Dixieland Essays

  • How Did Jazz Affect Canada

    997 Words  | 4 Pages

    The Impact of Jazz on Canada in the 20th Century Though not an entirely Canadian concept, jazz had a significant impact in Canada in the years 1918-1950. Early jazz music in Canada was dependent on touring artists from American cities, who would occasionally perform in cities near the border.n Canada, jazz music was still in its infancy, whereas jazz was “born” in 1895 in the US. Jelly Roll Morton was one of the first Americans to tour in Canada, performing in Vancouver cabarets from 1919-1921

  • The Great Gatsby Jazz Age Essay

    621 Words  | 3 Pages

    The Jazz Age and Gatsby The Jazz Age is a period categorized as a time of promiscuity, bootlegging, and automobiles. “The 1920’s are remembered as ‘teenage’ years in which an older generation said ‘thou shalt not’ and youth replied: ‘I will.’(Ling 1)” this quote captures how the youth of this time really went through a shift in etiquette that the older generation of the time did not get. F Scott Fitzgerald captures the twenties in a way that nobody has with his novel The Great Gatsby which follows

  • Summary: Defining Jazz

    1486 Words  | 6 Pages

    This forever changed the way that brass instruments were played, and lead to the development of jazz. Dixieland jazz, also known as “hot jazz’ or ‘traditional jazz’ was created in New Orleans, and named after The Original Dixieland Band. While instrumentation and size of bands can be very flexible, the "standard" band consists of a "front line" and a "rhythm section". The definitive Dixieland sound is created when one instrument (usually the trumpet) plays the melody or a recognizable paraphrase

  • Jazz In New Orleans

    872 Words  | 4 Pages

    of jazz brought about a new period in music history, and legends emerged, jazz quickly took on many forms and incarnations around the country. The originators and pioneers in New Orleans kept the original seed alive in what came to be known as “Dixieland Jazz.” New Orleans was the right place and the right time for jazz. Immigrants to the city in the late 19th century brought their traditions of brass bands with them: marching in parades, providing music for funerals, performing at community events

  • Creoles In New Orleans

    934 Words  | 4 Pages

    Jazz was born in New Orleans about 100 years ago (early 20th century), but its roots can be found in the musical traditions of both Africa and Europe. Jazz is a form of improvisational art that rewards individual expression and demands self-collaboration. It is a rich tradition that reflects all Americans. It originated in one of the most cosmopolitan and musical places in America. New Orleans was the perfect city for all of these elements to come together, as it was a port city, a meeting place

  • The History Of Jazz Music

    981 Words  | 4 Pages

    a different kind of jazz. Webster defined jazz as an American music form developed from blues and characterized by syncopated rhythms, polyphonic ensemble playing, improvisation, and often distortions of pitch and timber. I decided to stick with Dixieland jazz. Some times called hot jazz, it’s roots can be traced to New Orleans and consisted of a horn playing a melody and a higher and lower horn playing around that melody. It became very popular in the early 1900’s and the rhythm was supplied by bass

  • Louis Armstrong Accomplishments

    943 Words  | 4 Pages

    You have acid jazz, contemporary jazz, traditional pop jazz, Latin jazz, Dixieland, smooth jazz, and swing, just to name a few. Now you probably didn’t know that Louis Armstrong sang and played Dixieland jazz, swing and traditional pop with his vocals and his trumpet. While Frank used just his voice as an instrument and sang traditional pop and swing jazz. While both artists’ music was

  • Creole Band Research Paper

    1831 Words  | 8 Pages

    offer. Even though the Creole Band was considered the first Jazz band they were not the first to produce a record. The Original Dixieland Jass Band was considered the first band to produce a Jazz style record. Even though their music was jazz, it wasn’t considered the same caliber as what the African musicians could output, which led to most calling The Original Dixieland Jass Band “white pretenders” because the band consisted of all white band members (JAZZ). Although the Creole Band wasn’t the

  • Bix Beiderbecke Research Paper

    282 Words  | 2 Pages

    the appeal of Beiderbecke's cornet, it was heard for less than a decade. Beiderbecke's career was short lived and somewhat easy to research. Beiderbecke was born in Davenport, Iowa, where he was initially inspired by Nick LaRocca of the Original Dixieland Jazz Band. Beiderbecke was a self-taught musician who

  • How Is African American Traditional Music Used In The 1930's

    1005 Words  | 5 Pages

    Trevor Price music as a social function is directly found in the speakeasies in the United States during the 1920’s and some of the 1930’s. Another difference between these two cultures is that European classical music consists of rigid form and is extremely rehearsed/structured. African traditional music contains more of a rhythm and bounce which is combined with improvisation in multiple parts of their songs. Most of jazz music contains improvisation. My favorite song containing improvisation

  • What Was The Impact Of Jazz In The 1920s

    394 Words  | 2 Pages

    The period of Social Jazz began in 1917 when the Original Dixieland Jazz Band made their first recorded jazz records in history. Most jazz historians believe that this small group was just a copycat band and was even lucky that they were even recorded. This band still sold over a million copies and enabled Jazz to be heard everywhere in the country. Jazz began its development in New Orleans where King Oliver, a cornet player that Louis Armstrong idolized, was performing in the early 1900's. Because

  • Rogues Hollow Festival Essay

    436 Words  | 2 Pages

    Dorothy Daniel. A smaller contingent from the U.S. Marine Corps Band marching in the Pro Football Hall of Fame Grand Parade Saturday morning will head over to Doylestown, have lunch and then march down Portage Street through the car show playing Dixieland Jazz, Toth and Galehouse said. Then, the musicians will perform a short

  • How Did Bebop Develop

    535 Words  | 3 Pages

    era is considered to be a hot style. The audience of the Bop subgenre is usually an elite/selected group of people. The relation between the audience and the band is simple; bop is complex music for the complex mind. Bop brought jazz back to its Dixieland roots. Cool jazz was a style that was made with European facets. Cool was typically based on classical styles of music, and it was also written out. Although Cool jazz artists based their music on a restrained tempo, dynamic range, and tones, vibrato

  • Duke Leigh Sonnet 1 Analysis

    991 Words  | 4 Pages

    Edward Kennedy "Duke" Ellington (1899-1974) is a well renowned and respected figure as an American performer and composer. Ellington fundamental character was based by the bonds from his family and establishments of the city 's large African American community. He states that in his memoirs, Music is My Mistress, Ellington emphasizes values inherited from his parents and from the black community that produced many achievements. He also records down Washington 's rich musical life and profiles some

  • Little Shirley Beans

    446 Words  | 2 Pages

    The Narrative in this paragraph (Holden Caulfield) is trying to get a record called “Little Shirley Beans” for his younger sister Phoebe. The record is written by a colored girl, named Estelle Fletcher, who sings Dixieland. Holden admires the fact that Estelle Fletcher is colored and that if a white girl was to sing it, she would make it sound cute and mushy. That is why Holden is giving it to Phoebe as a gift. The record “Little Shirley Beans” is important to the narrator because it is Holden’s

  • Martin Luther King's I Have A Dream Speech

    1307 Words  | 6 Pages

    heard or knew him. The speech was an emotion bomb in the South. In his speech he heeds,”the tyranny that clanks its chains upon the South”(5). Or Wallace declares, “Hear me Southerners or from the hearts of the Southland….your heart has never left Dixieland”(5).The emotion was felt in the South and for Gov. George Wallace. We will examine Martin Luther King by way of Pathos.

  • Swing Era Essay

    487 Words  | 2 Pages

    exchanging emotions, and commemorating momentous occasions such as birthdays or holidays. Jazz materialized as simplistic embodiment of music possessing three chords and excluded lyrics. The Early Jazz Era (1900-1930s), primarily referred to as "Dixieland", was distinguished by the implementation of collective improvisation. Consequently, the spontaneous creation of musical ideas without any preordained form allowed musicians to stimulate fresh concepts off each other and create new musical ideas

  • Compare And Contrast Essay On Jazz Vs Blues

    546 Words  | 3 Pages

    jazz is likely derived from jasm, a now obsolete slang term meaning energy. They were both documented in the early 1900’s. In 1980 the blues first published a music sheet by Antonio Maggios. Nine years later the jazz recorded a song by original Dixieland Jass band in 1917. Blues was born in the south. Mississippi and in Texas and then it slowly became popular in Chicago. Jazz was born in New Orleans then it moved to Chicago and New York City. Jazz music concentrates on the show and on everybody that

  • The Influence Of Jazz On African-American Culture

    510 Words  | 3 Pages

    Jazz categories include Dixieland, swing, bop, cool jazz, hard bop, free jazz, third stream, jazz-rock, and fusion. Bebop was the first major leap in creating the cultural phenomenon that was jazz. It gained a massive amount of popularity over a short span. Bebop gained popularity

  • Charles Templeton Music Museum Report

    510 Words  | 3 Pages

    particular musical time period. Charles H. Templeton himself stated, "This is one of the few collections, if not the only one, which carries through all of those changes. You started out with blues and then ragtime evolved from that, and then the Dixieland sound emerged and the big band, and from that came the forerunner of modern jazz.” Ragtime was the first Negro music to be heard outside of its place of origin, and with the creation of sheet music and piano rolls, it could be studied and performed