Musical theatre Essays

  • Sondheim: American Musical Theatre

    451 Words  | 2 Pages

    Sondheim is one of the most respected American composers in the history of musical theater because of his vast contribution of over a dozen musicals, some that are staples in the history of American musical theater, to the ever-growing genre. Sondheim composed and wrote lyrics for nine Broadway shows from 1962 to 1984. According to those shows are: A Funny Thing Happened on the Way to the Forum (1962), Anyone Can Whistle (1964), Company (1970), Follies (1971), A Little Night Music (1973)

  • Musical Theatre: The Musical

    993 Words  | 4 Pages

    Musical theatre combines music, dance and theatre to tell a story. It is not just a play with music because the songs and the music also tell a story. Music and singing are the main features and together with drama they combine into a musical theatre. It appeals to many people because it has such variety. The words are sung and in some musicals there are no spoken words at all. Musical theatre has developed over the last 150 years. American musical theatre began in the beginning of the 20th

  • The Impact Of American Musical Theatre

    806 Words  | 4 Pages

    politics” (Victor Pinchuk). Musical theatre may not be the first thing that comes to mind when concerning American culture, however, the theater has greatly shaped America into what it is today. Portraying a story through song and dance allows for an expression of emotion that cannot be replicated. With this method of storytelling, artists have been able to integrate social and political issues in a way that makes the audience not only want to listen, but enjoy. Musical theatre is able to address important

  • Essay On Musical Theatre

    743 Words  | 3 Pages

    I 've always been fascinated by the art of telling stories. The main reason I 'm passionate about musical theatre is that I find it to be one of the best ways to tell stories. The combination of music and acting creates for me something that no other form of art form can create. The more musicals I watch the more I find how interesting, innovative this combination can be, and the more I feel a burning need to be a part of it. But despite the fact I was interested in acting and singing for most of

  • Musical Theater: The Ever-Changing Musical Theatre

    384 Words  | 2 Pages

    Musical theater is a form of art where stories are told on stage in front of a live audience through acting, dancing, and singing. Americans have been enjoying the ever-changing musical theater genre since the early 1900s when the country started transitioning out of opera and into the new musical theater era. Audiences were amazed by the beauty of watching characters tell a story from a place of such deep passion that it moved them to sing and sometimes dance. American musical theater is centered

  • Pursuing Musical Theatre Performance

    392 Words  | 2 Pages

    and thousands of undergraduate musical theatre applicants, stare blankly at a prompt questioning why I have decided to pursue Musical Theatre performance. I may easily choose the route to pour out my boundless passion into a five hundred word essay, only to be shuffled along with the thousands of other monotonous essays that I’m assured file through the records of XYZ’s college admission offices. Simply put, many people believe that studying the art of Musical Theatre Performance is not a practical

  • Musical Theatre: A Brief History Of American Culture

    1242 Words  | 5 Pages

    Musical theatre is a performance that combines songs, spoken dialogue, acting, and dance. The story and emotional content of a musical are told through the words, music, movement and technical aspects of the entertainment as an integrated whole. Musical theatre is unique for every culture. In america it took years to find its own unique  identity. The first “play” put on was in 1735, it was technically a British opera called Flora. After this play the colonies started to form together as a nation

  • Musical Theatre Personal Statement

    673 Words  | 3 Pages

    When I was in Year 5, a children's theatre company came to my primary school and performed a show about a journey through space. The use of extravagant costume, aesthetically pleasing proxemics and exaggerated acting really interested me. It was this experience that really opened my eyes to the world of theatre and since then I have been obsessed. I want to study Musical Theatre at university in hopes of having a career in this subject. My studies at A-level has helped me develop a numerous amount

  • Show Boat: The Stereotypes Of Musical Theatre

    2067 Words  | 9 Pages

    When people think of musical theatre, they imagine jazz, kick lines, high notes, and jazz hands. This stereotype of musical theatre largely began in the 1920’s with the Ziegfeld Revues, though this art form has gone through a metamorphosis since those days the stigma stays (Lubbock). Hamilton contains almost none of these archetypal images of musical theatre. Perhaps that is why Hamilton has won 11 Tony Awards, a Pulitzer, and tickets are selling for $850 each (Lopez). However, as anyone who has

  • Irving Berlin: A Great Figure In Musical Theatre

    2077 Words  | 9 Pages

    will be addressing the impact of a great figure in musical theatre, a man who made significant contributions in the history of musical theatre, the Russian born and Jewish American Irving Berlin. I will address some important phases in his life. I will start by giving an overview of his early life and family. Also, I will be talking about his major initial works as a lyricist and composer and some of his major early contributions in musical theatre. Moreover, I will discuss how he was able to establish

  • How Did Richard Rogers Influence Musical Theatre

    653 Words  | 3 Pages

    Richard Rogers had composed over 900 songs and 43 Broadway musical. He also produced and directed music for television and films too. He was born in New York City on June 28, 1902. Richard had help with music, broadways, and films too. His production was in 1920 called “ Poor Little Ritz Girl”. Straight out of college he work for a director name Lew Fields. Lew Fields was an American actor, comedian, vaudeville star, theatre manger, and producer. He also best know for working with Lorenz Hart, excluding

  • My Passion For Musical Theatre

    826 Words  | 4 Pages

    the performing arts. I wasn’t always fully invested in musical theatre. My parents introduced me to sports such as soccer and water polo as a young 3rd grader. While I spent much of my time playing sports, I naturally gravitated towards dance, music and choir in school. I didn’t realize until 8th grade that I wanted to commit my time to musical theatre, rather than sports. I quit swimming and playing water polo so that I could do theatre in 8th grade. I got a lot of inspiration after attending

  • Musical Theatre: Jerome Robbins And West Side Story

    903 Words  | 4 Pages

    Tg beneath the surface” (Weakland). Jerome Robbins fully integrated all of the elements of musical theater including music, lyrics, book, and dance to produce something entirely unique. Jerome Robbins was changing the face of musical theater entirely. West Side Story also broke the rules in a thematic way. West Side Story was the first show to portray that musicals could be based on painful stories. Painful stories that “force people to confront their most dangerous internalized philosophies” (Weakland)

  • Personal Narrative: A Career As A Musical Theatre Performer

    1315 Words  | 6 Pages

    likewise supplement your pay by filling in as a move educator or choreographer. Musical theater entertainer Musical theater entertainers are by and large 'triple dangers' – gifted in singing, moving and acting. This can be a requesting profession, with eight demonstrates a week being the standard, and rivalry for parts is furious. Be that as it may, as with acting and moving, there's no reason you can't succeed as a musical theater entertainer in case you're resolved, gifted and energetic about what

  • How To Write An Essay About My Musical Theatre Workshop

    473 Words  | 2 Pages

    experience with this workshop! The Musical Theatre Workshop was one of my favorite because it combined dancing, singing, acting and music to communicate a range of emotion to tell stories through these elements about love, pain, happiness, grief, anger and humor. Each element of Musical Theatre plays of one another. In other words, the music and singing elevates the dance to convey a message to the audience. Like all of the other workshops, Musical Theatre required proper breathing techniques

  • How Did Rodgers And Hammerstein Create The Most Successful Partnership In American Musical Theatre

    1903 Words  | 8 Pages

    in American musical theatre. Both men were very well- established and successful Broadway writers, Hammerstein mainly associated writings musicals with Jerome Kern and Rodger’s doing the same with Lorenz Hart. The two joined together and were the perfect combination; Hammerstein wrote the lyrics and sent it to Rodger’s for him to set it to music. The first Rodgers & Hammerstein musical was Oklahoma! this was a first of its genre, the play representing a unique fusion of Rodgers’ musical comedy and

  • American Musical Theatre

    634 Words  | 3 Pages

    (Jarvik). Think about this piece of work: Hamilton, An American Musical. If an individual were stopped in the street, chances are they would be familiar with this piece. In the theatre industry, Hamilton is seen as a groundbreaking piece, one that is changing the very meaning of musical theatre. Artists all around the world

  • Musical Theatre Essay

    282 Words  | 2 Pages

    contrary, music plays fewer roles in musical theater but an actor 's dramatic performance is primary. It uses the primary elements like scenery, costumes and acting to present, but, the words of the opera, or libretto, are sung rather than spoken. The singers are convy by a musical ensemble ranging from a small instrumental ensemble to a full symphonic orchestra. 1. In the reading it is pointed out that opera ----. A) Has developed under the influence of musical theater B) is a drama sung with the

  • Phantom Of The Opera Theatre Analysis

    741 Words  | 3 Pages

    Musical theatre is a versatile conglomeration which combines many different aspects of theatrical performance. Aspects such as songs, dance, spoken dialogue, and acting combine together within the performances of The Phantom of the Opera and Cats both composed by Andrew Lloyd Weber. The opulent gothic context, the external realistic style, and the ability to explore musical theatre with a higher soprano singing from The Phantom of the Opera contrast with the bleak modernistic context, internal realistic

  • Stephen Sondheim Research Paper

    1087 Words  | 5 Pages

    seriously. A close neighbour of Sondheim was Broadway lyricist, Oscar Hammerstein who soon became his close mentor in the art of musical theatre. When he was 15, Sondheim wrote his first musical, By George, and asked his mentor for feedback. At the time, Sondheim expected Hammerstein to praise his great work, however Hammerstein returned the piece saying it was the worst musical he had read. This inspired Sondheim to improve