Filippo Lippi Essays

of religious theme. This variety isn’t just a result of the grand enlightenment that was brought with the onslaught of the Renaissance, but was also a result of the regional differences as well. An analysis of both the Arnolfini Portrait and Fra Filippo Lippi’s Madonna and Child gives art historians

Judith and her Maidservant with the Head of Holofernes Judith and her Maidservant with the Head of Holofernes, by Orazio Gentileschi, is a 17th-century oil painting located in the Wadsworth Museum of Art. The painting depicts the moment after the biblical heroine, Judith, kills an invading Assyrian general, Holofernes, to save the city of Bethulia. Judith agrees to dine with Holofernes in the privacy of his tent and after taking advantage of his drunkenness she beheads him with his own

“Songs of all songs” Raphael maintained harmony and balance, looking at life through harmonic relationships. Stanza Della Segnatura represented four general themes , The Dispute (Theology), The school Athens (Philosophy), Mount Parnnasus (Poetry) and Jurisprudence (Justice). The over all aspect of the stanza Della Segnatura demonstrates the features of simplicity, clarity and balance. b) Who are the two central figures represented in Raphael's Schol of Athens, and what aspects of philosophy does

The Ospedale degli Innocenti was considered an architectural and humanistic milestone. The building was designed by Filippo Brunelleschi, which he commissioned in 1419. This building was constructed and managed by the silk merchants of the Guild of Florence. One of the duties provided by the Guilds of Florence was to not only provide cloth, but to fulfill philanthropic duties throughout the city. Their intentions for the construction of this building was more than just a safe haven for orphans. “The

By using their prestige and power they were able to manipulate decision-making groups of Florence. It is unclear how Botticelli became acquainted with the Medici but some say that his master Filippo Lippi, the leading painter of his time, was the reason for this. It seems as though Botticelli’s work was heavily affected by historical, political, social, economic, religious and theological contexts. Probably the most substantial effect on Botticelli

Madonna del Magnificat was created by Botticelli in the early 1480s. It is said to be one of the most famous paintings of the Madonna during his time because of the five contemporary replicas which were created. The painting was covered with gold paint and if you see it in person the figures appear to be life size. The virgin which is slightly almost at the center of the painting is crowned by two angels and is depicted as the queen of heaven. Two wingless angels are crowning her. The crown she is

The Early Renaissance Italian poet Francesco Petrarca, or more commonly recognized Petrarch, composed Canzoniere. It includes two sonnets highly praising a now lost portrait of a woman named Laura, who Petrarch deeply loved but could never attain. The sonnets later then became the most important source for depicting women in art as well as literature. Broadly speaking, in both art and literature, the ideal female figures should possess physical beauties that signify their inner beauties.1 However

art, the artist can communicate a purpose, an emotion or an idea in their work. In this research paper, I compare two pieces of artwork; Madonna and child with the saints by Giovanni Bellini and Madonna and child with the two angels done by Fra Filippo Lippi. Madonna and child are amongst the most popular yet controversial topics in the Christian art. Most of the pieces of art done on this topic usually have Mary and Jesus either surrounded by angels or saints who pay respect to them. It is an important

very interested in becoming a goldsmith as his mind and heart was set on painting. His father then turned him over to Filippo Lippi, who was one of the most appreciated painters in all of Florence. Lippi taught Botticelli everything he needed to know—from learning the different styles and techniques, to forming his own styles and techniques. Botticelli took everything he knew from Lippi and started to create his own style of painting. In 1470, his artwork started to settle into a very sophisticated phase:

Renaissance took place about from the 13th century to the 16th century in Florence, it is a cornerstone for the future development of different aspects of Europe even the world. During the Renaissance, people not only traced back to the Romanesque but also developed a new era of art. Moreover, people emphasized rationality and balance of the artworks. The Renaissance can be divided into three periods which are Early Renaissance, High Renaissance and Late Renaissance. To start with, Early

Mantegna was born in 1431 in a small town called Isola di Carturo, Republic of Venice, close to Padua, which is now Italy today. At the age of eleven, he started to work for a local artist named Squarcione. Mantegna grew up to be a well-known artist who was skilled in having a linear sharpness and thorough attention to detail of his paintings, mostly frescoes, and engravings. Mantegna stands out among Italian Renaissance painters for his complete dedication to classical ancient times. Mantegna

Botticelli Sandro Botticelli was an Italian painter born in 1445 in Florence, Italy. From an early age, he had been trained originally as a goldsmith, a specialist in working with gold and metals. His father, then settled him in a studio taught by Fra Filippo Lippi, one of the greatest Italian artist during the 15th century. At the age of fifteen, Botticelli had his own workshop, this helped to contribute to his distinct art style, which incorporated with Neo-platonism. After his tutor left Florence for

Painted by Fra Filippo Lippi in the Renaissance, ca. 1406 CE, Madonna and Child with Two Angels was painted towards the end of his career. Comprised of tempera on a 36x 25 inch wood panel, the painting depicts the Virgin Mary with her hands in a prayer. The child Jesus is held up in front of her by two angels. The angel in the foreground gives the viewer a playful glance, seemingly on the verge of laughter. The delicate, lightweight fabric that surrounds Mary’s face is a decorative element that was