also let her be seen as a material girl. With her reactions she wakes up the readers’ antipathy for her in every way. Her relationship with Heathcliff to the "dynamics of the Gothic romance, in that the woman falls prey to the more or less demonic instincts of her lover, suffers from the violence of his feelings and at the end is entangled by his thwarted