Ballet choreographers Essays

Classical Ballet Companies Nowadays has revealed that multiculturalism is a complicated term. If multiculturalism can be denoted as the coexistence of diverse groups that share different cultural and ideological backgrounds, classical ballet companies can be defined as multicultural. Historically, already in the middle of the nineteenth century, when Marius Petipa emigrated to Saint-Petersburg and introduced in his masterpieces such as Swan Lake, the vocabulary and the grace of the French ballet together

New York City Ballet was founded in 1948 by George Balanchine and Lincoln Kirstein. Kirstein’s goal was to create a place for young dancers to train in American ballet with the greatest ballet masters. They met in London in 1933, where Kirstein encouraged Balanchine to come to America. They opened the School of American Ballet in 1934, before starting the professional company. It was designed as a way for Balanchine to train dancers in his innovative style and technique. They wanted dancers who

Contemporary, it’s a style of dance that incorporates both classical ballets along with modern dance. At first, a choreographer with the name of Merce Cunningham approach the idea of modern dance, that had been vague, and abstract; and decided he wanted to incorporate ballet leg work rather than focusing on modern techniques that were largely influenced by torso movements. Henceforth, in many of his pieces throughout the years, Cunningham’s dances grew further and further away from traditional modern

Cornish Dance Theater were very distinct from each other, though choreographers from both pieces put much effort on communicating devices to best deliver their intended-visions to the audiences. In MIXeD mEdia, the stage was decorated into a narrowed, light-colored setting in addition to the ballet performance, making the overall impression of the performance to be somewhat joyful and relaxing. Similarly, in Cannot Be Undone, the choreographer not only had music altering between strong-beats-fast-pace

explanatory. If it isn’t, it has failed” 1. BIOGRAPHY • A Russian dancer, choreographer and teacher named “ the father of American Ballet”. • George Balanchine’s real name was Georgi Melitonovitch Balanchivadze. • He was born on 22 January 1904 in St. Petersburg, Russia. • The son of a composer, Balanchine studied piano from the age of five and had a robust understanding of music. • In 1914 he was accepted by the Imperial Ballet School in St. Petersburg at the age of 9. • Later while still continuing

A dancer, role model, inspiration, and mentor. These are a few of the many traits of Maria Tallchief. She stood up for what she believed in and made her mark on the world. She did many different courageous things that let her unique and powerful choices shine through. Maria Tallchief changed the world of arts, overcame fears of many, and stood up to those who disagreed with her. When she danced, she impacted everyone who watched her. Because of impacting many, is she wanted to dance professionally

include Romeo and Juliet and Swan Lake. Even though dance and literature are two different art mediums, they can still portray the same message and emotions, as is illustrated in classical pieces of literature which have been the inspiration for many ballets. Shakespeare’s play Romeo and Juliet has been brought to life through several different versions of dance performances. Romeo and Juliet is the story of

Martha Graham broke boundaries, stereotypes and rules. She had the ambitious desire to explore unknown pathways and lead contemporary evolution. An American modern dancer, teacher and choreographer, Graham was successful in challenging traditional styles with contemporary dance . She formed her own practice with personalised principles known as the Graham technique, which is recognised as one of the most successful progressions in contemporary history. Nowadays, being taught across the world the

Elizabeth Cameron Dalman, is a renowned teacher, choreographer, director and performer who is known as the founder of modern dance in Australia; 1965 saw the Australian Dance Theatre open under Dalman, further cementing Australia’s respected position internationally on the dance stage (Australian Government, 2013). Modern or contemporary dance, is seen as similar to ballet with small elements from other styles of dance. The movements in contemporary dance are performed on the floor with less structure

Judith Jamison is a famous ballet dancer and a choreographer. She had also been in the movie “A tribute to Alvin Ailey” and wrote the book “Dancing spirit”. She had achieved many things in life and had many major awards. I had chosen Jamison because she has gone so far from where she has started when she was six. Also because she continues to inspire me and many other people. Early life Judith Anna Jamison had been born on May 10, 1943 in Philadelphia. Jamison's parents enrolled her in the Judimar

the oldest romantic dances that is still played by contemporary dancers. The romantic movement was a new exploration of folklore and traditional culture, which began to take part in the folklore of Europe, Africa, Asia and the Middle East. In the ballet of those times the dancers were characterized as villains or buffoons, so that they could adapt to "Orientalism". The National Opera of Ukraine, theater dedicated to the performing

about? Doris Humphrey is discussing her perspective of the subject of choreographers and choreography. She is expressing her thoughts about choreographers and their dreams/influences as well as independent choreographers. Scope of the Topic (10-20 words; 10 point) What time period, cultural, geographical, or national context is the author discussing? Doris Humphrey is discussing an idea that she developed as a dancer, choreographer, and scholar but I think it can be relevant to ideas now. Historical

middle ages, peasant dances eventually became so popular among nobility that they developed their own, more classical court dancing, and it is classical court dancing that lead directly to ballet. The similarities can be seen in the use of geometric shaping as well as in the principles of ballet still used todays ballet. Cultural and social background The middle ages were considered to be a dark time because western Europe was overrun by barbarians and much of the culture and wealth of classical civilization

Understanding of ballet Date: Art and architecture Introduction “Let us read, and let us dance; these two amusements will never do any harm to the world.” The above quote by the eminent French Philosopher Voltaire speaks volume about the importance of dance. Human beings from time immemorial have danced for various reasons. Initially, it was for celebration, worship, or pleasure. There is a great variety of dance forms across the world and of the all dance forms; ballet is an extremely popular

Debbie Allen Is an American actress dancer, choreographer will all major dances like classical Ballet, Modern, African, Hip Hop and Jazz. Now she is currently teaching young dancers. At age 12 Debbie Allen audition at ballet school when she returned to her birth home in Texas. Auditioning for the school got denied just because of her skin color. When she got a second chance to perform a Russian instructor saw her talent of how a good dancer she is by a that the Russian instructor let her be is his

watched the short, contemporary ballet “Infra”, choreographed by renowned choreographer Wayne Mcgregor and performed live by The Royal Ballet Company. I’ve always found myself to feel more drawn to contemporary ballet as opposed to classical so I was very excited going into this project with almost no prior knowledge of the piece itself. As previously mentioned this piece is not only choreographed, but also directed and conceptualized by world famous choreographer Wayne Mcgregor. Mcgregors choreographic

it be as a form of worship, recreation, work or ritual, people have used movement to express their values and beliefs since the beginning of time. Throughout the years, dance has changed and grown and and taken on many forms of art as different choreographers bring their innovation and creativity to the table. I will be discussing two very different dances that have completely changed modern American dance. Martha Graham’s Lamentation, and George Balanchine’s Serenade. Martha Graham was Dennisshawn

The muse behind these choreographers came from philosophers and the time period in which they lived. Balanchine followed the ideologies of greek philosophers and often quoted them to the best he could remember. Similarly, Forsythe followed philosophers like Foucault's “space of otherness” to create the mentality of analysing how dancers shapes are formed. The rejection of the ballet hierarchy was formed under Balanchine’s philosophy of the Black and White Heaven. Black and White Heaven reinvented

Though ballet wasn’t originally intended for women, it was inevitable that the female race would rise above and eventually dominate this powerful yet delicate art. Femininity in ballet developed considerably after the reign of men in this art form during the 15th and 16th centuries, when men in mask and costume portrayed women in productions, and King Louis XIV’s elaborate productions starring himself in the 17th century. The Romantic Era ushered in a real exploration into the roles of gender, and

1960s to define time-based, progression work formed by councils of conceptual or ‘body’ art imbued with the new philosophies developing at that time . One group of choreographers in the summer of 1962 developed a form of avant-garde work that was truly ‘performance art’, the group then became the Judson dance theatre. The choreographers were not all trained dancers, some were musicians and visual artists which joined the choreography class of Robert Dunn. The interdisciplinary aspect of Robert Dunn's