Yusaku Kamemura - A successful designer, teacher and writer.
Profile
Born in the Niigata prefecture in Japan in 1915, Kamekura can be considered as a leader within the first generation of modern graphic designers in the world. He is a representative of how an individual could massively shaped the future of a creative industry.
Kamekura has almost than half a century worth of experience in the design world. He is a key figure in the emergence of Japanese contemporary design as a significant presence on the international stage in the years following the Second World War, He become one of the influential design leader, therefore earned him the title of ‘The Boss’ in Japanese design circles.
”Under his leadership, Japanese graphic designers
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Yusaku Kamekura was one of them, He’s concerned with the strength of western influence over the Japanese designer that would make Japanese design no longer have the ‘Japanese aspect’ in it.
Therefore, with the influence he gained from the western influence and the Japanese traditional sensitivity that he has, he combined both of them and created a magnificient result. He created works that have international style of modernism and minimalism without losing it’s own national idetinty and cultural heritage.
Reflection
In my opinion, Indonesian people tend to easily receive influence, especially Western influence. In this situation, the role of a figure like Yusaku Kamekura is very important. Just like Japan, our country is also considered as a country that has many and diverse types of cultural and traditional heritages. In the present situation, when there is still many Indonesian designers who prefer to follow the international style without caring about the cultural aspects of our country, the figure of a Yusaku Kamekura can be a great ideal example where he could incorporate international style with cultural and heritage aspect to produce an interesting and magnificent arts with his own unique
William is able to design and build two windmills which brings electricity, running water and eventually food to the village supporting the claim that to make it all one has to do is try. When William Kamkwamba began his massive project he did not have the luxury of power tools and most other tools that someone would desire when constructing a windmill. In fact, William was left with just few nuts and bolts coupled with the neighborhoods junkyard scraps. An nameless disproving neighbor acknowledges this when he states over the crowd, “Ah look the madman has come with his garbage. We’ve been hearing about you” (Kamkwamba/Mealer 182).
El Anatsui is an African contemporary artist, who uses art to expresses the culture of Africa post colonialization. Anatsui uses natural materials such as wood, clay, and discarded bottle caps in his artwork. Many of his pieces reflect the Ghanaian culture, by using inspirations from Kente cloth, a traditional West African cloth made from woven textiles with multiple patterns. He uses his art to take a stand by informing people on the issues that Africa currently faces. Anatsui’s art references many historical events from Africa and around the world.
Takashi Murakami is believed to be the founder of this art movement. She follows this movement very well, and her color choices help her as well. Her color palette is bright, but has earthy tones as well, indicative of Japanese Contemporary art. Her paintings are usually landscapes that have an overall smooth-looking texture. Her artwork flows together, and is cohesive.
The 1950s saw the full development of a design movement that is apparently the most critical visual design style of the twentieth century as far as its sweeping effect, its life span, and its scope of pragmatic applications is concerned. The style started in Switzerland and Germany and is often alluded to as Swiss Style, yet it is formally known as the International Typographic Style. Its strength in numerous territories of graphic design covers a twenty-year period from the early 1950s to the late 60s, yet it remains impactful up till the recent times. As Richard Hollis puts forward in his book “Swiss Graphic Design: The Origins and Growth of an International Style, 1920-1965”, the Swiss Style has vital elements that are widespread throughout
The final shape, of the art student, is shaped more like an “I” and draws attention vertically, to its logo below, and back to the heading above, starting the circulation of information all over
Lucille Tenazas’s migration to the US was quite simultaneous with the period when modernist ideas, of which minimalism and the Swiss Style were integral parts, were being called into question by intellectuals and the seeds of postmodernism were being developed. In the field of design, another event also paved the way for the encounter with postmodern ideas: the development of technology and the replacement of the analog production with the digital world. During this period, many designers
An analysis of contemporary graphic design representing the theme of gender Graphic Design is highly influential today. Constantly challenging ideas and conventions in our society. Throughout history it has been a powerful tool to inspire, motivate and sway opinions. A graphic designers job is to visually convey a message to their audience. Many designers focus on important social and political issues to appeal to their viewers.
Specifically, mural art decorations cover most of the compound walls in Siriguyi, Ghana and communicate information that identifies the artists’ society. In this society art is functional and serves a purpose of not only being decorative but depicting the culture of the Nankani in its symbolism. Motifs and reliefs that are recognizable are highly regarded by the community. According to Kofi, "the Ghanaian artist, as a distinct member of his society he always wishes to create something that is recognizable in his symbolism... and he is disinclined to exceed the semi- abstract in order to express it." Generally, the designers (women artists) conform to the traditional decorations that demonstrate a preference for art that can be recognized.
Book Review: Howard Becker, Art worlds The purpose of this book is to discuss how important of humans in the art worlds. Howard Becker describes that arts worlds are constituted by some people instead of individual and these people bring out the rules of the art worlds due to culture or resources. First, Becker explains that people are the key point in the art worlds. To achieve a performing, visual, or literary art event, professional and non-professional people work together.
Graphic designer, Louise Fili, grew up in an Italian-American family in New Jersey and fell in love with the homeland of her parents at the age of 16 years. Since then, her passion for design, typography and Italian food has influenced her career as a designer. Fili went to study studio arts at Skidmore College but instead found graphic design, as she states in an interview “I went to Skidmore College where, if you couldn’t paint, they told you that you were graphically oriented. That’s when I found out what graphic design was.”. Later in the 1970’s, she completed her final semester at the School of Visual Arts in New York and at the age of 25 she become senior designer for Herb Lubalin.
If Tange began by imitating the late-flowering, sculptural concrete designs of the Swiss-French genius, he went on to create a body of internationally recognized work that was very much his own, fusing traditional Japanese forms with the very latest in structural daring. Kenzo Tange was the lead architect in the movement of modernism of Japan. He did not disregard the traditional architecture of Japan though, and he often made a point to incorporate modern and traditional in his
Many designs from this movement is still been produced and widely because of their functionality and longevity. The essay has discussed how Modernism leaders define their aesthetic views specifically with educational method, in architecture and fine art. Although there is controversy about the Bauhaus hagiographic, it cannot be denied that the Movement has a great contribution to modern Art history. Bauhaus style generally has principle of using a minimum of material or a maximum achievement. Their formal characteristics are clean lines, an impression of speed and power.
“Visual Arts cultivate thinking, innovation and collaboration.” As I write this paper today, I realized how each of us analyse everything in our lives without even meaning to do so. The museum that I decided to visit virtually was the Offizi Gallery in Italy. Located in Florence, this gallery included numerous paintings, sculptures and ceramics. The art piece that I have decided to write an analysis on today is The Birth of Venus by Sandro Botticelli.
M.H. Abrams’s The Mirror and the Lamp: romantic theories and the critical traditions is one of the most influential books in the field of western criticism. It was published in the year of 1953. The title of the book refers to the two contradictory metaphors used to portray the artist – one comparing the artist to a mirror which reflects nature as it is or perfected whereas the other compares the artist to a lamp that illuminates the object under consideration. Professor Abrams in his book illustrates the transition of the perspective of the theorists on the artist from one to the other and the ramifications of the latter in aesthetics, poetics and practical criticism. The essay “Orientation of critical theories” is the first chapter of this book.
Most importantly, do you have thought before about how important design is? Some people does not appreciate to the art that created by designers and artists because they unrealized the importance of art and design. Because of that, I would