Opera Essays

  • French Opera Criticism

    1455 Words  | 6 Pages

    French Opera Jean-Baptiste Lully’s Armide consists of five acts and a beginning overture, called a prologue. This is in conformity to the Aristotelian ideal of length in the opera as a musical genre and in contrast to the Italian practices of the time. The French recitative and aria are the focus of Raguenet and Lecerf’s criticism and praise of French opera. This section will evaluate one of the Armide’s recitatives and arias in light of Raguenet and Lecerf’s arguments over French opera.

  • Beggar's Opera Analysis

    1553 Words  | 7 Pages

    afternoon tea with John Gay, a more realistic journey would be to engage with technology at the very tips of my fingers. Let me take you three centuries ago and walk through Gay’s life to find out what might have influenced him to write the Beggar’s Opera. It all started on 30 June 1685 in Barnstaple, England where Gay was born. Gay went to London after finishing his studies to be an apprentice to a silk merchant but he disliked the job. He continued exploring other jobs in London; being a secretary

  • Example Of Ballad Opera

    1043 Words  | 5 Pages

    BALLAD OPERA & OPERETTA Ballad operas and operettas both share qualities found in traditional opera. Just like the opera, these genres are both sung in an operatic style. The ballad opera originated in England around the eighteenth century, and developed to become a type of comic opera. It typically featured farcical plots and light-hearted music that was mainly confined to ballads and folk songs that were interspersed with spoken dialogue. The Beggar 's Opera is an example of a ballad opera. An

  • Aida Opera Analysis

    889 Words  | 4 Pages

    Aida is an Opera that consists of four acts. This story, written by Giuseppe Verdi, is about the love between the ethiopian princess, Aida, and an Egyptian General and it takes place in ancient Egypt. In Act one starts out with Radames, who is a young egyptian warrior, finding out that war with the Ethiopians is inevitable. Radames and Aida are both secretly in love with each other but neither of them can confess because Amneris is also in love with Radames. The King, who is also the father of Aida

  • Essay On 20th Century Opera

    1473 Words  | 6 Pages

    and present tune. Music operas turned into more and more optical with all the circulate and listing of piece videos and concerts. Music of all types also become more and more compact. Headphones allowed other folks lotus adjoining one another to hearken to utterly the different shows or split a similar opera. 20th Century opera brought a new self-determination and extensive experiment including new choral styles and forms a well known challenged the preferred rules of opera of in advance periods.

  • Italian Opera Analysis

    763 Words  | 4 Pages

    This was the first ever Italian opera, I have attended. In the very beginning, I was lost as to what was being said. After the first intermission and speaking with the people around me they shared some helpful advice in understanding the remaining acts. La Triviata, made me feel as I was living in an Italian fairy tale. The costumes were very elegant and beautiful. In the opening act, the main character (Violetta), was preparing for a party she was having in her house. She was wearing a skirt with

  • Gender Roles In Peking Opera

    1034 Words  | 5 Pages

    The relationship between the music and the drama – the story – is the essence of what any opera is. Both the West and China have produced numerous operas in many different traditions and genres. As a much-cherished traditional art form in China, Peking Opera was formed through the combination of various music and performing techniques. Having a history of 160 years, Peking opera was formally created in 1790 through the merging of several regional styles in China that have their roots in the 13th

  • Phantom Of The Opera Theatre Analysis

    741 Words  | 3 Pages

    within the performances of The Phantom of the Opera and Cats both composed by Andrew Lloyd Weber. The opulent gothic context, the external realistic style, and the ability to explore musical theatre with a higher soprano singing from The Phantom of the Opera contrast with the bleak modernistic context, internal realistic style, and the ability to explore musical theatre with an alto pitched singing from Cats. In the context of The Phantom of the Opera musical the inspiration was sourced from the French

  • Role Of Opera In Greek Drama

    774 Words  | 4 Pages

    Operas started to come into existence in the late 16th Century. These works are entirely sung, and usually tell a story of some sort. They began in Italy and were put into motion by the Florentine Camerata. One could think of Opera as a rebirth of Greek dramas. Prior to the 16th Century, storytelling was done in various forms of singing and dancing. Operas stemmed from Greek dramas, and were an attempt to recreate it. Almost all of the characters in the early operas were taken from Greek and Roman

  • The Beggar's Opera Essay

    957 Words  | 4 Pages

    Discussion From research it shows that one of the earliest signs of a jukebox musical was John Gay’s creation of The Beggar’s Opera (1728). Before The Beggar’s Opera all popular theatre was opera and the main operas were mostly written by a man name Georg Frideric Handel. The daring storylines and poetry were written in a time when all operas focused on love, romance, gods and heroes. In contrast, Gay took a completely different approach and wrote a performance based on thieves, maliciousness, and

  • Beijing And Italian Opera Comparison Essay

    650 Words  | 3 Pages

    A comparison of the Beijing Opera and the Italian Opera reveals a significant contrast in almost all fundamental areas of music between the two examples. Because of cultural influences, the two performances share little commonalities, as the timbre, medium, elements of pitch, rhythm, dynamics, form and phonic structure are definitely not similar. For instance, the musical and physical performance dynamics of the Beijing opera music are forceful, the timbre is loud, tinny and harsh, the rhythm is

  • Phantom Of The Opera Essay

    844 Words  | 4 Pages

    of Erik, the Opera Ghost. Created by French novelist Gaston Leroux, Leroux writes about a tortured man known as the Opera Ghost or the Phantom who falls in love and becomes obsessed with a young chorus girl after tutoring her in singing. When felt challenged for her affection by a childhood friend, the Phantom begins killing anybody who he believes will keep her from him. Captivated by Leroux’s story, filmmaker Carl Laemmle creates the Americanized, silent film The Phantom of the Opera. Due to the

  • The Baroque and Renaissance Periods of Music

    1463 Words  | 6 Pages

    Throughout history, many periods of music have existed, some of which have left behind enduring contributions to music altogether. The most important period of music however is the Baroque period. This is because the beginning of its era marked the introduction of dominant musical devices that have been used ever since. The term “baroque” was derived from the Portuguese barroco meaning “oddly shaped pearl” and refers to a period of European music or Western European art music that flourished from

  • Mozart: A Great Composer

    1147 Words  | 5 Pages

    highly of Mozart and when asked about Don Giovanni after its poor reception in Vienna, he refused to comment and replied that “Mozart is the greatest composer that the world now has.” The emperor, Joseph II also recognized the brilliance of Mozart’s opera despite the poor reception in Vienna at the time (textbook footnote). Although critics often commented on the complexity of his music as being difficult for even musical connoisseurs, the complexity of Mozart’s work contributes to his role in Western

  • George Frederic Handel

    828 Words  | 4 Pages

    musician who composed many operas and oratorios especially in London. He is an inspiration of many due to his hard work in both music and other fields. For instance, in Hanover, Handel was made the Kapellmeister to the Elector, George Louis who favored him and sent him to visit England for twelve months. During his first visit in London, he was received at Queen Anne 's court and stayed there for the first eight months. However, his great interest was in Vanbrugh’s new opera house. This was a great

  • How Did Franz Strauss Influence In His Work?

    813 Words  | 4 Pages

    boys or their mother being sent to concentration camps. In 1938, when the entire nation was preparing for war, Strauss created Friedenstag (Peace Day), a one-act opera set in a besieged fortress during the Thirty Years ' War. The work is essentially a hymn to peace and a thinly veiled criticism of the Third Reich. Productions of the opera ceased shortly after the outbreak of war in 1939. When his Jewish daughter-in-law Alice was placed under house arrest in Garmisch-Partenkirchen in 1938, Strauss

  • The Enlightenment: An Intellectual Movement In 18th Century Europe

    269 Words  | 2 Pages

    about music. Artwork was no longer just depictions of holy topics but moved to the environment and philosophy. Musicians also studied the Greek drama and tried to create music that would go with the words of their stories. This was the beginning of opera, where music and theater are combined to perform in the public. Because of the fact the Enlightenment was an intellectual movement among the upper and middle class elites, the audience had changed as well

  • Salieri And Mozart In Milos Forman's Amadeus

    1083 Words  | 5 Pages

    this film are Antonio Salieri and Mozart. Mozart is a very smart, creative, hardworking guy and has God gifted natural talent. He amazes every individual with his magical composing techniques. He burns the midnight oil to write beautiful and unique operas that no one has ever heard. On the other hand, Salieri is the court composer for Holy Roman Emperor Joseph II. He is a very jealous, selfish and religious guy who loves and admires music. His father wanted him to go into commerce but his father dies

  • Beethoven And Mozart Comparison Essay

    913 Words  | 4 Pages

    it. At age 18, he had to earn money to support his family. Christian Gottlob Neefe eventually became Beethoven’s teacher. By June 1782 Beethoven had become Neefe’s assistant. In 1783, Beethoven published his first piece and played continuo in the opera. In 1787 he planned to go to Vienna to meet Mozart. The journey was cancelled due to the death of Beethoven’s

  • Apart Guiseppe's Accomplishments

    1140 Words  | 5 Pages

    goal. Little did he know, that his hard work will lead to him becoming the most appreciated Italian composers of the Romantic Era. Guiseppe will always be remembered for unique operas and the impact that he left in the history of music. Throughout the rest of this report, you will learn about Guiseppe Verdi 's works in the opera through a whole new and more accurate