Film can influence public opinion, shape the popular imagination, and reach great numbers of people in a short period of time.
Film was originally used to help the foundation of the Yugoslav ideology and identity after the split with Stalin. Over time this role has reversed, first with the appearance of the Black Wave and then with the New Yugoslav Film, that seeks to question the foundation of the Yugoslav identity and ideology.
These filmmakers use historical events to challenge the present. Even though they do this, they are not trying to represent historical sources themselves. Nevertheless, they do have an opportunity to provoke social change through their work .
This thesis observes re-examination of the past in Yugoslavia through the
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The tendencies in Yugoslav film in the 1980s are the answer to its political and social problems.
When trying to analyze where Yugoslav film fits into the official Yugoslav ideology and in what way it criticizes this ideology, one can naturally start from the Yugoslav Black Wave and argue that this is the period of Yugoslav cinema where the system was criticized most heavily. However, the Black Wave was not criticizing the ideology itself, but the way it was applied. Yugoslav Black Wave was close to the ideas of Praxis. “Some of these filmmakers were committed socialists whose work was designed to not only exercise the postulates of the ideology that they had studied and practiced but also to play its part in realizing the ‘socialist paradise’ that Tito was intent on creating—though perhaps their vision of that paradise and how to realize it differed from the official
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(…) Those who diverged from this official outlook and promulgated other ideologies (particularly Soviet ones after the Tito/Stalin split of 1948) were marginalized and sometimes imprisoned.
It is interesting to notice that the filmmaker that were active in the 1980s and were making these films as a commentary on the post WWII events, were the first generation that didn’t experience these events first handedly. They are the first ones who use history and memory to comment on these events that their parents were most likely experiencing. For instance, the story of When Father Was Away on Business is in a way the story of young Abdulah Sidran, whose father was doing time at Goli otok and we got to tell his story through fiction.
How the questions of the split with Stalin and the formal exclusion of Yugoslavia from Cominform, together with its political and social consequences, were treated in the film productions of the 1980s, “while the official national historiography was mostly silent about
The Difference of Gender Roles in 1950s and 1990s: Roman Holiday vs French Kiss Mimi Vlaović BGD10181 3,391 words Table of Contents: Abstract 3 The Introduction 3 The best thing I know is to do exactly what you wish for a while (Roman Holiday): 3 The Story 3 Rome vs. Paris 4 Happy-smile.
That’s what I call the 80’s The breakfast club came out in 1985; a movie about 5 different kids that end up in Saturday detention together and have to spend the day locked up in a library. It’s written by the infamous John Hughes, who also directs the much talked about movie. His cast of choice was no less but the most famous young people in Hollywood. To fill his library of trouble makers he looked to the people who were the best of the best.
Therefore, despite the horrors of Stalin’s regime, one could argue that the socialist realism paintings could ‘mould the consciousness of the people’ into believing that Stalin was a great and wise leader, a kind and humble man, and the father of all Soviet people, thus reinforcing his cult of personality that tries to portray him in that light. However, while art might have the power to do this, one must not forget about other visual representations of life such as photographs and posters. Their relative power and influence will be discussed later in the
Casablanca, a Romantic Propaganda Introduction Casablanca is one the classic Hollywood movie which is one of the most critically acclaimed Hollywood movies of all time and also very famous. Casablanca is a romance story that happens during World War II but the question is does it end there? Is Casablanca just a Romance movie? In this essay, I will be discussing how the movie Casablanca which is one of the most famous and critically acclaimed films of all time is a propaganda movie and what message is sending and the effects that propaganda movies make and why it’s important for governments.
This is the problem of the contemporary war movie– regardless how good it reconstructs the historical reality, it very often bears hallmarks of racism, because discrimination is inscribed in the everyday life of the past. Sometimes we should consider racist elements in war movies as the mindless reconstruction of the
In the various chapters, the author successively examines detailed accounts about the past from primary documents with an objective of bringing to light the incidents that took place and collectively culminated to the eruption of the conflict. The military situations, political turbulence, social upheavals, ethnic and religious strife among other aspects receive considerate attention and the aftermath is
Soviet Cinema were established between the years 1917 to 1953. This was a time of transition and great development in the film industry. Soviet Cinema focused on creating films that dealt with political and ideological ideas that arose during those times. A Man with a Movie Camera was released in 1929. This film became revolutionary in the way it used techniques of film editing such as; constructive/linkage editing and intellectual montage and how it helped narrate the story without a storyline.
The Soviet Union cera 1960 through 1970 is characterized by a sense of intense competitiveness. The nation was in the midst of the Cold War with the United States and both nations were going to extreme measures to prove that they were the World’s greatest power. From the space race to the accumulation of nuclear weapons, a main source of this competition stemmed from technological advancements. However, after what is know in Russian history as “The Thaw”, censorship decreased and more people began to critique the nation’s scientifically driven agenda. One of the main public figures worried about the nation’s future was Andrei Tarkovsky.
(6470). Throughout his book Sklar goes through the history of film in American culture and analyzes how different American film’s have impacted our country in different ways, and vice versa. Sklar starts his book by looking at the beginning of film in the early 20th century. Sklar starts by looking at how film in the years between 1890 and 1910 became so popular.
At the beginning of the film there is a narrative voice over which explains the political context of what is happening to the audience. The viewer never has to figure anything out for themselves therefor the film is conforming to a typical narrative structure. The storyline concerns the coming of World War II and a love triangle between Baine, Ilsa and Laszlo. The viewer’s main focus is on the love triangle rather than the political context making the overall storyline easy to understand. This also is an aspect as to why this movie conforms to a classical narrative approach.
In looking at the quintessential films of the 1980s through the lens of the Eddie Murphy moment, the particular elements of shifting U.S. feminism and nuclear energy stand outside of the Murphy influence and their effect on New Hollywood. Silkwood (Nichols, 1983) offers a look at these elements through the socio-political impact of second wave feminism, nuclear power fears in the shadow of the cold war and a Hawkish national agenda under President Ronald Reagan, the de facto politics of labor intimidation, and small budget film, as levers of change for Hollywood. The period from 1980 to 1983 is stamped by the Reagan era excess of dangerous jobs for large paychecks, post-Viet Nam transience, and the social failure of families, marriage, education,
Over the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision.
1984 and WE, can be consider as “the two permanent novels”; these books, after passing many years of their writing, are read by all the range of age, from a juvenile to an aged person, from the East to the West, in communism and socialism countries. In fact, the themes of these novels are interesting not only for people of that era, but also for all free and open-minded men in the modern world; both the themes of the novels, and the purposes of their authors never forget, and mainly reason is because of their relevant and dynamic style and structure, specially Zamyatins’ WE. In other words, as his novel had a great influence on 21st century writers, like Aldous Huxley, George Orwell, Kurt Vonnegut, and even Ayn Rand, it can be considered
Two films, although created years apart yet have a lot in common, including their content of it’s narrative techniques. Both films, even though black and white with strokes of genius of cinema offer a vast stretch for study. I will be looking at Sir Orson Welles “Citizen Kane” (1941) and Akira Kurosawa’s “Rashomon” (1950). We see in Citizen Kane he values for the American life. The three abstract themes that constantly follow through Citizen Kane are Wealth, Power and Love.
The concept of Social realism as a film genre is to portray the ‘real life’ of a working-class society. Social realism films depict the social, political and economic injustices’ that influence and impact people in society (Taylor, 2006). It is raw and gives the audience a true indication of what life is like (Lay, 2002). Social realism first came about during an economic downfall in the 1920s. It was an art movement that social realists started, to represent the working class.