Donatello Essays

  • How Did Donatello Influence Renaissance Art

    755 Words  | 4 Pages

    proportion. Three renaissance works that demonstrate these influences are done by Donatello, Leonardo da Vinci, and Michelangelo. Donatello was one of the greatest Florentine sculptor of the Renaissance era, before Michelangelo [1386-1466] and was the most significant unique artist of the 15th century in Italy. Donatello was known for creating lots of sculptures in which some he emphasized the nude in his sculptures. One of Donatello`s famous work was the bronze sculpture “David”. The “David” sculpture, emphasized

  • Differences Between The Renaissance And Modern Society

    1758 Words  | 8 Pages

    In European history the Renaissance was an era from the fourteenth to the seventeenth century. It is considered as the cultural connection between the middle ages and contemporary history. It is commonly believed that the Renaissance began in Italy during the fourteenth century. The Italian Renaissance led the development of humanism, a movement which revived the study of Roman and Greek learning and restored numerous ancient transcripts. In the sixteenth and seventeenth centuries, it spread to

  • Humanism In The Renaissance

    1465 Words  | 6 Pages

    Humanism in Renaissance Humanism was an intellectual movement of the renaissance, it was a philosophy based on the idea that the people are rational beings with emphasis on the dignity and the worth of an individual leading to the development of Renaissance many areas of Europe. It was originated during the study of the classical culture, and the emphasis on the Humanism is now given more in a subject known as the humanities or the studia humanities. The disciplines that comes under the humanities

  • Renaissance: Mythology and Religion

    764 Words  | 4 Pages

    RENAISSANCE The renaissance, also known as rebirth of humanity from the dark ages is an era of cultural revival. From 14th to the middle of the 17th century, it was historically recorded as a period that broke free from the mediocre ways of living developed during the medieval times. It resuscitated the principles of living from the Ancient Greek and Romans who focussed on the quest for knowledge and aesthetic endeavours . MYTHOLOGY AND RELIGION The changes in the ideology and religious emphasis

  • David: Donatello And Michelangelo

    1000 Words  | 4 Pages

    of the characters involved. One such biblical story of the young David slaying the Philistine giant Goliath with a stone from his sling, served as a heroic inspiration for numerous Renaissance artists. Two of Florence’s most celebrated sculptors Donatello and Michelangelo rendered the same story of David in extremely novel and distinct way. Being a foremost masterpiece in the Bible, David 's story was a factual account illustrating the fact that Lord intercedes for His people. David was a shepherd

  • Donatello Vs Michelangelo Analysis

    1227 Words  | 5 Pages

    Dueling Visions of David: Donatello vs Michelangelo Name: Ayushi Gupta Id Number: 00067794 Page Break Dueling Vision of David: Donatello vs Michelangelo Two of Florence’s most celebrated sculptors Donatello and Michelangelo interpreted the same story of David in the two most novel and unusual way. Background Biblical story of David Political importance of David in Florence Donatello’s David Physical traits Height Material Process Visual description Interpretation and analysis What

  • Michelangelo And Donatello Research Paper

    1629 Words  | 7 Pages

    paper will reflex on Leonardo da Vinci, Michelangelo and Donatello 's artwork and how the Renaissance affected it. The Renaissance was a time that transformed art, culture and education. The Renaissance was between the 14th and 16th century. “It was one of the greatest movements in the culture of

  • Comparing Donatello And Michelangelo's David

    847 Words  | 4 Pages

    The two statues of David by Donatello and Michelangelo may depict the same young shepherd boy and his heroic battle against the giant Goliath, but their artistic representation of this famous Biblical account are vastly different. The reason such unique representation of David is due to their unique interpretation of the story itself as well as the interaction between man and God. Both artists, whose goal was not to accurately depict David as he was described in the Bible, developed a significance

  • David And Goliath: Donatello Vs. Michelangelo

    1220 Words  | 5 Pages

    Christina Sposato Professor Jaime Haugh HUM 2235 20 October 2015 David and Goliath: Donatello vs. Michelangelo It is not unusual for two artists to depict the same picture, moment, or person in their works. Often times, it can be quite interesting to see the similarities and differences between them. An example of this is the sculpture of David, created by both Michelangelo and Donatello. Through studying both of these pieces, it is clear that Donatello’s David was historically correct, and that

  • How Did Donatello Influence Art

    283 Words  | 2 Pages

    1.Donatello was the second greatest artist in Florence before Michelangelo. He was a painter and a sculptor, and was apprenticed by multiple artists. Donatello was born in a time of art and change. D.The Renaissance was very different from the medieval times in that the social structure had changed drastically. Instead of having little time to rest, the Renaissance gave many people leisure time, and in return, art became very important. Donatello achieved his level of artistic ability through years

  • Donatello St. George Analysis

    990 Words  | 4 Pages

    Donatello’s St. George was chosen as an influence for the posing of the figures because, like Michelangelo’s David, Donatello’s St. George is a figure associated with heroism and steadfastness in Florentine culture (“Donatello’s St. George”). Form Wise the St. George stands tall and ready with his body slightly turned and jutting out from its alcove. This gives him the appearance of being ready to strike at any time while still having a calm air about him. Taking these aspects and imbuing them to

  • Short Biography: Donato Di Niccolo Di Betto Bardi

    729 Words  | 3 Pages

    Donatello, the famous Italian sculptor’s real name was Donato di Niccolo di Betto Bardi. As an expert of sculpting bronze and marble, he quickly became one of the greatest Italian Renaissance artists of his time. There is a lot to be known about his life and career but there is little to be found about his personality. It is said that Donatello never married, and he was a man who lived a simple lifestyle compared to his peers. His friends often found him hard to deal with, and he also demanded a

  • Donatello's Death-Personal Narrative

    1028 Words  | 5 Pages

    as Gio was going to mention the death of Vince and question why Donatello would kill him. The waiter then came and interrupted their conversation with “Pardon for the interruption but what would you gentlemen like to drink?” Donatello ordered Vodka and Gio had ordered a coffee ,the waiter then left. Resuming their conversation Donatello then said “Excuse me, I need to use the restroom, we can continue this when I get back.” Donatello then got up and went to the restroom, the waiter comes back with

  • Betto Bardi Analysis

    431 Words  | 2 Pages

    Donato di Niccolò di Betto Bardi most commonly known as “Donatello” was a prominent sculptor from the early renaissance, his father was Niccolo di Betto Bardi, who was a member of the Florentine Wool Combers Guild. He got the nickname “Donatello” from his friends and family. Being the son of a well known craftsman put him on the road to greatness from an early age. His education consisted of studying under the the Martellis, which were a wealthy and well known family of bankers and patrons from Florence

  • David And Goliath Analysis

    860 Words  | 4 Pages

    rest, Donatello and Michelangelo. Donatello 's David Donato di Niccolo Bardi, more commonly known as Donatello, was an Italian sculptor of the early 15th century in the early stages of the Renaissance. His bronze sculpture of David features a slender, nude youth standing on the head of the defeated giant. Rather than holding the sling, David is holding a sword, having just beheaded Goliath after the battle. But that is not what makes this

  • Donato Di Betto Bardi Research Paper

    666 Words  | 3 Pages

    greatest Italian Renaissance master sculpture of both marble and bronze. Donato di Niccolo’ di Betto Bardi better known as Donatello. I will also give an account of some of the historical events going on during the time of Donatello and evaluate one of his greatest bronze statues called “David” done in the early fifteenth century. Brief History “The Italian sculptor Donatello (1386-1466) was the greatest Florentine sculptor before Michelangelo and certainly the most influential individual artist

  • The Medici Family

    1159 Words  | 5 Pages

    In the year 1386, a young boy named Donato di Niccolo di Betto Bardi, better known as Donatello, was born. Donatello was a talented sculptor who quickly became friends with Cosimo de’ Medici likely due to their shared interest in the ancient world (Donatello). Donatello’s sculptures were popular due to their exceptional attention to detail and their lifelike form. In 1434 CE, Donatello created his most controversial work of art, the bronze “David” (refer to appendix A). It was the first

  • Gothic Elements In Shakespeare

    1338 Words  | 6 Pages

    Donatello was born in 1386 in Florence, Italy. His early education took place in the home of the Martellis, a wealthy Florentine family of bankers and art patrons. Here, he was likely trained by a local goldsmith in metallurgy and metal fabrication. Later on in 1403, Donatello studied with Lorenzo Ghiberti, who was a metalsmith and sculptor. Donatello’s early works, such as the David, reflected

  • Three Davids Analysis

    1830 Words  | 8 Pages

    reflects the cultural and societal notions of the time, as well as the artist’s interaction with his environment. The three Davids in question were crafted in the era of the Italian Renaissance, a period of revival for the arts and culture. Created by Donatello (1440-1442), Michelangelo (1501-1504), and Bernini (1623), they respectively represent the beginning, peak and end of the Renaissance. Each sculpture hence embodied different ideals that the society or artists valued, whilst sharing similarities

  • Madonna Of The Clouds Analysis

    645 Words  | 3 Pages

    the stoic deadpan of the classical Rome, Donatello reflects the movement of humanism that swept through Florence in the 15th-century (Lecture 4). However, the most significant part of this piece in regards to Madonna of the Clouds is the relief underneath the statue, Saint George and the Dragon. While George, the dragon, and the picture protrude defiantly from their background, there is subtle, painterly carving providing context to the battle scene. Donatello applies atmospheric perspective, using