Installation art Essays

visiting “The Beanery”, an installation made by the American funk artist Edward Kienholz in 1965, at the Stedelijk Museum in Amsterdam (shown in appendix I), I found a sudden interest in Installation art. My eyes were open to the existence of this form of art and I began to notice its presence in all the museums I visited, and its relevance in the world of art. Which led me to investigate about its origins, and discover that installation was not always considered a valid art form. This led me to my

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Figure 2: 1794’s Madame Tussauds’s wax figure The next form of display is through placing clothing of famous and reputable people of that time. In the eighteenth century, Madame Tussaud of wax-museum fame was acquiring and displaying the clothing of famous people. Madame Tussaud’s mentor, Dr Phillipe Curtis, was highly skilled at wax modeling. The wax figures were made from wood or leather, and clothed in the latest fashion of the era. The most important detail of Curti’s wax models was what they

research and composition. After several years in art galleries, it began to be obvious that I needed to return to the process in the studio to improve the work. It was at this time that I occasionally developed the piece, having access to studio time to settle and organize content. It might help to mention why the direction and need to put the body in space and time which emerged in the context of art galleries. We define a "Live installation" as an installation activated by the physical presence of a body

“Art is everywhere, except it has to pass through a creative mind (The Art Story).” This quote belongs to one of the most famous female sculptors in America, Louise Nevelson. Louise Nevelson was born on September 23, 1899 in Kiev, Russia (The Art Story). According to The Art Story Contributors, she, along with her family, moved to Maine in 1905 and by 1908, she had known she wanted to be an artist. Nevelson worked with Hans Hofmann, Diego Rivera, George Grosz, and also met with Frida Kahlo, all of

Ai Wei Wei’s politically fueled installation Remembering covered the façade of the Haus der Kunst in Munich, Germany in 2009, where he had a show titled, So Sorry. The work, Remembering, which measured one hundred meters by ten meters, was compiled of nine thousand children’s backpacks. Using simple colors and design techniques, Ai Wei Wei’s installation not only catches the viewers’ attention with sheer size, but also ignites a deeper emotional spark and fueled a lasting conversation whose reach

This feeling becomes stronger when it comes to personal objects, and especially clothes. In the installation “Resurrecturis”, clothes are used to represent the Greek people who have killed themselves during the last five years, as a result of the inhuman politics and imposed austerity. A clothe represents at the same time the absence and presence of a

functional objects. Yet, despite the weight of these issues, Jaworska’s approach is marked by humor, irony, and a use of bold, minimalist forms. For this exhibition—Jaworska’s first solo show—the artist presents two new projects that are at once works of art and architectural proposals for larger edifices. Rather than finished projects, this exhibition reveals a stage in the architect’s process—the

An amalgam of significant factors come into play with how people perceive the body, and because so many views encompass the notion of what “is” or “is not” the body, an amplitude of representations of it have surfaced in the art world. Corps étranger, a video installation piece by Mona Hatoum, is a wonderful portrayal of the body that takes into consideration both social and cultural issues. From the dawn of time, women have been placed upon a pedestal and unwillingly sexualized

Food is needed to sustain life. Artists are known to use food in their art. Some artists, most noted for their creative interpretations of themes including the presence of food are Kara Walker, Rirkrit Tiravanja, Janine Antoni, Robin Antar, and Patty Chang. Walker created a sugar sphinx. Tiravanja produces art out of a kitchen. Guests get to eat a meal made by him. His art is “part performance, part installation” . Antoni created seven chocolate busts and seven soap busts. Antoni gnawed chocolate

to construct an identity for a civilization and the individuals that made up that particular society. We use artifacts and art to help us define how groups of ancient civilizations looked and acted. The voices of these lost generations become lost or muted, as we as the viewers and interpreters are giving these objects meanings. This theme of reinterpreting meaning in art plays a large role in the work of contemporary artist James Luna. Coming from a Lusieño and Mexican-American background he focuses

stands outside society, taunting it,its history, norms, taboos, myths, and ideas about art and craft’ Kiefer early work was misinterpreted in his native Germany, Kiefer as an artist was already an outsider, he further ostracised himself by using themes such as The War, Nazi representation and the holocaust all of which were taboo subjects. Kiefer sculpturally approached this by placing plants in his installations. The isolated plants in gallery and museum settings are isolated, misinterpreted and

Today's Art is challenging. This is due to the effect of the diverse world around us. For this reason, Contemporary Art cannot be defined by a singular visual characteristics, theme or one cultural or social issue. Today's Artists take inspiration from the world around them that shapes their experiences and their acquired knowledge. Arnold Hauser states that artworks are " determined by nature and culture, geography and race, time and place, biology and psychology and economic and social class".

While there, he also studied math, geology, and astronomy. Turrell then attended graduate studio art program at the University of California, Irvine, but received his MA in art from Claremont Graduate University. James Turrell first became known in the 1980’s and is still popular and admired in art culture. In recent years, he’s become even more highly regarded. Mostly because of his installations in the Guggenheim Museum and the piece titled Roden Crater that’s currently in progress. During

painter Walter Darby Bannard once said, “When you 'break all the barriers ' you get a pile of rubble.” This is very true of the art world; in order to avoid creating a “pile of rubble,” artists use certain rules and elements in their work so that their message can be clear to their audience. This is true of Lindsey Dunnagan’s watercolor and ink painted acrylic installation, The Decay of Gaia. While Dunnagan uses many formal elements to warn her audience about the dangers of harming the earth, two elements

colonisation, post-colonisation, living outside ‘privileged society’, belonging or kinship.I was inspired by an art show i had recently seen at the Latrobe University Gallery LUMA. An exhibition was being held that was advertised as “Indigenous group art show”, when reading the name of the group show i defaulted to believing i was going to go see a show with traditional Australian Indigenous Art. When i walked to the gallery i was surprised to see contemporary video

MOHSEN HAGHIGHATIAN Art 1301 Museum Visit Paper Professor: TINA KOTRLA The Menil collection was quite exquisite in the artwork and history that it contains. Most of the relics and antiquities that were there were very astonishing. The items that were salvaged from the Egyptian and Byzantine Empire really caught my eye. The collection displays numerous accounts of history all around the place which really gives you a feel that you are in a very historic atmosphere. Out of all the amazing items

illustrator, painter and interior design of the Art Nouveau movement. He became one of the most important figures of the Art Nouveau by the late 1890s by the time the concept of the “art nouveau” made it big entrance. His posters and crafts were made famous to the public with the help of the new process of impression of the time. Mucha was born in 1860 in Moravia in the Austrian empire, now known as Czech Republic. He worked as a painter and studied Art in Austria and Germany, before going to Paris

genre of interactive art that encourages visitors to place colourful stickers throughout a minimalistic white room, creating an ever-evolving masterpiece. The artwork itself is observed and experienced in real time; as more visitors place down stickers, the work becomes more whole. This immersive experience delves into the themes of freedom and community while challenging traditional artistic norms. By rebelling against the conventional "look, don't touch" rule of museums and art galleries, the artwork

For people who likes art, art is beautiful; it is a part of history, past experience and what an individual imagines. However, for the artist it is a part of his/her life, it is the perception the artist holds about events around and serves as a way to demonstrate history. Therefore, any piece of art was influenced by various factors. These factors range from economic, political, social and many more. Taking the factors discussed above, the following paper discusses the factors that influenced the