Space architecture Essays

Wright, An American Architecture In the excerpts from "An American Architecture", Wright discusses the idea of continuity and interior spaces. In his introduction he states that continuity to him is something natural and truly organic architecture which can be achieved by the technology of machines or the natural technique. Additionally, Wright emphasizes on the idea of plasticity, the treatment of a building as a whole as seen in the work of Louis Sullivan, whose work he appreciates. Moreover,

Frank Lloyd Wright was influenced by nature and Japanese architecture, but to what extent can Japanese architecture influence the use of nature and space in some of his works such as the Unity Temple, Fallingwater, or Taliesin? After analyzing Japanese aesthesis, such as Shinto and Buddhism, as well as traditional aspects of Japanese architecture, this article will clarify Wright’s relation to nature and space in his works, and finally study several edifices from Wright: the Unity Temple, Fallingwater

is concerned with the modeling of material to bring the material into presence - from the physical into the meta-physical world (Maulden, 1986). Since tectonics is primarily concerned with the making of architecture in a modern world, its value is seen as being a partial strategy for an architecture rooted in time and place therefore beginning to bring poetry in construction. Tectonics, however, has the capacity to create depth-ness of context resulting in the implicit story being told by the tectonic

Architecture is a history full with contradictions. Fresh ideas essentially raised with the waning of old ideology. Throughout the entire modernism period, most architects like Ludwig Mies van der Rohe, were seeking for a kind of scientific certainty- they hoped their buildings to be “universal”, they wanted to find an “elixir” for all the buildings around the world, and they liked to build the same building all over the place. However, during the 1960s, this idea was widely challenged by the social

The film emphasizes two main points about Palladio and his works. Firstly, in his lifetime, Palladio’s designs were specific to each owner and site, and the interaction between a building and its space was considered throughout each element. For Ackerman and Terry, Palladio is the most imitated architect of all time because of his strong interpretation of the classical order in a modern and applicable way. Palladio skillfully accommodates his buildings to their sites, considering their urban and

How, if at all, does the work of Frank Gehry epitomise the style of Deconstructionist architecture? I have always been fascinated by the great work from an architect whose works are always associated with the architecture style, deconstructionist architecture. It is hugely because of the momentum, the chaos, the distortion that large amount of his works consist of. I was questioning who might this crazy man be, who put all those bizarre looking gigantic sculptures around the world. His name is Frank

A theme in the work of Caruso St John is the wall as bearer of meaning, herewith they seem to critique the 1914 Dom-ino principle of Le Corbusier, which exist of a structure of columns with horizontal slabs where a free infill of non-load-bearing walls and façade is possible. In contrast with Le Corbusier they understand the wall not only as a room divided device but as an element with significance, the wall as bearer of meaning. Here the walls surpasses his functional role as a room separating device

Lady Gaga of architecture EASTERN MEDITERRANEAN UNIVERSITY DEPARTMENT OF ARCHITECTURE ARCHITECTURAL THEORY AND CRITISM /MARCH 561 PRESENTED TO: ASSOC. PROF. DR. TURKAN ULUSU URAZ AND ASSOC. PROF. DR. HIFSIYE PULHAN SUBMITED BY: MALAK BATRAN 145505 Abstract This paper describes the role of architecture in various urban settings through the scope of architectural design and discusses functionality from a different point of views. Since the modernist movement in architecture early 1900s and

BMO Harris Bank Chicago Works: Ania Jaworska, the first in this series to present the work of a trained architect, runs concurrently with the city’s first Architecture Biennial. Ania Jaworska (Polish, b. 1979) explores the history of architecture and the relationship between the built environment and society through prints, drawings, scale models, and functional objects. Yet, despite the weight of these issues, Jaworska’s approach is marked by humor, irony, and a use of bold, minimalist forms. For

rest. My desire for success developed from this competition and my interest in architecture budded from the excitement that I found in my 4-H projects. I discovered that architecture would allow me to use my creativity and passion, in the act of making, to produce finely crafted, beautiful spaces for people to thrive. My longing for this passion continues

“Architecture is not created in a vacuum. It is usually a response to the context in which it becomes constructed reality.” –Bert Bielfeld (p.13) Based on Nova Scotia Association of Architects (2014), Architecture is the art, science, and business of building; and in line with this are we, the Architects, who are described by the word versatile. We create and build designs for a certain structure such as a residential home, office, skyscrapers, schools, malls, parks, churches, etc. Everything starts

ORGANIC ARCHITECTURE: EXAMINING WRIGHT’S PRINCIPLE OF DESIGN THROUGH FALLINGWATER AND THE GUGGENHEIM MUSEUM I. INTRODUCTION The architecture of the United States at the turn of the century – 1895 to 1905 – was at best, a collection of eclectic styles, with hardly one relating in anyway or sense to the ideal of the nation in which it was built. This was an era which regarded architecture as an application of fashion and styles, unrelated to structure or construction techniques. Yet it was also a

figures in the history of American landscape architecture. His work has had a significant impact on the development of urban planning and design, and his ideas continue to influence modern urban design. In this discussion, we will critically analyze Olmsted's key ideas from the text and their wider relevance, including how other scholars have evaluated these ideas. Olmsted's Key Ideas One of Olmsted's key ideas is the importance of designing public spaces that are accessible and enjoyable for all

gave us a keen insight into what it was the the architect looked like in the time of ancient Rome. Throughout the video One gets to explore and visualize the brilliance in the layout of each of the famous pieces of the Ancient Roman world. The architecture has elements that consist of Etruscan and Greek style in them. The Individual columns with the basic architectural unity throughout the entire building. Orders used to dramatize the design of the interior and exterior of the palace. This has been

Introduction Architecture has always emerged through the subjective imaginations, cultural up bringing's, native countries (Location) and even political stance of certain individuals this has influenced architects all over the world to build the way they do. There is no strict discipline to modern architecture like the classical designs and rule of the past and no boundary to what and architect can conjure up. In this essay I will discuss how man-made structures and nature can work together in the

Ancient Roman styles The meaning of architecture is ‘the art or practice of designing and constructing buildings. ' (Oxford dictionary, NA) The word Architecture originally came from a Latin word Architectus. It had been described as a combination of art and science. There were many styles of Architecture. According to the history, it was changed periodically from early civilizations as Mesopotamia, Egyptians and continue to Greek, then Roman, toward to Middle Ages till nowadays. In this research

Modernist architect brought new materials and technologies to India, pioneering development of the future architecture in India. Anglo-Indian architects were practiced by Le Corbusier and Louis Khan, thus high profile names brought in to help promote a modern Indian. Buildings of the 20th century play a large and important role of India 's built environment, it

1963:177-187) that developed European theories of Modernism in the United States. Therefore architects like Philip Johnson, played a major role in introducing the works of Mies van der Rohe, Walter Gropius or Le Corbusier into the American society and architecture (Goldberger 2005). This Modernist built structures were characterized by the “open-planning and transparency and commitment to the spatial continuity between the outsides and the insides of the building” (Spark 2008:141). In addition, Modernist

of architecture which including history, identity, culture, prosperity or spirit of a city. Accordingly, to reach this process of the dialectics of nature, tradition, and modern avant-garde architecture, Frampton constituted a theoretical background representing critical regionalism. In addition to that critical regionalism adopts the principle of the tectonic reality and place in architecture. In other words, the architect should create the tectonic reality by using the physical dimensions of the

The Renaissance gave birth to an innovative approach to how we perceive art and architecture. Prior to the Renaissance, Architecture and the value of the arts were stuck on maintaining traditional art styles and pieces rather than opening a new chapter and evolving to view a new perspective of design itself. The Renaissance brought forth the creation of a new mindset by evolving old traditions and our minds for the way we interpret design is the basis to serve as a gateway for innovation and creativity