American comedy films Essays

A Contrast of American and Italian Comedy Films Ari Mont IS 220 - Prof. Bini There is no prototypical film from any part of the world, let alone ones with such illustrious histories as the United States and Italy. Yet, because filmmaking is an art that is so dependent on borrowing cinematographic and writing styles from those nearby, it is inevitable that some patterns will emerge. This essay will take a look at two films from the same time and the same genre, one American and one Italian, to

How is gender represented in the horror or comedy films you have studied for this topic? British films in the horror genre tend to represent women as weak and vulnerable or as sexual characters who are beneficial for the male gaze. However, this is different for ‘The Descent’ because this contemporary horror film uses an all girl’s cast but in this context women are presented as masculine-feminine which is an interpretation that increases when Marshall provides an opportunity for the women to show

This psychological assignment requires us to break a social norm. In my case, I decided to break an appearance social norm. I thought in something weird, but at the same time really funny. Therefore, I entered to my little walking closet and I took the most brilliant and extravagant high heels shoes that I found to wear them at a place when people usually used flip flops. 2- It was a hot and beautiful sunny morning when my boyfriend invited me to Sunny Isles Beach for a romantic walk. I dressed

of irony and absurdist humour in Strangelove is characteristic of a satirical film, so in this regard, Strangelove is a conventional piece of satire. The main source of comedy in Strangelove is the use of satirical irony. The line “gentlemen. you can't fight in here. this is the war room!” is trivialising politicians, even though they are absorb in war and power, actual conflicts would be a disaster. Or the visual comedy of the slogan “Peace is our profession” being on a billboard with multiple bullet

is a comic work that has elements of both tragedy and comedy that usually contains gloomy or morbid satire (Dark Comedy | Define dark comedy at dictionary.com ). It is usually used to make a taboo or morbid subject matter lighter and easier to talk about. As a society, we have many faults and shortcomings that exemplify us as flawed human beings. That is why dark humor is an integral part of American humor. Through the use of both comedy and tragedy being portrayed through morbid satire, dark

The concern of literacy debate in films in not only associated with authors but also bridges difference between classical and psycho-semiotic as well as modern and postmodern film theories. While conducting analysis, it is identified that film grammar is mainly divided into four aspects including frame, shot, scene and sequence. According to Semali and Asino (2013), language is just like a character of films or cinema and remarks that language is the ability of cinema to transcend perspective of

Known as the “Father of Comedy”, the ancient Athenian playwright Aristophanes wrote forty plays between 427 B.C. and 386 B.C. Of those forty, only eleven plays survive in their entirety. His most well-known and anthologized play is Lysistrata. First performed in 411 B.C., the comedy is a political satire meant to criticize the Peloponnesian War raging between the Greek city-states of Athens and Sparta at the time. The plot of the play revolves around a sex strike that was organized by the women of

crowd through low comedy. This implements comedy through vulgar language and jokes, indecency, and exaggeration. Although, this sort of humor may appeal to millions according to the outstanding ratings and exceptional critiques, this does not excite the same reaction to myself as it may to others. “Full of heart, warmth and enough excrement to fill an all-white bridal shop.” This review from an apparent lover of all things Bridesmaids blatantly represents the crass humor that this film is enveloped

Actors in Film rarely have control over what they were acting in many Hollywood movies, because actors have the least amount of creative input. Most actors play the role they are assigned, which the mostly white studio executives choose these assignments, and this makes it difficult to know whether or not actors have subverted their stereotypes. This is not just the case for Old Hollywood actor, since many actors today face the same obstacle. According to Latino Images in film, there is a “disappearing

It is a thriller, black comedy, drama, crime and neo-noir film written by the Coen Brothers in 1996. In this movie, all the characters are obsessed with money; for instance, Jerry is a pathetic loser who never stops improvising solutions in order to escape from the impasses he finds himself blocked by. He never stops bursting with activity, and I think that that almost makes him admirable. The only thing that attracted me after watching the movie was the music, and after researching, I noticed that

Lizi Minelli, in her 1972 debut as Sally Bowles in Bob Fasse’s musical-film “Cabaret” based on John van Druten’s play “I Am a Camera”, once so scintillatingly crooned: “Life is a cabaret old chum, come to the cabaret! Similarly, Jim Woodring once said in his remarks about pantomime that: “It takes more drawing to tell a story in pantomime.” Pantomime and Cabaret are genres of theatre that have captivated many European countries with its satirical and humorous dialogue, and its outright defiance

Comparing Two Classic Comedies: Seinfeld and The Office Sitcoms, or situation comedies, have been a staple of television programming for decades, and their impact on society cannot be overstated. These shows have the power to influence public opinion, shape cultural norms, and provide a window into the human experience. While many shows are put into this umbrella term, they can differ wildly. For example, we can shed light on the show Seinfeld, a sitcom characterized by its focus on everyday life's

definition of a comedy, “a work which is primarily designed to amuse and entertain, and where, despite alarms along the way, all’s well that ends well for the characters” (King 55) is undoubtedly affirmed by Shakespeare’s use of comedic features such as dramatic irony. Despite the creation of exuberant comedy within the play, principal sub-plots in ‘Twelfth Night’ such as the gulling and confinement of Malvolio, prove that when looked at in more depth, to some extent, the play’s comedy cloaks themes

Wilde Oscar Wilde "The Importance of Being Earnest" is a play marked by the greatest variety of comic speech means. Focusing only on verbal paradoxes, then an elementary calculation of them convinces us that by the number of paradoxes this comedy considerably exceeds the previous one. To note that among the characters of this play there is no written aphorist-paradoxical, serving as the only mouthpiece of author 's wit. Paradoxes occur in the speeches of many different characters, and as a

Philip Roth ends American Pastoral with a resounding rhetorical question: “And what is wrong with their life? What on earth is less reprehensible than the life of the Levovs?” (Roth 252). Indeed, one wonders, why has the Swede, a man seemingly perfect in every aspect, been marked out to be a modern day Job, one whose idyllic American life is shattered by a renegade, murderous daughter? The answer lies in the Swede’s enthrallment with the peak of the American dream, his utopian American pastoral. In striving

behavior is an accurate predictor of perceived flow and rapport within the context of improvisational comedy. The concept of rapport is defined as the coordination amongst individuals (Capella, 1990), while flow is a psychological construct relating to an optimal experience of performance (Csikszentmihalyi 1993). Effective communicative behavior relates to the ‘yes-and’ rule within improvised comedy. During this research, dyads of participants with varying degrees of experience with improvisational

"The simplest of women are wonderful liars who can extricate themselves from the most difficult dilemmas with a skill bordering on genius." This is a quote attributed to Guy de Maupassant, the author of The Jewelry, in which he emphasizes the crafty methods that women often use to elude problematic obstacles in relationships. The Jewelry begins by introducing M. Lantin, a chief clerk in the office of the Minister of the Interior, as a love-stricken man with a strong attraction for the beautiful daughter

fights hard for his innocence. Through its narratives and discourse, the film acts as a vehicle that interpellates

Initially, following much analysis, one can hypothesise that to a greater extent, Willy Russell, does synthesise ‘conventions of comedy’ with messages that relay serious social issues in his play. At one instance, He advocates to the audience the mode in which the lower class society were manipulated by the upper class to live a life of misdirection, to live a life of hardship obscured behind the illusions of amusement and play. For instance, Rita elucidates that ‘they’ll (the working class) tell

This comedy left me wanting a little more tension between the characters. The play is full of stock characters and is tremendously funny, but an overall highly unlikely situation. However, unlike other farces and comedies that I’ve read from this era, there is a very clear story that dramatizes the consequences of lying, even if the protagonist doesn’t learn anything by the end of the tale. I was most surprised about the amount of agency all the women have, especially Isabelle and Sabine. They aren’t