American film directors Essays

  • Analysis Of Wes Anderson's Three-Act Structure

    800 Words  | 4 Pages

    the most widely used formula for writing movies in American cinema. Some swear that this structure is the perfect formula for creating a successful film that will top the charts and bring in the most revenue. As the name states, it is composed of three distinct acts: the setup, the confrontation, and the resolution. Each of these three acts has their own partitions called beats. The beats are checkpoints for important events that screenwriter and film analyst Blake Snyder says are imperative for writing

  • Manipulation Of Language In Truman Capote's In Cold Blood

    1177 Words  | 5 Pages

    Facts and Fiction: A Manipulation of Language in Truman Capote’s In Cold Blood English is a fascinating and riveting language. Subtle nuances and adjustments can easily change the understanding of a literary work—a technique many authors employ in order to evoke a desired response from their readers. This method is used especially in In Cold Blood by Truman Capote, a literary work which details a true event about the murders of four members of the Clutter family in the small community of Holcomb

  • The Ones Who Walk Away From Omelas Literary Analysis

    1253 Words  | 6 Pages

    In Ursula Le Guin's short story "The Ones Who Walk Away From Omelas" the city of Omelas is described as a place made up of a almost perfect society, keep in mind how I said “almost perfect”. A utopian city, Omelas during the Festival of Summer, is characterized by its happiness and perfection. "The Ones Who Walk Away From Omelas" presents a challenge of conscience for anyone who chooses to live in Omelas. With the backstory of this joyous and peaceful city comes a sinister consequence in which leaves

  • The Auteur In Alfred Hitchcock's Rear Window

    1591 Words  | 7 Pages

    prior production of a film, including techniques, advertising, and choice of cast. So much so that they are considered to be the "author" of the film. Alfred Hitchcock has no doubt left an indelible and engraved mark on all of cinematography as one of the most successful and influential auteurs of all time, as seen through the wide range of techniques Hitchcock employed throughout his films such as voyeurism, doubleness, and the famed magcuffin, as can clearly be seen in the film "Rear Window" as well

  • Jazzonia Poem Analysis

    948 Words  | 4 Pages

    The final poem of significance is Jazzonia, in which Hughes experiments with literary form to transform the act of listening to jazz into an ahistorical and biblical act. Neglecting form, it is easy to interpret the poem shallowly as a simple depiction of a night-out in a cabaret with jazz whipping people into a jovial frenzy of singing and dancing. But, the poem possesses more depth, when you immerse yourself in the literary form. The first aspect of form to interrogate is the couplet Hughes thrice

  • Treasure Of The Sierra Madre And Taxi Driver Comparison Essay

    747 Words  | 3 Pages

    Of the films that I have seen of John Huston and Martin Scorsese it’s hard not to notice their similarities and numerous differences. Perhaps the most obvious comparison to make is how they use decor and costumes, both of their films, The Treasure of the Sierra Madre (1948) and Taxi Driver (1976), take place at the time of their release, so the costumes and settings are realistic and most importantly lived-in. How these locations are lived in are portrayed a little differently through lighting and

  • Margaret Atwood's The Edible Woman

    1781 Words  | 8 Pages

    This paper highlights close proximity with feminism and post colonialism in Atwood’s novel, The Edible Woman. Woman’s colonization, victimization, humiliation and silence disrupt or increase her pace towards survival and freedom. Women as well as countries are displaced and deteriorated incessantly. Weak bodies and fertile lands are raped and conquered. The complicated relation between consumer culture, the health and beauty industry, patriarchy and gender roles is made explicit. Unrealistic expectations

  • Gender Roles In Rear Window

    1028 Words  | 5 Pages

    and marriage- a thematic approach Alfred Hitchcock was a successful English film director and producer. He was often known as “the master of suspense.” He filmed psychological thrillers, one of these thrillers include “Rear window” which in mostly all of his films, he portrays women to look and act a certain way. Two significant themes portrayed throughout this film include marriage and the gender roles within the film. Rear window is about Jeffries, a man who is isolated in his own apartment,

  • Vertigo Detective Scottie Ferguson Analysis

    2069 Words  | 9 Pages

    actively deceived throughout the film to believe the convenient truth to what his heart or sex life desire. To better understand what I have just thrown on you I should probably better explain the circumstance of this deception. Beginning with the back story behind the deception Scottie faced through out the film, and how his own mental issues played into it. We must also analyze Scotties obsession and we can do so by analyzing one of the most pivotal scenes in the film, which I will call the neon green

  • Comparing Asagai's A Raisin In The Sun

    803 Words  | 4 Pages

    Stephen King a famous Author,once said,”Books and movies are like apples and oranges. They both are fruit, but taste completely different.” Truly, apples and oranges taste completely different just like books and movies. Although the book or the movie might give you more understanding. Just like the raisin in the sun the book and movie are completely different. The movie A Raisin in the Sun is better than the book because it has better understanding of scenes and other big problems. Asigai appears

  • Punch Drunk Love Analysis

    1159 Words  | 5 Pages

    reoccurrence in romantic comedies is the factor of love being whimsically portrayed as something divine, predestined and magical. The omniscient state of love in the typical romantic comedy positions love as the driving force with godlike authority over the film and the love between the two central characters is within a concept of a divine plan, fitting in with the romantic concepts in which the romance genre is founded. Punch-Drunk Love (2002) uses absurdism to flip all of this on its head, taking the romanticism

  • Figurative Language In Barbie Doll, By Marge Piercy

    1525 Words  | 7 Pages

    The life of a women is difficult at all the stages of life, from birth to death, there is certain clothes they need to wear, they need to act a certain way, and do the chores that society feels are necessary for them to do. Society makes it clear that a woman is different from men and the tasks that they have are different. The author of “Barbie Doll,” Marge Piercy sheds a light of the difference on how people treat girls and women as they go from early childhood to adolescence. Piercy uses the connotation

  • The Ghost Of Greylock Chapter Summary

    751 Words  | 4 Pages

    Briefly Summarize the book. The Ghost of Graylock is about two kids, Bree and Neil Cady, who go and visit with their Aunt's Claire and Anna because they are having family problems with their parents. Along the way ,they meet two kids , Wesley and Eric , who become their friends. The four of them have heard about the rumors of Graylock and decide to go and explore the abandoned asylum. They thought it was going to be a normal investigation, but it turns out to be the scariest day of their lives.

  • Alfred Hitchcock Auteur Theory

    1013 Words  | 5 Pages

    Bringing out the meaning: Deacy, Nolan, Scorsese, and what films 'mean', is giving the director credit as the author of the movie due to the directors creative hand through the filmmaking process (Ellis). Throughout the decades, some names have stood out more than others based on the critical acclaim of their films. Alfred Hitchcock and Stanley Kubrick are two well known directors, both considered to be highly influential people in film; even with their varying directorial styles and techniques.

  • Steven Spielberg: The Most Memorable Director

    1021 Words  | 5 Pages

    Steven Spielberg is an American director whose had countless top grossing films and captured the attention of American audiences. “Jaws”, “Jurassic Park”, “Saving Private Ryan” and 42 more films have been directed by Spielberg and have been credited with countless awards. Spielberg has worked with award winning actors, used groundbreaking technology, and is even considered to be the father of the New Hollywood Era. As a child Steven would film things like family events and occasions and soon went

  • The Silent Film: The Talkies And The Silent Era

    996 Words  | 4 Pages

    a movie that made you think for a while about how they made it or how long it took the actors, directors, and the film crew time and energy to produce a movie with its various components? Or how much money spent on movie essentials such as cameras, microphone, and computers to produce a movie? Producing one film only takes a great deal of thinking, energy, time, and money. Despite these costs, the film industry has been profitable since the 1920’s. This period was an era of dramatic social, historical

  • Ghetto Documentary Analysis

    1245 Words  | 5 Pages

    concern running through all of the chapters in Part Two has to do with how to represent the experience of another in a way that is not objectifying or exploitative. Different filmmakers have different strategies for doing this, that is, for making films they feel are ethical. Central to this debate is how to represent extreme poverty, marginality, or precarity. In “Capturing the ‘Real’ in Panama’s Canal Ghettos,” Emily F. Davidson approaches this question by analyzing the “ghetto documentary” genre

  • Jodie Foster's Influence Of Acting

    1013 Words  | 5 Pages

    making a film, it is consider to choose a cast if necessary, who will suitable for the role of character because the actor’s acting is one of the essential roles to lead successful movies. They need to understand the character’s role, appeal to emotions and attraction for the audiences and carry messages of the film throughout their performances furthermore, it is affects movie box office income. Actors are one of the most influential and important part of making films as well as directors and producers

  • Stereotypes In Hollywood Movies

    1013 Words  | 5 Pages

    Hollywood is the home of flashing cameras, the famous red carpet, and glamorous celebrities. Hollywood is also the birthplace of extraordinary films which reach audiences across the world. The casting choices made by the film industry affects more than just the movie that is created. Hollywood directors and writers should have the social responsibility to avoid stereotyping ethnic characters because the stereotypes offer poor (and often inaccurate) insight into the culture, negatively impacts child

  • Violence In Martin Charles Scorsese

    1062 Words  | 5 Pages

    only a short list of movies which were directed by a talented Italian-American screenwriter, Martin Charles Scorsese. With more than 50 years of film directing experience, with lots of rewards, including Oskar, he remains to be one of the most influential and recognized film producers around the globe. From very young age Mr. Scorsese was very passionate about film making and at the age of 26 he already debuted in the film industry with his movie “Who's That Knocking at My Door?”. That movie