Benedetto Croce Essays

Introduction The Austrian physician, Sigmund Freud, created a set of psychotherapeutic and psychological theories called ‘psychoanalysis’ as well as derivative works of Josef Breuer and others. He claimed that his psychoanalytical theories was a contribution to science. He re-established the idea that dream had meanings, and that we can discover the meaning through the work of dream interpretation. In this essay, I will be discussing the use of psychoanalysis, Freud’s Theory of the unconscious mind

In “Death in Venice”, there are several figures who work as triggers that seduced Aschenbach out from his self-restrained appreciation of beauty, and pushed him gradually into the realm of desire and unrestrained impulsions, which ultimately leaded him to his death. These figures are contextual symbols in this novella, and to Aschenbach, the encountering with each figure represented a new change to his path, and pushes him forward in his journey. The plot of this novella, which is Aschenbach’s journal

1564 in Pisa, Italy (“Galileo Galilei”) His father was named Vincenzo Galilei and his mother was Giulia Ammannati. They were married in 1563. They lived in Pisa, Italy. Galileo was the first of six children including himself. He had a brother named Benedetto. He also had two sisters

François-Marie Arouet, better known by his pen name, Voltaire, is best known in the modern societies as a writer who stood up against tyranny, cruelty and oppression . Being a historian, philosopher, ‘Newtonian’ and an Enlightenment thinker, Voltaire perceived the French bourgeoisie to be too small and ineffective, the aristocracy to be parasitic and corrupt, the commoners to be ignorant and superstitious, and the church (religion) to be a static force used to have stronghold against the monarchy

Although it has been a subject of numerous critics and analyses, A Midnight Summer Dream is almost impossible to be critically analyzed, its beauty is omnipresent and can’t be overseen. It is a comedy of love, as Benedetto Croce indicates (Kennedy, 1999, p.386-387). William Hazlitt (1845) wrote „The reading of this play is like wandering in a groove by moonlight: the descriptions breathe sweetness-like odors thrown from beds of flowers” (p.87). “In a play constructed

imagery was only fictional compared to the factual events that are discussed within his pages. For instance, many of the historians, like Edward Gibbon and Collingwood had their own views of Rome’s history because as one historian by the name of Benedetto Croce said, “History