Isenheim Altarpiece Essays

During the Renaissance, European artworks can be classified into art that comes from the head, appealing to intellect, or art that comes from the heart, appealing to emotion. Masaccio's Holy Trinity and Grunewald’s Isenheim Altarpiece, closed Crucifixion, although depicts a similar concept, they both exhibits differences that defines if each piece comes from the head or the heart. Masaccio's Holy Trinity was made in early Italian Renaissance around 1428 in Florence. This artwork was commissioned

his emotions into his artwork and inspired others to do the same, creating more dramatic and intense paintings and other pieces of art. Matthias Grünewald’s style of painting relied greatly on Systems of Faith and his Christian beliefs. The Isenheim altarpiece was painted by Matthias Grunewald around 1515 for the Monastery of St. Anthony near Colmar, France. This magnificent painting ties directly to the Bible. The pronounced details represent the mistreatment of Jesus and also relates to the monastery