Ludwig Mies van der Rohe Essays

From Bauhaus to Our House by Tom Wolfe Tom Wolfe’s scathing short From Bauhaus to Our House obliterates modernist architecture in 111 pages of sarcasm, wit, and an unyielding frustration with everything modern. In the blink of an eye, American architecture transformed into a collection of glass, steel, and concrete boxes. The International style had the U.S. in it’s anti bourgeois grip, and was not letting go anytime soon. Wolfe, with his personal preference to ornate structures, detested modern

ORGANIC ARCHITECTURE: EXAMINING WRIGHT’S PRINCIPLE OF DESIGN THROUGH FALLINGWATER AND THE GUGGENHEIM MUSEUM I. INTRODUCTION The architecture of the United States at the turn of the century – 1895 to 1905 – was at best, a collection of eclectic styles, with hardly one relating in anyway or sense to the ideal of the nation in which it was built. This was an era which regarded architecture as an application of fashion and styles, unrelated to structure or construction techniques. Yet it was also a

Le Corbusier has brought up the thoughts about architecture or revolution. When it comes to the modernist architecture, the view that being held is that modern architecture could solve social problems. Before World War I, two completely different ideas toward architecture has presented. On the one hand, the building wants to be unique and has the characteristics of capitalist urbanization. On the other side, there is a force that wants to emphasize on the uniformity and efficiency of architecture

Gottfried Semper was a major figure in the field of Interior designing. He was an architect and an art critic who contributed majorly to the study of interiors .He proposed his ideas and thoughts in his book, “Four elements of architecture”, in the year 1952 and it was a huge success. In his book, he developed the theory that origin of architecture could be dated back to the primitive era when human civilization was at its peak. As compared to the modern ideology that architecture

Deconstructive is an advancement of postmodern architecture that started in the late 1980s. The term De-constructionism is simply removing the essence of architecture. Constructivism is an abstract, mystical attitude that is aimed at creating a new reality or relatively over the reality. The main characteristic feature of de-constructivism is the idea of fragmentation. Moreover, another characteristic feature of de-constructivism is that it manipulates the surface and the cover of the construction

SITE ANALYSIS: Located in central Holland, in a small city called Utrecht, the Schroder Rietvield house lies in midst a neoclassical neighborhood that is mainly constructed of brick. This modernist house is merely an intruder to this rather homogeneous neighborhood, as it is clearly noticeable upon encountering it. I was startled when I encountered the Schroder house on Hendriklaan street as I felt like I was out of place. The Schroder housesits on the corner of Hendriklaan Street, facing a

Walter Gropius (Fig.1) was a German architect and the founder of Bauhaus; a German art school operated from 1919 to 1933 in Weimar. The institute was famous for the approach to design under the idea of creating a ‘total work of art’ in which all artistic medias, including architecture, fine art, industrial design, graphic design, typography and interior design would be combined. This style later became one of the most influential ideals in modern design. Gropius decided to leave Germany in 1934

Crane moved back to NewYork City In 1924 and resided in an apartment where just Roberlin, the man who devised the Brooklyn Bridge. One day, when he gazed the distance, the graceful shape of Brooklyn Bridge jumped into his eyes. So that inspired to eulogize the bridge. Although there exists sharp contrast on the theme between Bridge and Waste Land, on the structure, Crane made use of the composition of Eliot’s. At the beginning of the poem, the hero waked up in the dawn and strolled on the bridge

develop a system that would convert meters into feet and inches automatically. This system was developed as a visual bridge between two incompatible scales, that is the metric and imperial and is based on the height of a man with his arms raised. In my opinion I think by drawing attention to the human body through this system and expressing the knowledge behind it impacts significantly both the appearance and function of

formulated by Gropius in the Manifesto” (Droste, 2002, p.40). Geometric shapes and functional style the Bauhaus heralded the modern age of architecture and design. Founded in 1919 by Walter Gropius and directed afterwards by Hannes Meyer and Ludwig Mies Van de Rohe, the Bauhaus is today considered to be the most important schools of art, design, and architecture of the 20th century. Dessau in Germany, a two hour train ride from Berlin; there in 1926 Walter Gropius built his higher academy for the arts

1. Wiener Werkstätte was a sort of arts-and-crafts movement in the very beginning of the 20th century in Vienna bringing together artisans, artists and designers specializing in handmade metalwork, glassware, jewelry, ceramics, textile design and furnishings, whose main goal became to restore the values of handcraftsmanship in the industrial society. The Weiner Werkstätte masters took their inspiration mostly in Classical style employing simple rectilinear forms, clean lines and geometric patterns

60 East 86th Street Peace and harmony come with the satisfaction of acquiring something that completes you. 60 East 86th Street provides fifteen full-floor condominium residences with the perfect location, within a walking distance from Central Park and Madison Avenue. Aiming to bring Elegance and modern surroundings to the Upper East Side Juul-Hansen is a nineteen-story Tower wrapped up on a dazzling grey lime façade whose accentuation oversize The Juliet balconies and casement windows. Cleverly

Modernist houses came from European architects (Spark 2008:186; Jordi 1963:177-187) that developed European theories of Modernism in the United States. Therefore architects like Philip Johnson, played a major role in introducing the works of Mies van der Rohe, Walter Gropius or Le Corbusier into the American society and architecture (Goldberger 2005). This Modernist built structures were characterized by the “open-planning and transparency and commitment to the spatial continuity between the outsides

The house is the most familiar thing to. The uncanny is about the familiar made strange “a hidden familiar thing that has undergone repression an emerged from it” . In architecture this can relate to your initial read of the building in relation to its surroundings and our subconscious expectation of the building based on previous experiences. The expectation of the old/known/familiar but actually it isn’t really exactly as you envisaged it, something has been shifted and altered to make you question

Discuss the context and the key principles of the Charter of Athens; assess its influence on late twentieth century urbanism, in a range of cities. The Charter of Athens was a modernist manifesto that was published in 1943 by the Swiss architect Le Corbusier, who had a major influence on urban planning and architecture after World War II. His work was heavily based upon Le Corbusier’s Ville Radieuse (Radiant City) book of 1935 that was written by the Congres International d’Architecture Moderne

The Bauhaus is an Art and Architecture school founded in Germany in 1919. It is considered as the most influential art school in design history and the leading ideology in modernism that was a philosophical movement arose as result of rapid urbanization and industrialization in the early 20th century (Lewis, 2000, p.38). The name Bauhaus derived from the German word ‘bauen’ – to build and ‘haus’ which means the house (Mack, 1963, p.1). As the industrialization has been a dominating factor to the

The Bauhaus movement, founded by Walter Gropius in 1919, which birthed the Bauhaus building was an influential movement in the Modernism era. The key characteristics of the Bauhaus movement were anti-historicism, clean and geometric shapes and forms and simplistic design. (Bauhaus, 2016) Walter Gropius had a great vision for the Bauhaus movement and aimed to make design and art a social concern during the post-war turmoil. The movement was a contemporary movement and sought out to be rid of the previous

Le Corbusier’s renowned building in the 1920s probably is Villa Savoye Poissy (1928-30) (Figure 1), there are tremendous impact on international modernism.Villa Savoye designed to be functional and to revolve around people’s daily lives. With its systematic efficiency, lack of ornamentation and clean lines. "Geometry is the language of man.’’(Le Corbusier 1931 Towards a new architecture United states of America Dover Publication).He state that this new style aspired to represent what was thought

4) To what extent Frederick Law Olmsted and Calvert Vaux have contributed to the professional practice of Landscape Architecture. Both Frederick Law and Calvert Vaux are actively participating in Landscape Architectural projects in the 19th century. Calvert Vaux being a young Architect in the year 1857 collaborated with Frederick Law in the Central Park competition. Apart from landscape projects Vaux also committed himself as an architect designing various houses that harmonises with nature. Frederick

“The Destructors” is a story of the Wormsley Common gang’s destruction of an old house shortly after World War II. The gang consists of teenage boys who meet every day in the parking place next to an old house. Mr. Thomas is the owner of the house. The teenagers consistently harass him and finally destroy his house under Trevor’s leading. In Graham Greene's “The Destructors,” Mr. Thomas’s house symbolizes England after World War II. First of all, the structure of the house, known as the “Old Misery’s