Alfred Essays

  • Vertigo Alfred Hitchcock Analysis

    1062 Words  | 5 Pages

    Despite his English upbringing, Alfred Hitchcock has become one of the biggest and best-known names in the history of American cinema. His knack for producing dramatic, psychological thrillers earned him the apt title of “Master of Suspense”. While his films were wildly popular upon their releases, one was a notable failure at the box office, only later to be deemed “Alfred Hitchcock’s Masterpiece”. In 1958, Paramount Pictures released Vertigo, Alfred J. Hitchcock Productions’ latest thriller. Mysterious

  • Alfred Hitchcock's Auteur Theory

    2227 Words  | 9 Pages

    one of their films. In particular, the master of suspense, Alfred Hitchcock, would come to be one of the most noble auteur directors that film history has to offer. He has displayed themes such as voyeurism, birds, and identity mistake and technical styles such as the camera, actors, and lighting. Hitchcock’s masterpieces have been a symbol of art form and his unique style has inspired and transitioned into other films today. Alfred Joseph Hitchcock was born in London

  • Analysis Of Alfred Hitchcock's Psycho

    877 Words  | 4 Pages

    The movie of “Psycho” is a horror film directed by Alfred Hitchcock. This movie released on 8 September 1960 in USA. Director Alfred Hitchcock, which is "The Master of Suspense", he pioneered many techniques in the suspense and psychological thriller genres and he has produce 59 movies in his life, more than 300 series drama. In his films, he likes to focus in stress, anxiety, voyeurism, fear of the dark side of human nature, with elaborate plot and excellent actors acting occupy psychology of audience

  • Psychoanalysis In Alfred Hitchcock's The Birds

    978 Words  | 4 Pages

    Alfred Hitchcock is a well-known movie director for his interpretations of using the concepts and the theory of psychoanalysis in his films. Specifically in the film, “The Birds”, there are scenes throughout the movie that represent psychoanalysis. An imagery that Alfred Hitchcock uses to represent psychoanalysis is the concept of the unconscious mind to show to the relationship of Melanie Daniel and the birds. By using the concept of “the unconscious”, in the movie to he represents it through

  • Alfred Hitchcock The Birds Analysis

    1217 Words  | 5 Pages

    The Comparison and Contrasts of Two Literature Sources Alfred Hitchcock’s 1963 film of the birds generates a larger impact on the audience and is more accurate and worthy of being considered a genre of horror media than Daphne Du Maurier’s short story of the same name. With the movie being a visual, you can see the pain and the hard time characters had to face which makes it more relatable then a reading. The movie is about a town that experiences an insane attack from ruthless birds and the movie

  • Alfred Hitchcock Vertigo Analysis

    1155 Words  | 5 Pages

    Released in 1958, Alfred Hitchcock’s Vertigo was not very popular, but as time went on, the film gained acclaim and became noted as the quintessential Hitchcock movie. After being released from his job as a detective because of his vertigo, John “Scottie” Ferguson is asked to follow his friend’s wife, Madeleine. As he investigates her, he begins to become obsessed with her, being drawn to her mystery. After she commits suicide by throwing herself off a bell tower, Scottie later sees a woman who looks

  • Comparing Alfred Hitchcock's Life And Film

    495 Words  | 2 Pages

    Alfred Hitchcock’s early life was filled with cinema and directors. He was born in London in 1899. As a young man he was very independent and went to movies and plays by himself, according to Senses of Cinema. As soon as he finished school he worked in cinema and made a name for himself directing thrillers. Hitchcock eventually became the highest paid director in England. He worked with his wife Alma Hitchcock, who he married in 1926. Alma was also in the film business and worked with her husband

  • Alfred Hitchcock's Rear Window

    871 Words  | 4 Pages

    Rear Window The film masterpiece “Rear Window” is directed by Alfred Hitchcock and is known for its unique ability to connect to the hearts of many. The movie intrigues the audience from the opening scene to the dramatic amusement, Hitchcock’s movie is near impossible to predict and is composed of multiple plot twists and surprises. Despite being a harsh movie critic, I truly appreciated every single detail that is put forth by the Director. Unsurprisingly, Hitchcock is known for countless other

  • Analysis Of Alfred Hitchcock: Master Of Suspense

    863 Words  | 4 Pages

    “There is no terror in the bang, only in the anticipation of it.” – Alfred Hitchcock.Suspense is a technique used by film directors to bring excitement to both short and feature films; leaving the audience feeling helpless yet engaged. Alfred Hitchcock, a world-renowned English director, has long been considered the ‘Master of Suspense’(Unknown, n.d.). Hitchcock spent most of his 60-year career refining suspense techniques within his films. Narrative elements such as audience knowledge, secluded

  • Alfred Hitchcock's Techniques To Create Suspense

    410 Words  | 2 Pages

    The movie Psycho by the Oscar nominated and "master of suspense" Alfred Hitchcock is by far the best suspense/thriller movie that I have ever seen. It is amazing how a movie filmed in 1960 in black and white can turn out to be better than a movie filmed with color in the twenty first century. How Alfred Hitchcock thought of ways to create suspense and infused them in the movie is truly amazing. The techniques that I saw Alfred Hitchcock use to create suspense in Psycho were different camera shots

  • Alfred Hitchcock Rear Window Analysis

    733 Words  | 3 Pages

    Cinema’s director Alfred Hitchcock is one of the most important and influential filmmakers of all the times. Using revolutionary techniques and controversial topics, Therefore, Hitchcock captivated the public as no other director of his time. One of the techniques that he made famous, his use of the hearing as a voyeur of the action on the screen. Hitchcock used this technique to dim the line between the innocent and the guilty. As well as to the public in the position where they were personally

  • Alfred Hitchcock's Influence On David Fincher

    1575 Words  | 7 Pages

    S INFLUENCE ON DAVID FINCHER Alfred Hitchcock?s Influence on Contemporary Filmmaker David Fincher Rebecca McLemore Cleveland State University Introduction Introduce the master of suspense, Alfred Hitchcock Reference Hitchcock as David Fincher?s inspiration. Thesis Statement: When watching a Fincher film, one can make direct and indirect comparisons to Alfred Hitchcock?s films, allowing you to see how Hitchcock did leave an impression

  • The Auteur In Alfred Hitchcock's Rear Window

    1591 Words  | 7 Pages

    far and few between who were responsible for handling and directing most of, if not all post and prior production of a film, including techniques, advertising, and choice of cast. So much so that they are considered to be the "author" of the film. Alfred Hitchcock has no doubt left an indelible and engraved mark on all of cinematography as one of the most successful and influential auteurs of all time, as seen through the wide range of techniques Hitchcock employed throughout his films such as voyeurism

  • The Master Of Suspense In Alfred Hitchcock's Psycho

    754 Words  | 4 Pages

    Captured Audience Alfred Hitchcock’s Psycho (1960) Alfred Hitchcock is a most significant director and is considered “the master of suspense”. He achieves in capturing the audience’s primary senses of suspicion and awareness in the film Psycho (1960). The film language affects and manipulates the audience with recurring narrative and visual elements of style, using shot choice, mise-en-scene, narrative structure and soundtracks. Conveying a lasting sense of anxiety through an intensifying theme

  • The Master Of Suspense In Alfred Hitchcock's Film

    1120 Words  | 5 Pages

    Alfred Hitchcock, the film director commonly identified as “The Master of Suspense”, was once quoted as saying, “There is no terror in the bang, only in the anticipation of it”(“Alfred Hitchcock”). The name Hitchcock has continued to evoke a feeling of expectation for the macabre, as both his personality together with his films, played upon audience’s nerves. Hitchcock created narratives that had audiences waiting at the edge of their seats awaiting the crashing cymbals to hide an assassination during

  • Relationships In Alfred Hitchcock's Rear Window

    827 Words  | 4 Pages

    Alfred Hitchcock’s Rear Window has several themes. One major theme is relationships. The lead character, Jeff Jeffries, a photographer and committed bachelor, is involved in a relationship with Lisa Fremont, a model, although the relationship has some tension due to Jeff’s lack of commitment. When Jeff is confined to his apartment recovering from a broken leg, he begins spying through his rear window on his neighbors in a nearby apartment. Through her frequent visits, Lisa is drawn into this spying

  • Voyeurism In Alfred Hitchcock's Rear Window

    538 Words  | 3 Pages

    media is used to focus primarily on the role of the viewer, relying on cinematography and mise-en-scene to drive the audience's feelings of curiosity and visual stimulation. Due to its prevalence in society, voyeurism is a central theme in many of Alfred Hitchcock's films. His film, Rear Window (1954), is a psychological thriller which incorporates unique visual techniques, especially camera-work, to create this voyeuristic experience for the viewer. As well as film, television shows also incorporate

  • Analysis Of Alfred Hitchcock's Film Psycho

    842 Words  | 4 Pages

    Alfred Hitchcock’s 1960 film Psycho redirected the entire horror genre, and in doing so dismantled the prudent 1950’s societal barriers of cinema. Although unseen for its potential by the large studios of the time, Psycho became one of the crowning achievements of film history. While based partially on a true story of murder and psychosis from Wisconsin, the widespread viewing of this tale made way for a new era of film and ushered in a new audience of movie goers. The use of violence, sexual explicitness

  • The Last Noir In Alfred Hitchcock's Vertigo

    719 Words  | 3 Pages

    Many argue when the Golden age of Film Noir ended. One on the most common arguments is that Orsons Wells A Touch of Evil was the last of the great Noirs. However, the real last true noir may actually be Alfred Hitchcock 's Vertigo which came out later the same year is the true last noir. The first evidence Vertigo gives us is the main character John "Scottie" Ferguson. Scottie is a ex-detective with a past that haunts him. Even the description sounds like a cliche Noir Protagonist. Detectives are

  • Suspense And Tension In Alfred Hitchcock's Vertigo

    728 Words  | 3 Pages

    The movie that I choose was Alfred Hitchcock’s Vertigo. It is written by Samuel W. Taylor, Alec Coppel, and Maxwell Anderson. Claimed to be one of the greatest American films Hitchcock made. I don’t personally don’t know that I would say it is the greatest film ever made but was a fantastic suspense/thriller and I enjoy those type of film they keep you on the edge of your seat. It is a mesmerizing romantic suspense/thriller about a chilling, hopeless romance of man frantically reaching for a love