Grace Kelly Essays

Alfred Hitchcock once said, “If it's a good movie, the sound could go off and the audience would still have a perfectly clear idea of what was going on.” This quote entirely sums up the reasons I loved Hitchcock’s movie Rear Window. Made in the 50s, this film revolves around L.B. Jefferies, an adventurous photographer who has broken his leg and is stuck in a wheelchair, watching his neighbours out his apartment window for entertainment. In his last housebound week, Jeff becomes convinced that a murder

1. Introduction Rear Window is a 1954 crime thriller film directed by Alfred Hitchcock and based on the novel by James M. Cain. The film stars James Stewart and Grace Kelly and tells the story of a man who is blackmailed into spying on his neighbours through their windows. The film is characterised by its visual narrative, which uses a variety of camera angles and movements to create a sense of suspense. Conflict and resolution are also important elements of the film, and it is set in a claustrophobic

Camera narration is crucial to the effect the movie has on its audience. It is noticed that the viewer rarely gets close to the apartments or characters across the courtyard. The viewpoint is mainly fixed to Jeff’s apartment, apart from a few occasions where the camera plunges out of the window. The fronts of the buildings facing the main street are never shown either; instead all of the action takes place within the mystery and secrecy of the backyard, hence the title name ‘Rear’ Window. Perhaps

1) Three elements that are of great importance to a successful screenplay are sex, patriotism, and violence. These three elements are what brings in the audience to the movies. Sex is an element which sells very well and has a huge audience already. For instance, the Fifty Shades of Grey trilogy is surrounded by sex and captivates a huge audience to come in the theatre. Patriotism is also a great element because the audience is already rooting for somebody in the film. Patriotism also drives the

In the book, Murder in the Bayou, Ethan Brown takes the reader through the murky waters of Jennings, Louisiana as he recounts the gruesome history of eight female murders known as the Jeff Davis 8. With police records and witness accounts, Brown uncovers that the murders are anything but your regular killings. Instead, Brown hints at a unnerving and inappropriate relationship shared by The Jennings Police Department and Jenning’s street hustlers and drug dealers. According to Brown (2017), “The Jennings

The film 'Rear Window' (1954), directed by Alfred Hitchcock, is an examination of voyeurism as a moral dilemma faced by both individuals in an ordinary neighbourhood, and by the Government during a time when suspicion and paranoia were rampant in America. Hitchcock's own view on the topic is not immediately clear; he presents the idea of spying on others in both a positive and negative light. In doing so, he may be commenting on the ambiguity of what is right or wrong in such circumstances. Rear

The film One Hour Photo directed by Mark Romanek contains a plot of a technician at a one-hour photo lab. The character's name is Sy Parrish is played by the famous Robin Williams. This middle-aged character is lonely and depressed, but his job makes him feel as though he knows a lot of people because of their photographs. Including his all time favorite family the Yorkin's. He has been developing their photos for an extensive time period. He has fancies that he would be the favorite uncle. Although

The Character Evolution Of Jeff and the Realizations he Faces Rear Window by Alfred Hitchcock is a film full of symbolism and motifs that provides viewers with a bigger meaning. It shows these rhetorical appeals through Hitchcock’s eyes that would not be recognized if not analyzed. Through these appeals I have recognized the window as being a symbol and marriage and binoculars as motifs. After understanding much more than what the eye initially sees when viewing this film, there is a fine line between

“We’ve become a nation of peeping toms,” states James Stewart’s nurse, played by Thelma Ritter, in Alfred Hitchcock’s 1954 film Rear Window. Ritter’s comment ironically foreshadows events later in the film, but simultaneously provides a critique of the voyeuristic nature of cinema itself. Rear Window’s marketing campaign and public reception both center on the notion of ‘peeping,’ but present differing standpoints on Hitchcock’s exhibition and apparent promotion of the morbid curiosity at the root

Alfred Hitchcock’s film “Rear Window” illustrates the ideas on how jeff’s vo yeuristic behaviour coincide throughout the movie. The obsession of the protaganist in observing his neighbourhood resulted in solving a murder cause and helps to fix his relationships to his fiancé. This motion suggest that Hitchcock take a stance on Jeffries voyeurism as this character gained a lot of positive outcome through this impulsive and unworrying behaviour. The author also used some supporting characters like

People seem naturally curious of others, Hitchcock discusses the idea of privacy and a human’s natural interest in others’ private lives. Rear Window becomes a classic film not just as a Hitchcock film but an introspective idea about human nature. Hitchcock uses the medium to show a part of him and the curiosities he wants to delve into with the concept of voyeurism. Using film techniques, such as the placement of the camera to the music, Hitchcock becomes transcendent with the genre of thriller

Rear Window (1984) directed by Alfred Hitchcock depicts an injured and house-ridden photographer peering out into the local neighbourhood and discovering something gruesome. The film explores many themes such as voyeurism and morality in a grey light that leaves the audience unclear of what morals the film suggests. However, Rear Window morals strongly suggest that individuals must not delve into the personal affairs of others. Characters in the film such as Tom Doyle and Stella provide a voice of

In Rear Window, Alfred Hitchcock explores the ambiguous nature of voyeurism, yet argues human nature vindicates the “harm in looking”. To reel audiences into the debate, Hitchcock presents them with the commonplace, knee-jerk response to voyeurism for consideration. Situating the viewer into the cynical protagonist’s perspective, the structure of the set enables the audience to “look” from Jeff’s rear window into the screens of his neighbours as a source of entertainment. Yet, Hitchcock elucidates

Alfred Hitchcock’s Rear Window has several themes. One major theme is relationships. The lead character, Jeff Jeffries, a photographer and committed bachelor, is involved in a relationship with Lisa Fremont, a model, although the relationship has some tension due to Jeff’s lack of commitment. When Jeff is confined to his apartment recovering from a broken leg, he begins spying through his rear window on his neighbors in a nearby apartment. Through her frequent visits, Lisa is drawn into this spying

Auteur is the french word for author and is a term given to those far and few between who were responsible for handling and directing most of, if not all post and prior production of a film, including techniques, advertising, and choice of cast. So much so that they are considered to be the "author" of the film. Alfred Hitchcock has no doubt left an indelible and engraved mark on all of cinematography as one of the most successful and influential auteurs of all time, as seen through the wide range

Introduction Part 1: “Consciously or not, Alfred Hitchcock never followed tendencies of mainstream cinema. By depicting his heroines as strong and expressive, giving them freedom of will and using a subjective narrative mode, he broke with the classical image of woman as a spectacle.” (Malgorzata Bodecka) Films have always been influenced by the social-cultural background from the time the film was produced. Dating back to the beginning of film around the 1890s through the films produced today,

Throughout the film “Rear Window,” Alfred Hitchcock uses a multitude of techniques to create and weave suspense into the plot. Throughout the film, viewers and characters are mostly aware that Mr. Thurwald is a shady person with a rocky relationship; there is no suspense about the actual murder, but the fact that they are living in the same complex as the murderer. One technique is through montages; to call attention to 1:35-1:42, or the break-in montage, the attention goes from Jeff to Jeff’s view

Humankind has explored the relationships between people and their different dynamics through fiction for centuries. Alfred Hitchcock’s 1954 film, ‘Rear Window’, is no exception. Hitchcock directs the film to display multiple and dynamic relationships throughout life. As it highlights the varying connections between lovers, neighbours and friends, viewers are reminded of the 50s normality of gender roles, the feeling of community and isolation, and marriage. Rear Window tackles the restraints of

Anna Muth Professor Iacopelli ENG 152-03 31 March 2023 Men Are Scary Stay Away Abducted In Plain Sight is a chilling Netflix documentary that tells the story of a young LDS family and the abduction of their young daughter. Watching this was a truly chilling experience. The film starts in a quaint neighborhood in Idaho, where doors stay unlocked and the atmosphere is joyful. Soon the Berchtold family joins the neighborhood, the husband Robert seeming a wonderful addition to the community. Soon

In the 1954 film, Rear Window, Alfred Hitchcock uses the depicted sequence of frames to evoke feelings of anxiety and suspense in the audience by portraying an invasion of privacy and the fear of being caught breaking that boundary that society tends to cherish and protect. When assessed individually, the chosen frames provide a partial, but incomplete evocation of suspense. In the first of the two frames, the audience is outside looking into an apartment building with three people in view, none