Iconography Essays

  • Grande Odalisque Analysis

    879 Words  | 4 Pages

    The Grande Odalisque is an oil painting from 1814 by Jean Ingres. The painting is of one of the most famous harem girls in the history of art. The girl is young, nude, and beautifully lounging in a luxurious environment with a turban on her head an a peacock feather fan in her hand. This painting is currently located at the Louvre Museum in Paris and can be found in any art history textbook. The word Odalisque in the title is a French term for a woman kept as a sex slave in a Turkish, Persian, or

  • Gender Roles In Un Chien Andalou

    2740 Words  | 11 Pages

    In this essay, I’m going to discuss the gender roles in the paintings of Dalí, in the film “Un Chien Andalou” by Buñuel and the poems of Federico García Lorca. Gender roles play a huge part within these works. All three of these artists had the ability to showcase something beautiful or majestic through disturbing and off putting imagery. This is what made their work so distinctive compared to many other artists during the surrealist period. The main things all of these artists have in common are

  • Early Christian Iconography Analysis

    1126 Words  | 5 Pages

    existence. Instead of attempting the impossible task of creating entirely new iconography, early Christians drew on the pagan images that had come before, images that the people of their time would have been familiar with, and changed them to suit their new religion. From their icons and depictions of Christ to the architecture they used, the early Christians were able to use the preexisting symbolism found in pagan iconography to convey the nuances of their own religion. The

  • Analysis Of Ai Weiwei's Iconography Of The Coco-Cola Vase

    866 Words  | 4 Pages

    Before comparing the iconography of the Coco Cola Vase, we need to really understand the composition and make-up of the item. The Vase is old and dates back to many centuries ago. An old vase such as The Coco Cola vase before labeled was very sacred and not something you would

  • Milieu In Edgar Allan Poe's The Raven

    1875 Words  | 8 Pages

    morally reprehensible are never annihilated. It is another thing that reprehensibility is neither the same as evil, nor is it an effect or evil. It is the human discourses of purity and taboo which brings into being disgust and moral excretion. The iconography of the Mahavidyas destabilizes these categories and genealogies

  • The Ancient Sun God: Kinich Ahau Kin

    308 Words  | 2 Pages

    The ancient Sun God (God G) referred as Ahau Kin or more commonly known as Kinich Ahau is a sixteenth century Maya God. The Sun God is associated with having several recognizable and variant traits which can be linked back to iconography found in the beginnings of the Classic era. The most apparent feature when depicted in Mesoamerican art is the “kin” or sun sign in the name glyph inscription, which can be found in the cheek, brow or other parts of the body. In the Classic period, he is illustrated

  • Formalism In Art History

    937 Words  | 4 Pages

    In this essay i will be defining the art historical perspectives of the methods formalism, iconography and social history of art and their aims. I will be discussing if art can just be aesthetically pleasing or must there always be a political and social meaning/inspiration behind it. I will be doing a detailed analysis of The Large Blue Horse(1911) by Franz Marc using the method formalism to show that not all artwork needs to be observed using various methods since not all art works have social/political

  • The Blood Of Medusa Analysis

    895 Words  | 4 Pages

    The Blood of Medusa, Khnopff does not completely abandon the traditional representations as he still respects the iconography of Medusa. However, it challenges the latter. Indeed, one of her main

  • Social Imponents Of Social Misappropriation

    719 Words  | 3 Pages

    Cultural appropriation is the reception or utilization of components of one society by individuals from an alternate culture.Cultural appropriation is seen by some as disputable, remarkably when components of a minority society are utilized by individuals from the social lion 's share; this is seen as wrongfully mistreating the minority culture or stripping it of its gathering character and licensed innovation rights. This perspective of social assignment is now and again termed "social misappropriation

  • New Historicism

    801 Words  | 4 Pages

    something? These are the questions which have been raised by not art historians but literary theorists have managed to pose and extract answers out of them. She states that neglect of the representation and an over dependence on text is due to iconography, emphasis on naturalism and a tendency to search for artist’s social

  • Creation And Temptation Of Adam And Eve Summary

    1258 Words  | 6 Pages

    Religious Iconography Analysis “Creation and Temptation of Adam and Eve” by Wiligelmo Throughout decades, religious iconography has become a unique language of art, confound into religious art pieces to convey a deep implicit meaning of depicted objects. The term “icon” came from a Greek word, meaning image. An icon was originally a picture of Christ on a panel used as an object of devotion in the orthodox Greek Church from at least the seventh century on. Hence the term icon has

  • Jan Van Eyck: The Lamb Of God

    838 Words  | 4 Pages

    Altarpiece features twelve panels, each showing one aspect of the Christian faith. Christian scripture influenced Jan van Eyck to depict Christ as a symbol of purity, sacrifice and propitiation. In his life, van Eyck was influenced by Christian iconography to depict Christ as a lamb because he is a symbol of purity. In the

  • Race In Black Athena

    960 Words  | 4 Pages

    autonomy. With regards to iconography, the Egyptians continued to maintain their cultural identity through their artistic production even under the constraints of the Greek rule. Thus, in spite of the radical social transformations that took place as a consequence of Alexander the Great’s conquest, the ancient Egyptians were able to keep their cultural identity, which was already consolidated at this point. This identity was not grounded in race, however, but in language, iconography, and regional

  • Examples Of Nonpresentational Art

    828 Words  | 4 Pages

    specifics, I find myself getting lost in terminology. After much reading, I have gained a basic understanding for some of the terms that describe key attributes of works of art. Representational, abstract, nonrepresentational, style, form, and iconography are all terms necessary to understand before beginning to understand the world of art. Representational art is an embodiment of what the artist deems are the important details of the original image. This finished product could be a close likeness

  • Dinner Party Symbolism

    561 Words  | 3 Pages

    The Dinner Party by Judy Chicago is a vital art installation with significant metaphorical connotations. This massive triangular table that measures 48 feet on each side is a visual metaphor of political significance. As a feminist piece of art, The Dinner Party is set for 39 important women of all time, ranging from ancient goddesses to key historical figures. This collaborative art installation celebrates the accomplishments, endeavors and renowned powers of female figures that have not been recognized

  • The Gothic Influence On Robert Campin

    571 Words  | 3 Pages

    Early Netherlandish painter, Robert Campin, active during the 15th and 16th century was one of the few to introduced a new painting style to the Italian Renaissance Era. Although Campin belongs to the Northern Renaissance era, he still carried elements of Late Gothic. Therefore, Campin was greatly influenced by the International Gothic movement. The Gothic movement, which was introduced by the French includes a saturation of biblical scenes, Illumnatied religious manuscripts, and very detailed portraiture

  • Michelangelo's Sistine Chapel Analysis

    693 Words  | 3 Pages

    not, by the time Michelangelo finished the Sistine Ceiling in 1512 he had created an enduring legend, that even today is the subject of much study and conjecture. However, because of the monumental scale of the chapel, a detailed study of the iconography in its entirety is would be daunting to even the most skilled and learned scholar. However, because the viewer today is most often separated from or completely uninformed about sixteenth century Italy there are many different interpretations of

  • Identity In Saltire

    1283 Words  | 6 Pages

    genre” (ibid). He then labels his main protagonist as “Scotland’s first superhero” (ibid). This essay will analyse the comic’s strategies of seizing upon Scottish identity. On a visual level, Scottish identity is constructed by the use of Scottish iconography. First, the superhero Saltire, as well as several Highlanders, are depicted as red-haired, thus perpetuating the stereotype of the redheaded

  • Stagecoach Vs Waterworld Essay

    728 Words  | 3 Pages

    different than Stagecoach this movie still featured a “strong, silent type” cowboy hero. It also featured the villains as the smokers, a solid plot where the mariner is on a journey to find others like him and has trouble along the way, old school iconography such as guns, and an optimistic

  • Summary Of Theodore Caplow's Rule Enforcement Without Visible Means

    744 Words  | 3 Pages

    Theodore Caplow 's "Rule Enforcement Without Visible Means: Christmas Gift Giving in Middletown" describes how the town and the families living in Middletown celebrate Christmas. In addition, a survey of the inventory of all Christmas activities and gifts received/given was taken in observation of the social changes and social "rules" that appear to govern gift giving in Middletown. I agree with Caplow 's message that gift giving is a social understanding adapted from childhood to adulthood because