Sculpture Essays

  • Greek Influence On Roman Sculpture

    302 Words  | 2 Pages

    were creating extremely realistic sculptures. The Romans were influenced by Ancient Greek art and continued their tradition of life-like sculptures, which still influences art today. Roman sculptures were sometimes made of bronze, but they frequently created their sculptures out of marble. Other materials used were oil paints and metal. A typical sculpture would be a representation of the person 's upper body, specifically the head and neck, this type of sculpture is called a bust. The Romans typically

  • Blue Woman In Black Chair Sculptures

    730 Words  | 3 Pages

    Sculptures are a form of artwork that portray a certain message towards an audience at hand. The University of Texas at Austin holds the following two sculptures which remind us of the power of artistry: Martin Luther King, Jr (1999) and Blue Woman in Black Chair (1981). The former monument, by Ana Koh-Varilla and Jeffrey Varilla, stands in the East Mall and the latter, by George Segal, sits on the 2nd floor of the Blanton Museum. Both sculptures represent a distinct human figure yet, differ in their

  • Greek Sculpture During The Archaic Period

    276 Words  | 2 Pages

    the sculptures were designed as decorations of cult statues, religious buildings, or as honor reminder of the deceased/god. All statues of archaic period were in fact painted with very bright colors in the lips, hair, and other body parts. On page 117 “During the Archaic phase of Greek sculpture, freestanding representations of the male youth (kouros) retain the rigid verticality of tree trunks from which earlier Greek sculptures were carved“(Fiero). Most of the free-standing Greek sculptures from

  • Charles Umlauf The Family Group Analysis

    1470 Words  | 6 Pages

    Group by Charles Umlauf Charles Umlauf created The Family Group sculpture in 1960. The location of the sculpture is outside of the McCombs School of Business at the University of Texas at Austin. Its green color distinguishes the sculpture from the many other sculptures around the university and from the background of the business school. Much of the evidence in the paper will come from the structure and form of the sculpture. The sculpture depicts the wife leaning on the husband showing a traditional

  • Garland Sarcophagus Analysis

    496 Words  | 2 Pages

    The stone sculpture, titled Garland Sarcophagus made by a Roman artist, this piece is created in the year AD 200-225. The Garland Sarcophagus stone sculpture is a coffin for inhumation burials of upper class, the physical condition of the sculpture is cleaned and restored. This sculpture is made in Rome, and belonged to the Roman Empire movement. The Garland Sarcophagus is not typical work, due to inhumation burials being an uncommon Roman practice during the second century A.D., until around the

  • Equestrian Statue Of Marcus Aurelius Analysis

    494 Words  | 2 Pages

    ancient Roman sculpture, Rome, Italy. This statue is a focal point of Campidoglio. It is made of bronze and has a height of 4.24 meters. This statue was previously covered with gold. There is a story in the old local myth that the bronze statue goes back to gold again on Judgment Day. Also, it is a statue depicted on the back of an Italian 50 cent coin. A statue is a life-size depiction of the emperor gracefully resting on his horse while participating in the public consciousness. The sculpture was originally

  • The Seated Boxer Analysis

    894 Words  | 4 Pages

    Power and Pathos Essay The Seated Boxer, 300-200 B.C.E. is a work that may look as if the statue emanates power, but in actuality, emanates pity and sadness when examined more closely. This work of art was created during the Hellenistic era where Greek art displayed dramatic, detailed expression art. The Seated Boxer expresses this same sort of art from the Hellenistic era as the sculptor etched intricate details to the Seated Boxer from the details on its face, to its entire posture that it

  • John Van Alstine Via Solaris

    730 Words  | 3 Pages

    attending Indiana State University, one of the first sculptures I took an interest in was the Via Solaris. “Via Solaris” is Latin for “the way or road of the sun.” The sculpture is about 20-feet tall and made of bronze and steel. Via Solaris was created by John Van Alstine, an American sculptor living and working in New York State. John Van Alstine is best known for stone and metal abstract sculptures illustrating remarkable balance and elegance. The sculpture is located on the north side of Stalker Hall

  • In Ridge And Furrow Analysis

    376 Words  | 2 Pages

    will first analyze the sculpture In Ridge and Furrow created by Peter Randall-Page. Second, I will then critique the sculpture based on the visual arts as well as the principles and elements of design. Lastly, I will explain my thoughts about the sculpture and whether I like the sculpture In Ridge and Furrow created by Peter Randall-Page. The sculpture In Ridge and Furrow created by Peter Randall-Page is a sculpture, which represents the hemispheres of the brain. This sculpture was carved from a 19-ton

  • Yelda Khorsabad Court Analysis

    595 Words  | 3 Pages

    Yelda Khorsabad Court, who is a Human-Headed Winged Bull (Lamassu), a huge sculpture that makes you feel tiny compared to it. It is a Neo-Assyrian sculpture from 721-705 B.C. The material used to make this sculpture is gypsum alabaster. Before, it was located in Dur-Sharrukin, which is now called Khorsabad, Iraq. In 1929, the statue was relocated to Chicago. It was in the palace of Neo-Assyrian King Sargon II, which was 85m long, almost a football field size. Lamassu is 16 feet tall and weighs about

  • Venus Of Willendorf Essay

    468 Words  | 2 Pages

    Sculptures from the past serve as a narrative of cultural experiences through their three dimensional representations of specific cultural standards, visions, and stories. Just by looking at a sculpture’s style, we can easily identify the civilization who crafted it. The material of the art work can also tell us from what and where it was made. Female figures were carved by every culture, when it came to art. They would be carved as symbols of fertility and later as modern standards of beauty. One

  • Keuros In Greek Art

    501 Words  | 3 Pages

    domination of the Greeks during the Olympics the male body became a well celebrated sculpture called Kouros, meaning “young man”. Kouros could be found in cemeteries and sanctuaries as offerings to the Gods, or as grave markers. The way Kouros were sculptured many can suggest that they served as watchful guardians for the dead. Kouros vastly resemble Egyptian sculptures, familiar traits can be seen between late Egyptian sculptures and Kouros dating between 600 BCE and 525 BCE. During the six century, Kouros

  • Venus De Milo Vs Michelangelo

    1164 Words  | 5 Pages

    When we think about sculptures we usually look back to ancient Greek and some of its famous sculptures like the statue of Zeus or the Discus Thrower. Ancient Greek was where sculptures seem to originate and influence later periods. Like the Renaissance in Europe. Renaissance was the “rebirth of classical Greece and Rome”(Hoeschen) which makes sense regarding the fact that the renaissance sculptors seemed to draw inspiration from the classical art of Greece and Rome. For instance a great example would

  • Polykleitos Doryphoros: Ideal Human Body

    317 Words  | 2 Pages

    Doryphoros to represent an ideal human body. Also referenced as the Spear Bearer, this naturalistic, bronze sculpture represented contrapposto, showing harmony of the opposites. Polykleitos derived ideas to sculpt the human form with visual features, along with his treatise, Canon, to inspire art in ancient Greece. When Polykleitos created Doryphoros, he used physical attributions to make the sculpture look like a strong, athletic, and young warrior representing civic ideals. Depicting Doryphoros as the

  • Ancient Greek Art Essay

    693 Words  | 3 Pages

    began in approximately 700 BCE under the Archaic style. The Archaic style was very primitive and can be likened to Ancient Egyptian art and sculpture. The Archaic style would display the human body in very rigid and unnatural forms. Archaic sculptures were also well known for the “Archaic Smile”. Historians believe that the Greeks displayed their human sculptures with a smile to signify that they were representing someone who was “alive”. The Classical style followed the Archaic style and began as

  • How Did Renaissance Influence Greek Art

    748 Words  | 3 Pages

    returning to the lives of many. A lot of similarities can be seen between Greek and Roman sculpture and art and renaissance pieces. Many people looked to the Greek philosophers as their knowledge was well respected and their culture so influential. Some similarities can be seen between The Birth of Venus by Botticelli and Aphrodite of Knidos by Praxiteles. Even though one is a painting and one a sculpture you can clearly see the influence of Greek and Roman art on the piece by Botticelli. The

  • Greek Art Analysis Essay

    806 Words  | 4 Pages

    For my museum report, I made a decision to work on a Kouros who was found within the Metropolitan Museum of Art in New York City. A Kouros could be a Greek sculpture of a young male. The peak of the sculpture was 6 '4  tall. Whereas, perceptive this piece I found that it had been created out of tan coloured marble with a touch of bronze, and fully naked from head to toe. His arms area unit tightly by his sides with holes in between his sides, however his fists area unit closed, and connected to

  • Louise Nevelson Analysis

    965 Words  | 4 Pages

    mostly due to not fitting in with the likes of museum curators. At the time, her art and sculptures were kept to a smaller size but as she grew

  • Personal Narrative: My Trip To Frederik Meijer Garden

    809 Words  | 4 Pages

    bring art of the garden and sculpture together.

  • Doryphoros Michelangelo Analysis

    1569 Words  | 7 Pages

    hair and the form of the support (the stump) also assist us in dating this piece because they can be linked stylistically to other known objects from specific Roman periods. The Doryphoros and other Roman copies of Greek sculpture are extremely valuable because no bronze sculpture made by a famous Greek artist has survived to the present day. . Roman copies, therefore, provide us with the only visual documentation available of Classical Greek