Ballets Russes Essays

  • The Ballets Russes

    672 Words  | 3 Pages

    The Ballets Russes ' use of traditional ethnic Russian designs and fabrics was something that Yves Saint Laurent used as his inspiration in his famous Russian Collection of autumn/winter 1976/1977. This collection, often referred to as one of his best, was full of peasant-style skirts, Cossack boots, and the same rich, bold colours seen in Ballets Russes productions. It was at this time that Yves Saint Laurent, haute couture’s preeminent practitioner, threw caution to the prevailing winds with a

  • Leon Bakst And The Ballet Russes

    668 Words  | 3 Pages

    Leon Bakst’s momentous involvement in the recognition of the Ballet Russes profoundly influenced twentieth century designers in fashion and textiles. Although his works for the Ballet seems to eclipse all activities in his life outside it; he was previously a fine artist who intended to pursue a career as an illustrator and artist. Bakst went on to work for Serge Diaghilev who founded the Ballet Russes; here he designed extraordinary set and exotic costume during the height of its fame, and revolutionised

  • Stanislavski's Contributions To The Theatre

    824 Words  | 4 Pages

    1. Konstantin Stanislavski was born in Moscow, Russia in 1863. He was born into a theater loving family and his maternal grandmother was a French actress and his father created a personal stage on the families’ estate. Stanislavski started acting at the age of 14 in the families own drama circles. He then honed his skills in other groups over time. Then in 1888 he founded the Society of Art and Literature in which he performed and directed in for close to ten years. Then in June 1897 he

  • Russian Ballet Influence

    1060 Words  | 5 Pages

    dawn of the 15th century, Ballet has had significant influence on dance internationally. Although originating in the Italian Renaissance Courts it was later developed in form by Russians. History indicates that up until 1689, ballet in Russia was non-existent due to the conservative attitudes at the time. However, by the early 20th century, the Russian Ballet was extending its performance outside the borders of its country. A key pioneer in the expansion of Russian ballet was Sergei Diaghilev. As

  • Essay On Polynean Dancing

    555 Words  | 3 Pages

    as a ritual to the gods, and has branched off within different cultures, shaping around the culture as a form of representation. The first documented style of dance is Ballet, which originated in Europe during the Renaissance. The word ballet is French in origin, taken from the Italian composition “Balletto”; the purpose of ballet was to entertain the guests that attended royal weddings.

  • Trois Morceaux Analysis

    1012 Words  | 5 Pages

    movements. The four dancers repeated this sequence multiple times in a row, before the music turned more classical and the dancers spread out into two lines. The lights followed them, brightening the stage. There they began to dance a more traditional ballet combination full of arabesques and gleesides. Their arms were still very proper, stretching out and up, moving from first to third, but more elegant and graceful than their previous joyful hops. From here the music changed again, this time to a more

  • Konstantin Stanislavsky: The Moscow Art Theater

    1002 Words  | 5 Pages

    Konstantin Stanislavsky was a wealthy Russian businessman turned stage actor and director who co-founded the Moscow Art Theatre, and developed the naturalistic performance technique known as the "Stanislavsky method," or method acting. which was spread over the world by his students, such as Michael Chekhov, Aleksei Dikij, Stella Adler, Viktor Tourjansky, and Richard Boleslawski among many others Figure 1: Stanislavsky (Anon, 2014) (Biography.com, 2014) (IMDb, 2014). Constantin Stanislavsky was

  • The Sun King Louis XIV Influence On Court Dance

    389 Words  | 2 Pages

    opulence to the monarchy with his extravagant court dances, memorable performances, and the institution of the modern ballet. Louis was a fine dancer, who learned to dance as soon as he could walk. Ballet was a part of his daily life. He studied. He rehearsed. He performed. Debuting in his first ballet at the age of twelve. Starred as the "Rising Sun" at age fifteen in Le Ballet de La Nuit. And as Apollo, "The Sun God" at age sixteen. These performances led to him being commonly referred to as,

  • Martha Graham Contribution To Dance

    813 Words  | 4 Pages

    Using the expressive capacity of the body Martha Graham created a new movement language. Her new style grew for her experimentation with contraction and release. With the sharp, angular, and direct movements were in a direct comparison the classical ballet technique. Martha Graham danced and choreographed for over 70 years, and was the first dancer to dance at the White House. During her long career she produced 181 dance compositions, which still to this day continue to inspirer dancers. In 1986, she

  • Petrushka Ballet Analysis

    932 Words  | 4 Pages

    Known as one of the most popular of the Ballet Russes, the production Petrushka, choreographed by Michel Fokine with music composed by Igor Stravinsky, presents an unconventional approach to ballet in the early 1900’s. Fokine combined his ballet experience and knowledge of the dramatic arts to design a highly stimulating production that’s influence has allowed many dance academies to continually perform. The four scene ballet tells the story of love and jealousy between three puppets at a fair in

  • La Sylphide: The Romantic Movement

    756 Words  | 4 Pages

    the oldest romantic dances that is still played by contemporary dancers. The romantic movement was a new exploration of folklore and traditional culture, which began to take part in the folklore of Europe, Africa, Asia and the Middle East. In the ballet of those times the dancers were characterized as villains or buffoons, so that they could adapt to "Orientalism". The National Opera of Ukraine, theater dedicated to the performing

  • Pre-Classical Court Dancing

    745 Words  | 3 Pages

    middle ages, peasant dances eventually became so popular among nobility that they developed their own, more classical court dancing, and it is classical court dancing that lead directly to ballet. The similarities can be seen in the use of geometric shaping as well as in the principles of ballet still used todays ballet. Cultural and social background The middle ages were considered to be a dark time because western Europe was overrun by barbarians and much of the culture and wealth of classical civilization

  • Vaslav Nijinsky: Breaking The Barrier

    1703 Words  | 7 Pages

    felt portrayed the essence of his creations, instead of confining himself to the familiarity of the somewhat clichéd ballet technique. He came to celebrity, almost god-like status, introduced audiences to his thoroughly alternative, and enraging new approach to dance, and overcame his challenges, both personal

  • Maria Tallchief: A Dancer, Role Model

    639 Words  | 3 Pages

    A dancer, role model, inspiration, and mentor. These are a few of the many traits of Maria Tallchief. She stood up for what she believed in and made her mark on the world. She did many different courageous things that let her unique and powerful choices shine through. Maria Tallchief changed the world of arts, overcame fears of many, and stood up to those who disagreed with her. When she danced, she impacted everyone who watched her. Because of impacting many, is she wanted to dance professionally

  • Apollo Musagete Analysis

    2073 Words  | 9 Pages

    failed” 1. BIOGRAPHY • A Russian dancer, choreographer and teacher named “ the father of American Ballet”. • George Balanchine’s real name was Georgi Melitonovitch Balanchivadze. • He was born on 22 January 1904 in St. Petersburg, Russia. • The son of a composer, Balanchine studied piano from the age of five and had a robust understanding of music. • In 1914 he was accepted by the Imperial Ballet School in St. Petersburg at the age of 9. • Later while still continuing to dance he studied at the

  • Analysis Of Aaron Copland's Ballet 'Rodeo'

    331 Words  | 2 Pages

    have decided to analyze the piece "Hoe Down" from Aaron Copland 's ballet, Rodeo. Rodeo is a upbeat piece that is a celebration of the American west and reflects a specific picture we have of ourselves. Rodeo originated from the Ballet Russe de Monte Carlo, with the music composed by Copland and the dance choreography by Agnes de Mille. The Ballet had it 's premiere at the Metropolitan Opera House on October 16, 1942. The ballet 's scene starts at Burnt Ranch where a cowgirl is competing with other

  • Neo-Classical Ballet: Italian Renaissance Courts In The 19th Century

    291 Words  | 2 Pages

    Ballet developed in the Italian Renaissance courts in the 15th and 16th century. It came from the court dances used at the time. Ballet further developed into the performance-focused art in France in the 17th century. Louis XIV established the a Royal Academy for ballet in 1661. The popularity spread throughout Europe because France was the model for the fashions and customs of the time. Ballet did not become a serious art form until the 18th century. Ballet was mostly used in operas. Ballet was

  • Poiret Orientalism

    830 Words  | 4 Pages

    Early twentieth century The sensational debut of the Ballet Russes in Paris in 1909 was applauded for its exotic magnificence and certainly added to the trend. By the time of the Russo-Japanese War (1904-1905), Orientalism, and Japonism impact in exoticism and the literature. Poiret and Callot Soeurs were drawn to the patterns and color of fabric as loosely fitted harem pants and the exotic Japanese Kimono. In 1911, Poiret held a fancy dress ball for party that has inspired by the Orient. The designs

  • George Balanchine, Le Ballet Comique De La Reine

    1282 Words  | 6 Pages

    Pre-Romantic, Romantic, Russian Classic, and Ballet Russes before we reach the Twentieth Century. Ballet began during what is known as the Italian Renaissance, and permeated French culture by Catherine de Medici’s marriage to the King of France. The very first endorsed “ballet”, Le Ballet Comique de la Reine performed on October 15, 1581, marked the beginning of theatrical and technical dance performances. During this time our first prominent ballet masters came about, including; Balthasar Beaujoyeaux

  • Ballet Classical Ballet

    2044 Words  | 9 Pages

    Ballet is a style of dance that originated in the Italian renaissance courts during the 15th and 16th century’s. Ballet later was spread to France and Russia by Catherine de' Medici of Italy. Catherine de' Medici married king Henry ii and then became the queen of France in the mid-15th century and introduced this dance style to French courts. These dancers were mostly aristocratic armatures rather than professional dancers. Ballets during this time period were long and elaborate. Costumes were ornamented