King Leopold's Soliloquy Essays

Thousands killed in the Leopold outbreak. King Leopold should be condemned for his brutal actions, and for making the population more then half in population, like in Lukolela “The population in the villages of Lukolela in January 1891 must have been not less than 6,000 people, but when I counted the whole population in Lukolela at the end of December 1896. I found it to be only 719… but judge of my heartache when on counting them all again on Friday and Saturday last, to find only a population of

State while under King Leopold II’s rule. In short, this proverb describes the king of Belgium’s rule of the Congos in Africa; he wanted more control despite already ruling his own country. King Leopold II colonized the Congo by claiming it as his own property in hopes of gaining power, gaining more land mass, and obtaining natural resources for his own use and profit. The Congo was eventually annexed to Belgium. Given the size of the Congo, and the amount of untouched resources, King Leopold II deemed

Inner Conflict The nature of an inner conflict can vary from culture to culture, but one aspect that we can all agree on, is that inner conflict is the emotional and mental battle one has with him/herself. Whether it be an ethical or moral dilemma, it is the tiresome and difficult struggle one has to face when battling his problems, queries and insecurities. The main purpose of inner conflict in the novel Catcher in the Rye, is to reveal to the audience Holden's insecurities and doubts he faces with

The primary agenda of Thomas Hardy in his writing of Tess of the d’Urbervilles was to highlight the injustices of the patriarchal society prevalent in Victorian England. It is for this reason that, despite Alec d’Urberville’s role as the antagonist of the novel, Angel Clare is the thematic centre of Tess of the d’Urbervilles. It has been famously said by Edmund Burke that “The only thing necessary for the triumph of evil is for good men to do nothing.” which is precisely the sentiment Hardy seeks

be or not to be Soliloquy The “to be or not to be” soliloquy in “Hamlet” is one of Shakespeare’s most famous soliloquies. “There are more than 300 soliloquies in Shakespeare’s plays and we find them in every play, but their frequency in the individual plays varies,”(Clemen) A soliloquy is when an actor in a performance speaks their thoughts out loud. Actors usually speak their soliloquies when they are by themselves and sometimes around others. The words spoken within a soliloquy is the actor’s

When applied correctly, soliloquies successfully allow the reader to experience characters in their most vulnerable state: within their own minds. Hamlet is no exception to this principle, as Shakespeare’s mastery of rhetoric in establishing the main character’s inner conflict provides depth and rawness to his complex character. In this well-known soliloquy, Shakespeare employs logos to acknowledge that death can be both a relief and nightmare due to natural human emotions; accordingly, Hamlet personifies

From Casting to Casting Away Gender: Cross-Gendering in Modern Shakespeare Performance The year 1660 marked an important juncture in the English theatre. Not only was monarchy restored in England but Charles II also allowed women to enter the stage. Thus, women replaced the young adolescent males who cross-dressed in order to portray the women characters in Shakespeare’s plays. Although, the cross-dressing motif might seem strange to some, this practice can be traced back to Ancient Greeks who did

William Shakespeare, in his Elizabethan play, The Tragedy of Macbeth develops the theme that life is fleeting and empty in his Tomorrow speech in Act 5, Scene 5. Shakespeare’s purpose was to engage a deep connection between the the audience and lay because omnipresence of this theme, with people have their own daily routines along with others. He skillfully utilizes the symbolism of the candle and its connection to the idea of light and darkness, as well as the repetition of the word tomorrow to

William Shakespeare’s “Othello” and Massive Dispute of Jealousy, Envy, and Betrayal The emotion or feeling of deep insecurity of other people whether they are close to us or not. Jealousy is demonstrated throughout Shakespeare’s infamous play “Othello” many times. The play shows readers that one bad eggs evil ways can ruin prosperous ventures for everyone. Throughput the play there is one main character, Iago who disputes the main traits of jealousy and betrayal. Betrayal can be used to manipulate

To fully appreciate the layers of irony in “The Pardoner’s Tale,” you must consider all types of irony. There are three types of irony: verbal irony is when something is said that contradicts the truth, or is the opposite of how the person speaking truly feels, situational irony is when events have an affect on a situation to make the outcome the opposite of what was expected, and dramatic irony is when the significance of actions and doings of the characters in a story are obvious but the characters

The “To Be or Not to Be” soliloquy is an example of this intricate text that is displayed throughout the play. A soliloquy is an act of speaking one's thoughts aloud when by oneself or regardless of any hearers, especially by a character in a play. This soliloquy is one of the most famous and studied soliloquies of all time. Scholars have discussed this for piece of literature since its creation. When Hamlet, the protagonist of the play, first starts this soliloquy he discussed is it worth it

Dangerous Liaisons is an American-British film, directed by Stephen Frears, released in 1988. It is adapted from Christopher Hampton's play, itself adapted from Pierre Choderlos de Laclos's famous epistolary novel Les Liaisons Dangereuses. He has won three Oscars, including Christopher Hampton's Best Adaptation Screenplay. The film and the play change the original ending of the novel, in which Madame de Merteuil remains alone forever disfigured by her illness. In scene 43, the Marquise de Merteuil

are times where evil can overcome good. The two stories that represents these two forms are Macbeth and Beowulf. In Macbeth, the story starts out with Macbeth who is a loyal servant to King Duncan. His wife convinces Macbeth to kill King Duncan to gain power and become the new king. After hesitating, he murders King Duncan and this starts transforming him into a paranoid person. His paranoia causes him to order the deaths of close friends and allies. This transformation demonstrates how evil takes

“Iago belongs to a select group of villains in Shakespeare who, while plausibly motivated in human terms, also take delight in evil for its own sake” (Bevington, 2014, p 607). Understanding his sense of self might reveal another tragedy regarding how egos across the human condition demonstrate unique frailness. “Critics often debate Iago's motives. What drives him to act as he does? Some people believe Iago is simply, but purely, evil, doing immoral things merely to be bad” (Hacht, 2007, p, 657)

In William Shakespeare’s play Hamlet, Claudius is portrayed as a ruthless king, hiding himself behind a charming façade in order to conceal his driven passion. Therefore, within his soliloquy, the ambiguity surrounding his character disappears as he reveals his true nature. While the other characters within the play remain oblivious to Claudius’ committed crime, it is emphasized to the reader, through Shakespeare’s use of allusions, imagery and the universal theme of internal conflict. As a pivotal

Everyone has to deal with loss and Shakespeare understood that within his play Hamlet. Throughout the play Hamlet is dealing with the loss of his father, in fact he gives several soliloquies about it. Perhaps the most famous soliloquy given is the one from Act III, scene i. Hamlet begins with the famous line, “To be, or not to be, that is the question:”(1). Although there are many literary devices used within this excerpt, the most prominent are syntax, diction, and imagery, and Shakespeare creatively

Numerous events and conflicts from Twelfth Night are dependant on Viola’s disguise, as she is caught in between Olivia and Orsino’s affection due to her disguise. In the beginning of the play, she dresses up as a male in order to conceal her identity and to get a job at Orsino’s court. In doing so, she is able to gain more of his trust than she would have if she was a female. By disguising herself as a man Viola is able attract his attention and appreciation to ultimately prove her worth to him as

In ‘Romeo and Juliet’, Shakespeare shows a variety of forms of love the most prevalent of which is the love between Romeo and Juliet. To only consider romantic love as the only form of love in the play would be reductive. Whilst the love between the “star-cross’d lovers’” could be considered ‘true love’ other forms of love include the forced love felt by Juliet through the threat of marriage, family love and the infatuation that Romeo feels for Rosaline at the beginning of the play. Shakespeare shows

Brutus, According to Shakespeare The Tragedy of Julius Caesar, a Shakespearean play and representation of the assassination of Caesar, is a well written and developed story in which the build up of the characters is very well done. As a matter of fact, the developing of Brutus, the tragic hero on the play, is one of the most important characters and therefore one of the better explained and exposed. Brutus is a character that is marked with three traits that allow him to be the one responsible

Shakespeare puts us in a dilemma saying whether to live or not. That is the only imagery I could find in the whole speech. Hamlet delivers this speech when Polonius sends Ophelia to talk to Hamlet because he convinces king and queen that Ophelia rejecting his love is the reason behind Hamlet acting like a mad person. Hamlet delivers this speech to act like he is a crazy person to convince people that he is insane such that he can focus on revenge (killing Claudius).