Anti-art Essays

Caplin BA Visual and Critical Studies Philosophical and Artistic initiatives Exploring Anti Art and the consequential place of Aesthetics in Contemporary Art Abstract “What is Art?” and “What makes Art beautiful?” are key questions researched by many including Artists, anthropologists, psychologists, philosophers and programmers. Art has been a developing and universal concept. The basic meaning of the term "art" has altered numerous times and has continued to change throughout the 20th century.

When it comes to symbolism in literature，it usually refers to a European literary and artistic movement of the late 19th and early 20th centuries , which chiefly originated in France , Russia, and Belgium, and was deeply influenced by the great works of Edgar Allen Poe. As in most literary rebellions, the new literature rose out of a desire to renovate the literary theories of a previous age. Symbolism as a new and extraordinary literary writing tactic came naturally into the world of literature

revolution and help artists produce works freely from culturally enforced norms. This paper will address the key factors regarding surrealism by explaining its most popular methods, its goals, the historical events and founders and lastly, its impact on art and other areas. Surrealism was rooted from Dada, which is a result of World War I. Dada artists’ goals are to create a culture where people champion the absurd, the irrational and the spontaneous to relief themselves from the boundaries and anger

Manhattan Transfer describes a panoramic view of life in New York City between 1890 and 1925. It contained fragments of popular songs, news headlines, and stream of consciousness monologues from a horde of unrelated characters. Dos Passos felt that his novels should paint a picture of society as it was, to expose human difficulties by showing them realistically. Following the directions of an author he admired, Walt Whitman, Dos Passos who sought to use a “moral microscope” upon humanity. He became

1. Introduction Surrealism by definition is a 20th century avant-garde movement which included art and literature which sought to release the creative potential of the unconscious mind. There were many notable artist during this time such as Salvador Dali, Frida Kahlo and Pablo Picasso. These artist made a huge impact on surrealism movement during the prime years 1900-1920’s, but a notable and last surrealist artist was Leonora Carrington. Although coming into this movement during the last years

Dadaism or Dada was a form of artistic movement born out of disgust and hate for the social, political and cultural values of that time. It embraced elements of art, music, poetry, theatre, dance and politics. Dada was not so much a style of art like Cubism or Fauvism or pop art; it was more a protest movement with an anti-establishment manifesto. Art movements are usually named by critics but Dada was the only movement to be named by the artists themselves.. When Hans Richter joined the group in 1917,

Max Ernst is one of the founders of Dadaism and Surrealism, he was one of the most influential contemporary artists in his time. Ernst was born on April 2, 1891, in Brühl, Germany. His father appreciated painting and enjoyed it as a pastime. Ernst’s artistic interest did not become prevalent until he attended the University of Bonn, where he studied philosophy and abnormal psychology which added plenty of inspiration and fueled his artistic endeavors. Ernst reportedly had remarkably vivid memories

Surrealism is a radical, aesthetic movement that transformed both materiality, and the very being of art itself. Surrealism deals with internal contradiction, incoherence, and the marvelous, with a conjunction of disparate objects to bring forth a movement of love and liberation. Unlike a majority of the French surrealists, Rene Magritte placed a great emphasis on ideas surrounding enigma, and representations of mystery. Magritte is well known for blurring the lines between the real and the imagined

Originally «Surrealism was an avant-garde art movement in Paris from 1924 to 1941, consisting of a small group of writers, artists, and filmmakers, including André Breton (1896–1966), Salvador Dali (1904–1989), and Luis Buñuel (1900–1983). The movement used shocking, irrational, or absurd imagery and Freudian dream symbolism to challenge the traditional function of art to represent reality. Related to Dada cinema, Surrealist cinema is characterized by juxtapositions, the rejection of dramatic psychology

The term Magischer Realism, translated as magic realism, was first used by German art critic Franz Roh in 1925 to refer to an alternative style known as New Objectivity. Around 1920s, artists looked around them, at the ordinary objects of life and painted to portray the strange and the uncanny in the aspects of everyday life. Their aim was to shake the established perception of reality, and their surroundings by announcing fantastic elements. Roh recognized magic realism’s accuracy in detail as well

ARTISTS ON ART Naomi Katherina Richmond ¬ SALVADOR DALI the artist in retrospect considering his personal memoirs Salvador Dali is largely recognized as the master and founding father of the Surrealist movement. An artist who constructed ‘mental windows’ into dreamlike alter realities implementing the methods of old masters while translating theories cohesive with French philosopher Henri Bergson on canvas. Dali has largely been considered a complex and intellectual individual

secondary source, I chose History of Modern Art: Painting, Sculpture, Architecture by H. H. Arnason and Elizabeth Mansfield. I chose this source after looking at a few books because it contains information on a wide variety of artistic movements and puts Surrealism into the context of the history of events that took place. The authors of this source gives readers a full history of surrealism, invokes deeper thought in readers of René Magritte’s life and art, specifically The Treachery of Images, and

Marcel DuChamp once said “I don’t believe in art. I believe in artist.” In his insistence that art should be driven by ideas above all, Marcel Duchamp is generally considered to be the father of Conceptual Art. Marcel DuChamp was born in 1887 to a family of artists. He was raised in Normany, France, where he played chess, enjoyed reading, painting, and music. He joined his older brothers in Paris to study painting at the Academie Julian. He really seemed to enjoy the influences of Fauvism, Cubism

Genre: This photo is staged and has been manipulated digitally. Overall this has been done to capture the surrealism of the photo. ‘A 20th century movement of artists and writers who used fantastic images and incongruous juxtapositions in order to represent unconscious thoughts and dreams’ (Buckley, 2017 ). This photo is symmetrical and incorporates innovative features, this has occurred through playing with scale and trying to capture the symbols within the photo. The main symbol that is pulled

Baroque art was a new art movement in Europe that evolved between 1600 and 1750. It was a distinguished art because of its movement and dynamism, and theoretically dependent on the mastery of geometry and space. The illusionism of baroque art is based on the capability to depict reality. All baroque art are varied outwardly but were the products of technical realizations of the renaissance. The term evolved in the mid-18th century when John Joachim used it to describe excessive art of the previous

Both poets are very similar to each other in a way that both of them lived in the nineteenth century. "The two giants of 19th-century American poetry who played the greatest role in redefining modern verse are Walt Whitman and Emily Dickinson (Burt)". Both Emily Dickinson and Walt Whitman are considered as the founders of today’s modern American poetry, whose they put the keystone, and which was further developed by other poets over the years. The poetry has been redefined. The modern poetry becomes

Realism and Naturalism In the same fashion, revolting against traditions and artistic values did not only concern literature. It spread to the visual arts as well. In this field, American Realism became the new direction for American visual arts at the turn of the 20th century. In fact, many artists after World War I adopted mainly numerous styles of Realism in addition to Naturalism in portraying urban and rural scenes in America. "The Ashcan School [for instance] was a movement within American

Traveling through the river of art history, there has been one consist subject, or we can call it a convention. That is the nudity. From ancient art through the modern art, the nudity has been viewed as one of the major composition. The mythology and religious spirits can be perfectly shown on the body of human. In humanist’s point of view, the naked human body, especially women’s soft and gentle body, is the most beautiful subject since the cloths would cover this pure sense of prettiness. The purpose

Fluxus is a mindset, which brought a group of artists together to fight against art - life dichotomy. Founded by George Maciunas, it was most active between the years 1962 and 1978; but their practice of art is only getting recognition recently from art historians and museums by being defined and validated as an avant-garde movement, although it is an attitude to creating art. Its name is given by Maciunas, first appeared as a title of the publication in 1961. Fluxus derives from being in a state

advantage of the family’s ignorance and naivety in order to make money. The symbols of corruption, a jungle-like setting, and the tension between family and a work-based lifestyle transparently contribute to the unifying theme of anti-capitalism. In other words, this book is not art; this book is propaganda. Corruption runs rampant in Packingtown, the town where Jurgis and his newly immigrated family work in the meatpacking industry. The Jungle’s heavy-handed symbolism alludes to the theme of corruption