Arthur C. Clarke Essays

Arthur C. Clarke and Stanley Kubrick's 2001: A Space Odyssey is a Sci-Fi novel about space travel, extraterrestrial life, and human evolution. Written in 1968, Kubrick and Clarke had to use their imagination to decide what space travel would be like, as the US and Soviet space programs were still in their early stages. The novel goes into great depth about how Clarke and Kubrick thought satellites and spaceships would work, with amazing accuracy. Despite being written in the United Kingdom, the original

"The Program" a short science fiction story by Arthur C. Clarke presents a near extinct species called man apes as they are taught valuable lessons by a crystal rock. The crystal rock is a god teacher as it exist only to transmit knowledge to the man apes in order to ensure their survival in the future. During the last day of light the crystal rock creates a drumming noise that causes the man apes to be lured towards it. "the man apes began to move forward" (64) the crystal rock is in the midst of

Despite a good first impression, looks can be deceiving. In “2001: A Space Odyssey” by the author Arthur C. Clarke, a mysterious Ai named Hal presents himself as a very intelligent computer who is extremely willing to help the crew with everything they request. Although appearing to be extraordinarily essential to the crews mission original mission, Hal has his own plans for the crew and ship. Instead of revealing the true mission to the crew he decides to keep it a secret. Part of his plan requires

Kubrick also utilized the talented cinematography of Geoffrey Unsworth. The Oscar nominated screenplay for 2001: A Space Odyssey was written by Stanley Kubrick and Arthur C. Clarke (1917 - 2008), inspired by Clarke’s short story The Sentinel (1951). Later, Clarke wrote the full novel 2001: A Space Odyssey (1968). Some of Clarke’s best sci-fi books are Childhood's End (1953), A Fall of Moondust (1961), Rendezvous With Rama (1973), The Fountains of Paradise (1979)

Arthur C. Clarke Childhood's End By looking at Childhood's End, one can see that Arthur C. Clarke included the themes of paranormal and religion along with science, he tied all three together and showed their differences and how they acted and how they change over a period of time. The other thing he shows is what happens if one is more dominate and how it imbalanced the humanity and the atmosphere. Arthur Charles Clarke was born on December 16, 917. Clarke grew up on a farm in Minehead in Somerset

In 1968, Stanley Kubrick’s film 2001: A Space Odyssey spookily visualized a new millennium in a compulsive manner strongly motivated by technology and violence. Before the accomplishment of that millenary, Kubrick’s film defined an epic space trip that begins with the prehistoric encounter of primitive weapons that would change and drive human story through many periods of time to travel for the purpose of discovery and conquest. Concerning the past and future with a well-known match-on-action edit

2001 A Space Odyssey, a novel by Arthur C. Clarke, is a science fiction book packed with action, adventure and crazy twists. In this book, the outer space settings range from prehistoric earth, the moon, Saturn, and a distant galaxy that no humans have ever been to. One of the very interesting locations in this novel is the hotel in “the galaxy,” which was made by aliens to observe humans after TMA-1, a black alien-like piece of slab had sent a signal to them. It is a white, dreamlike, and anonymous

Directed by Stanley Kubrick, 2001: A Space Odyssey is one of the most highly acclaimed science-fiction movies of all time. Based on the short story “The Sentinel” by Arthur C. Clarke, the movie tells about the evolution of man. Titled the “Dawn of Man,” the first part of the movie shows a two rival groups of apes, and after a monolith is discovered, the leader of one of the groups beat the other with a bone. Jumping forward a couple of millions of years, a group of scientists, led by Dr. Floyd, are

leave Earth in the first place and discover these other life forms? “The Sentinel” explores some of this and really asks questions about life in space and if humans are the most advanced species or if they are merely just pawns in a larger game. Arthur C. Clarks “The Sentinel” uses symbols, characters, and science fiction theories to show humans leaving the cradle of Earth in order to reach a higher level of ascension and explore the great vastness of space and those that inhabit it. “The Sentinel”

2001: A Space Odyssey as a Hero’s Journey Chloe O’Connor Arthur C. Clarke’s 2001: A Space Odyssey can be considered something of a pseudo-hero’s journey story, with a greater focus on the ultimate reason the hero must make their journey. In this iteration of the hero’s journey, humankind is the hero. The quest they must depart on is evolution to a higher form through Dave Bowman’s individual journey, though he is certainly not the ultimate hero, merely the catalyst for the hero to truly be heroic

In his 1968 masterpiece "2001: A Space Odyssey" Stanley Kubrick predicted the problem that might arise if the humankind continues developing complex technology without understanding what consciousness is and how it is created. Kubrick and Arthur C. Clarke, the leading science fiction author of that time, wrote the script in which they, fifty years ahead of their time, foresaw the problem that preoccupies many scientists today: should we continue developing computers and artificial intelligence

Stanley Kubrick in the year 1968, and probably considered as the best science-fiction film of all time about man’s exploration of space and ourselves. The film is a story of human evolution based on a short story called ‘Sentinel’ written by Arthur C. Clarke. The movie consists of 3 main parts: pre-history, the future and technology, and back to earth. The story goes from prehistorical times where men and nature were at peace with each other until a black rectangular shaped called monolith appears

Stanley Kubrick in the year 1968, and probably considered as the best science-fiction film of all time about man’s exploration of space and ourselves. The film is a story of human evolution based on a short story called ‘Sentinel’ written by Arthur C. Clarke. The movie consists of 3 main parts: pre-history, the future and technology, and back to earth. The story goes from prehistorical times where men and nature were at peace with each other until a black rectangular shaped called monolith appears

2001: A Space Odyssey is, perhaps, one of the single most revered films in cinematic history. Directed by Stanley Kubrick and based on the writings of Arthur C. Clarke – the film is a heady think piece on human existence and the search for purpose and meaning to the world. Told through three different time spanning segments, we witness the evolution of man and the ultimate grapple with the question of who created us. Hidden in this film though, lies deep political, social, and sexual themes that

ESSAY 2001: A Space Odyssey, by Stanley Kubrick is the focus for the visual experiment regarding colour in the final project of (Colour and Lighting) course. The director thinks clearly that, there’s a basic problem with people who are paying attention with their eyes: Those who won’t believe their eyes won’t be able to appreciate this film (Agel, 1970). A colour analysis of the film was generated by averaging out the colours which appear in the film. The resulting scenes or images were placed in

2001: A Space Odyssey D. Clark Ragsdale Perhaps one of the most widely discussed films, 2001: A Space Odyssey contains 4 main “chapters” or subdivisions that are open to the viewer for interpretation. At the center, and playing a seemingly noteworthy role in the meaning of the movie, a large black monolith frequently appears before significant changes occur. After the apes encounter the entity they learn to use tools, which eventually leads to mankind exploring space millennia later. After encountering

2001: Space Odyssey 2001 Space Odyssey was a fascinating book because it really gave some perspective into the advancement of the human race. It is a story of human advancement that began with a mysterious object and by the time we get to the future it seems that the cold war is still ongoing between the United States and Russia. However, instead of using violence to get their way it seems as though humans have evolved even further to have peaceful talks with each other and that all out nuclear

There is an inherent truth that most film critics seem to believe with Stanley Kubrick, that he was an obsessive, detailed oriented genius. That no area of his films was left to chance, giving every decision and detail meaning. This association of filmmaking masterclass with Kubrick is so fascinating that is has led people, like the author Thomas Allen Nelson to develop an obsession with decoding a Kubrick's obsession. In this book, Nelson takes great care to go through all of Kubrick's filmography

Parlor Scene Shot-by-Shot Analysis Throughout the film industry, Alfred Hitchcock’s film Psycho has revolutionized the horror genre with his ways of merging the obvious with the mysterious. Alfred Hitchcock, ‘Master of Suspense,’ is known for his filming techniques which made his film stand out compared to other horror films during his period. Hitchcock used these techniques throughout the film Psycho to allow the viewers to get an insight of what is happening in the film. One of the most important

Stanley Kubrick is a well-known film producer who has produced a host of films that are regarded today as classics. One of these films in particular is Full Metal Jacket (1987), which is an anti-war film. The film has been nominated for an Oscar among other prestigious recognitions. Being that it is anti-war, Full Metal Jacket does a superb job of depicting the realities of war. After seeing this film, the images and ideas produced will leave you wanting to have no participation in any aspect of