Goodfellas’ revision to the mob film genre and Goodfellas’ cultural significance and its relationship to society. Mob genre films also known as gangster films, have been on the big screen from the get go of American cinema. When I think of gangster genre, I think of Goodfellas directed by Martin Scorsese. Believed to be one of the greatest gangster films and even one of the greatest films ever made. Goodfellas utilizes main conventions in the genre, yet adds a twist to the film. This twist pulls the viewer
Fritz Lang’s film, “M”, showcases the power, influence, and negative side effects that mob mentality can ultimately lead to. Mob mentality is not new to this world and our modern culture, which is evidenced in both “M” as well as in the culture of Nazi Germany. To start, Nazi Germany was flooded with Hitler’s personal beliefs and ideals and those beliefs made their way into the minds of many German citizens. WIth Hitler as their leader and controlling dictator, many people felt an actual need
In Bill Wasik’s article, “My Crowd Experiment: The Mob Project,” he recounts how he united a substantial amount of people together for an unidentified cause. He analyzes how the power of social media and different cultural conditions can affect society at large. Wasik fabricated the flash mob idea initially from pure boredom. He was able to grasp people’s attention to participate in an unusual action located in a public place. His social experiment is a phenomenon that is made possible from modern
social psychology behind celebrity endorsements, the gravity of a celebrity endorsement or opposition can change the face of an entire issue. This notion is frequently studied through consumer purchases of products, but holds multiple parallels to mob psychology as studied by Dr. Susan Whitborne of Psychology Today (Whitborne). Suggested ideas tie into the Civil Rights Movement as well as peer pressure by their classification: although it was clear that the initial protest was unsuccessful, it was
Pulp Fiction, a gangster film centred around crime and drama, was directed and written by Quentin Tarantino, staring John Travolta, Uma Thurman and Samuel Jackson. The Oscar award winning film details the lives of two hitmen, a gangster, and the gangster’s wife Jules Winnfield (Samuel Jackson) and Vincent Vega (John Travolta), are on a mission to retrieve a stolen briefcase from their employer, and mob boss, Marsellus Wallace (Ving Rhames). Mia, (Uma Thurman) plays the role as Wallace’s wife, who
The conventions of the film had changed significantly by this point. The plots had become more elaborate, the dialogue more daring and the content more questionable. Without the prohibition influencing it or the Hays code restricting it, the gangster genre had acquired more freedom. This trend has continued until the present day and is reflected in films such as 2015’s Legend, a film based on the legendary and brutal Kray twins who ruled London back in
portrayed in film and television has been a conversation in my family for many years. When the advertisement for the television show Sopranos broadcasted, my father was excited, he thought the show was going to be about the opera, must to his disappointment, once he realized it was about the Mafia he could not understand why people like to view such an unglorified topic, (Salvatore Sorrentino), the show was a hit, I have to admit I did watch it. Television shows like Sopranos and Mob Wife’s along
Agora is a 2009 Spanish English-language historical drama film directed by Alejandro Amenábar and written by Amenábar and Mateo Gil. The biopic stars Rachel Weisz as Hypatia, a female mathematician, philosopher and astronomer in late 4th-century Roman Egypt, who investigates the flaws of the geocentric Ptolemaic system and the heliocentric model that challenges it. Surrounded by religious turmoil and social unrest, Hypatia struggles to save the knowledge of classical antiquity from destruction. Max
likewise has an impact in passing on the racial pressures among the characters. A significant part of the camera's developments are quick shot-turn around shots, since characters are regularly shouting at each other all through the greater part of the film. These quick paced camera developments make an uplifted feeling of pressure and perplexity. The speed of the camera adds a restlessness to the discourse through which the crowd discovers that the characters enable their own battles to meddle with their
as Homer Simpson the hotel bookkeeper, Faye Greener a seventeen-year-old aspiring actress or Tod Hackett the young newcomer in the film industry in Hollywood. Throughout the story, we get the chance to meet Tod Hatchet, as we know he was a young and aspiring costume designer who was been living in California for 3 months to take a set designing job with National Films in Hollywood after going to the Yale university of Fine Art. We all know about Hollywood or at least have seen what Hollywood is
I’ve recently watched the cinematic recipient of the Political Film Society Award for Human Rights, Rosewood, and by all means did all those involved deserve more recognition. The movie tells of the racially motivated massacre of blacks in a small town called Rosewood in Florida. The masterpiece dramatizes some aspects of the event while of course adding love stories to the horrific truth of uncontrollable lynch mobs in the south. This film has been understated for quite some years now and it's time
Do the Right Thing is a brilliant cinematic depiction of what life is like in Brooklyn, New York in a neighborhood flooded with pluralism. As tensions and temperatures rise we see an unraveling of events which spiral into a tragedy. This film has without a doubt withstood the test of time; hence, remaining significant and relevant to our culture today. The movie opens with Mookie, a young African American, who works at Sal’s Famous Pizzeria. Sal’s pizzeria is owned by Sal and his two sons Vito
convievable or one's sweetest dream come true, that is if you're a nerd. That is the movie Pleasantville. But, there is more to the film, than just a simple lesson at the end. The 1998 film, Pleasantville exeplifies the qoute by Andrew Smith: "We fear what we don't understand and we hate what we can't conquer". It is, after all, human nature to be scared of the unknown. The film is the story of high school twins in the 90's, one popular (Jennifer, played by Reese Witherspoon), the other not so much (David
province), about the conflict between Jesus and Judas, a week before the crucifixion of Jesus Christ by the Roman Empire, written by Andrew Lloyd Webber and Tim Rice. In the making of this movie there wasn’t a great need for Biblical accuracy, the film was actually a comparison to the original Broadway musical so that it wouldn’t offend the Christian religion. It does show the relationship between the savior and his rebellious apostle, and the way he endured through to the end of his life, and with
the government officials and took the rest prisoner. This was the beginning of the French Revolution. The second historical point I found to be important was the how the relationship between the commoners and the aristocracy. In the beginning of the film they showed Marquis St. Evrémonde running over a child with his carriage and throwing a coin to the father of the child he just killed. The commoners swore they would get their revenge on Marquis St, Evrémonde. It was a great representation of how
course of cinematic history, countless films have been released about the Italian mafia. Two films in particular have had a significant impact on the way the mafia is perceived through the eyes of American audiences. Those films are Goodfellas and The Godfather (the trilogy). Both movies are widely considered two of the greatest of all time, garnering many Academy Award nominations and wins. Although there is no denying the popularity of both of these films, we have speculated that they may not
The instant communication and dissemination of various ideas allow individuals to take information, change its truth value, and conform it to their world view. This perversion of truth has caused numerous problems, many of which are depicted in this film. Process and Duration: Throughout the duration of this documentary, I appreciated the way Andrew Rossi, the film’s director, allowed the element of Process and Duration to come into play. It would have been relatively easy to exclusively show Twitter
Hollywood has made many movies about the great gladiator, Spartacus. These famous films have always portrayed him as a hero or legend. In the movies, Spartacus’s story is a vengeful and action-packed adventure full of violence and drama. In reality, however, his story is not that interesting. Actually, there is not much known about the “legend” of Spartacus. All that is known is that he was once a slave, a gladiator, and a military leader at one point in time. He was actually considered, and still
infiltrating their country. Americans believed that if communism was to take over their country, it would take their freedom as well. Since the Red Scare was revered, Senator McCarthy began to search the film industry. This was because he had allegations that film makers and actors were secretly making films, which contained communist messages. People in the United States were deathly afraid of the communist party. They would create slogans saying “Better dead than red.” Communism changed the way people
evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist