You Bring Out The Mexican In Me Analysis

The poetry that Catullus wrote shows that he was a sentimental, romantic man. In Catullus poems he expresses his love towards Lesbia and his preciseness of getting Lesbia to love him back. After being rejected by Lesbia it deeply hurts him since he shows her so much affection but only speaks ill of him. Catullus is very passionate and is obsessed with kissing, in “Catullus 16” he speaks of getting thousands and thousands of kisses from his lover. Even though he is passionate and sentimental, he is no pansy. In “Catullus 51” he is very vulgar in that poem responding to those that think he’s too sentimental and has a hatred toward Julius Caesar.

Cisneros's story focuses on how different she feels from her Mexican culture, comparing and contrasting her

Cisneros bring up conflict within herself, because instead of going to her father home on Sunday for dinner, she would rather stay home and write. “I feel like a bad daughter ignoring my father, but I feel worse when I don’t write. Either way, I never feel completely happy.” Cisneros is clearly explaining, that she could not please herself, if she were to give up writing. Cisneros also explain, that her and her father’s conflict does not get in the way of their relationship as father and daughter.

Octavio Paz, a Mexican poet and essayist, is one of the many philosophers with a written piece regarding his understanding of Lo Mexicano. Paz’s “Sons of La Malinche” was first published in the Labyrinth of Solitude in 1950 and is a rather grim interpretation of the Mexican character, however, it captures the crisis of identity that Mexico was burdened with after the conquest. Paz uses the Spanish term “chingar,” (when literally translated means “to screw, to violate”) and its associated phrases to understand the conquest and the effect

Mericans written by Sandra Cisneros is a short story in which the internal struggles of being bilingual and bicultural are discussed and analyzed. Through the use imagery, point of view, symbolism, characterization, and character transformation the reader gleans the theme of the story. Furthermore, Sandra Cisneros addresses border identity, crossing the border, and knowing or not knowing that one’s home lies in two countries. The story uses narrative first person point of view and is told through the eyes of the protagonist Micaela. The successful execution of the entire story allows the reader to see the attitude changes from the main character throughout the story from beginning to end. The mix of Spanish and English words throughout the

Selena Quintanilla’s father once said, “We have to be more Mexican than the Mexicans and more American than the Americans.” In today’s society, many have encountered the challenge of not being able to be who they really are because they fear not being accepted by others, more specifically their culture. But, what happens when an individual is part of two worlds that have just as many rules? Gloria E. Anzaldúa was a Mexican-American writer and poet who made a major contribution to the fields of cultural, feminist, and queer theory. Anzaldúa identifies as a Chicana and speaks different variations of Spanish, some of which she exhibits in her works. In her short story “How to Tame a Wild Tongue”, she centers on the struggles of self-identity that

Sandra Cisneros is a feminist Chicana author born in Chicago, IL on 1954. Being the only daughter in her family, they moved betwixt Mexico as well as Chicago. Most of her literary work involves her Mexican roots, in these works she creates characters that shift between two cultures(Hispanic-American) and languages(Spanish-English). In an interview for the New York Times, she describes herself as an "amphibian" that can travel between both worlds. She earn a B.A in English from Loyola University of Chicago and ab M.F.A from the University of Iowa. Nowadays, she lives in San Antonio, TX. Some of her major works includes The house on Mango Street (1984), Caramelo (2002), Bad Boys (1980) also Loose Woman (1994) which are poetry collections.

In the altar’s center is “a plaster image of the Virgin of Guadalupe, quarter-life size, its brown Indian face staring down on the woman” (Paredes 23). The implication of the stare is of criticism as the Virgin, symbolic of an ideal Mexican womanhood, looks down on Marcela, whose Anglo features starkly contrast with the Virgin’s, and whose actions are in opposition to the values that she represents. This carefully constructed scene is meaningful. Marcela’s lifeless body lies between the bed and the altar, and opposite to the altar is Marcela’s shrine dedicated to Hollywood movie stars. These are the visual images of the opposing forces that characterize the Mexican-American struggle for resistance against American cultural hegemony. The altar of the Virgin represents Mexican feminine ideals, and the shrine of Hollywood movie stars showcases American ones. Marcela herself lies “between” these two altars/shrines, distinct from neither one nor the other, and belonging to neither (Paredes 23). These relationships of proximity, of going between, are symbolic of the Mexican-American experience at the time, and is paralleled by the distinct, yet interconnected spaces of the Anglo Fort Jones and the surrounding Mexican-American community. The image of the Virgin, and the layout of the shack where Marcela’s body is found are representative of the conflict between Mexican and American culture represented in this story, while Marcela’s death expresses the

Sor Juana Inés de la Cruz, a self-taught philosopher, poet and forward thinker, wrote many empowering poems that captured how she felt during the time she was living in. Two of which “Foolish Men” and “On her Portrait” express how she didn’t like the stereotypical roles women were put in during her life. These poems show true anguish and express a slight distain for men.

Sandra Cisneros is a famous poet from the late twentieth century. Most of her work is popular due to her profound thinking. Her work was very unique and incorporated an extraordinary type of dreamy abstraction. Most observers of her work can agree on this. My Wicked Ways, proved her talent to be “extremely electrifying”, according to the The New York Times Book Review. A poem written almost 3 decades ago, can be assumed to symbolize the childhood of the speaker. My Wicked Ways radiates an unsatisfied tone from the speaker, has a unique rhythm and meter of poem, and attributes different sound and consonants to help the poem flow better.

Culture is an essential part of a community’s identity, because it links individuals to a collective bond. The Americas have always contained a vast variety of cultural communities, especially in the United States. The US is known for being one of the most diverse nations in the world, housing hundreds of different cultures. Mexican-Americans display a strong sense of a cultural background, which falls as a subset of the bigger Latino culture that links all Latinos. Oral history is a major aspect on the Mexican culture, which contributes to the truth of how history in the United States actually happened. Many stories embody the cultural aspects of Mexican-Americans and their struggles with living in a discriminatory society. Stories like With

Loose Women, is a collection of poetry written by Sandra Cisneros. A wonderful collection of words that speak to the beauty, disgusting, painful, extraordinary things about love, sexuality, women, bodies. Throughout the novel Cisneros revels in sort of “bad girl” image: however the overall persona is that of a passionate, sexual woman who’s had her share of both joy and disappointment. We all know Sandra Cisneros roots come from Mexico and is from Mexican American immigrant family and the culture for her is very different. I can relate to Cisneros’ culture different, since I am from Indian and in India women are considered to be the goddess from ancient time, however they are not being treated like goddess. Cisneros poetic style makes the book easier to read and comprehend and I think her Mexican roots play big part of her writing. In the book Loose Woman, the author seems to be talking about herself in each poems and is trying to express woman’s journey through the collections of her poems. Through her poems Cisneros’ voice shows love, hate and all the stages of feelings the woman goes through and sends message of bravery.

Throughout “The Mexican in Fact, Fiction, and Folkore” examines the term “Mexican” as it is applied in Southwest literature and argues the Anglo society has made a conscious effort to misrepresent Mexicans (Rios 60). He states the people of Mexican descent are viewed as un-American because they are perceived as filthy, lazy, and dumb. Ricatelli adds to the conversation of Mexican stereotypes by examining the literary expressions of Chicanas and Mexicanas in the literature of both the United States and Mexico. In “The Sexual Stereotypes of The Chicana in Literature” Ricatelli explains how in Yankee literature, the Chicana is referred to as the “fat breeder, who is a baby factory” meanwhile the Mexican is described as an “amoral, lusty hot tamale” (Ricatelli 51). He makes note of these stereotypes in order to highlight the ethnocentric and nativist points of view that dominated Anglo literature. Furthermore, he describes the multiple forms of control Chicana women face when he states, “The Chicana is first of all oppressed economically, socially, and politically by virtue of her being a woman. Secondly, the Chicana as a member of an oppressed ethnic and/ or racial group is limited to the same extent as the Chicano by the dominant Anglo society” (50). However, he fails to mention the experiences of queer women, which implies how the Chicano

In “Only Daughter” by Sandra Cisneros, she describes a series of events throughout her life that all relate to her relationship with her father. Cisneros begins her story by talking about how she was seen as “only a daughter”. She then transitions to talking about her education and her father’s opinion on what it is for and worth. Cisneros then ends it with a conclusion between her and her father which involved one of her stories. Throughout the story, Cisneros talks about what she believed her father thought about her and her career choices, and they turn out to be a bit different than what she thought. In “Only Daughter” by Sandra Cisneros, she learns that just because someone doesn’t show appreciation for you or your actions doesn’t mean they don’t appreciate or enjoy them.

In this essay I am going to examine and discuss the work of one of Mexico’s most important literary figures, Rosario Castellanos, with particular emphasis on her feministic beliefs and the ways in which she used her writing to catapult her views into the forefront of society. Her writing reflects bitterness regarding the desires and misfortunes of the female population of her nation. Castellanos used poetry, novels and plays as a platform to voice the many inequalities that she deemed prevalent in society at that time. She committed to writing as a mechanism for social change.