The Godfather Essays

  • Masculinity In The Godfather

    548 Words  | 3 Pages

    Revenge, Masculinity and Glorification of Violence in the Godfather Abstract: Crime films have been the most enduringly popular genre since the dawn of sound era in Hollywood. Mob and gangster films are a sub-genre of crime films and deals with the mafia and their organized crime focusing on rise and fall of power. These films primarily have stacks of money, guns, flashy cars, illegal goods, cluster of goons, crime families, and a plot with a central theme coupled with violence. Hollywood gangster

  • Violence In The Godfather

    1656 Words  | 7 Pages

    The Godfather (1972) is a one of a kind movie; it is even considered by many an American classic. The American Film Institute (AFI) has The Godfather listed at number two in 2008 as one of the greatest films in American culture today. This movie has everything from great action scenes to world famous actors. This movie stars Marlon Brando, Al Pacino, and James Cann among many others. The Godfather portrays one major theme throughout the entire movie and that is violence. Almost every scene in this

  • Character Analysis: The Godfather

    1017 Words  | 5 Pages

    C. Comparison The film has a notable distinction in its characters. The Godfather has the honor of having a more refined set of characters in regards of execution and the distribution of traits, in comparison. Scarface has characters that are spread thin, with the few having the most concentration of traits. Tony, Manny, Gina, Elvira and Sosa are the only notable characters that have concentrated traits. Michael and Tony’s personalities are polar opposites. Michael is a law-abiding citizen, aspiring

  • Auteur Theory In The Film 'The Godfather'

    1514 Words  | 7 Pages

    and aesthetically pleasing. A good example of an auteur film is The Godfather. Sarris states that an auteur is one that has a that can create both commercially and aesthetically pleasing films, and Coppola transformed a story fit for a low-budget gangster film, into something far more. As a result, The Godfather ends up becoming a successful blockbuster, but it’s also artistic, and reflective of our society. The Godfather caters to both casual and critical audiences. Coppola uses graphic violence

  • The Great Gatsby And The Godfather Analysis

    1981 Words  | 8 Pages

    society is that if one does not do one of those things they are lesser than the ones who do. These types of people are seen as outcasts and since they want to be accepted they change who they are. In the novel, The Great Gatsby, and the movie, The Godfather, each main character starts off their lives as respectable and honorable individuals. In the end though,

  • Similarities Between Scarface And The Godfather

    747 Words  | 3 Pages

    INTRODUCTION The films Scarface (1983) and The Godfather (1972) are both crime-drama films which focus on the rise of their respective characters up the criminal ladder, becoming leaders on their own right and experiencing parallels on their stories while interacting with characters with duality in rules for both films. Scarface’s Tony Montana opted for drug trade and started his own empire on the back and blood of the people he killed, while Michael Corleone took matters to his own hands when he

  • Goodfellas And The Godfather: Film Analysis

    1343 Words  | 6 Pages

    films are Goodfellas and The Godfather (the trilogy). Both movies are widely considered two of the greatest of all time, garnering many Academy Award nominations and wins. Although there is no denying the popularity of both of these films, we have speculated that they may not be the most accurate depictions of how the mafia operates. Violence is definitely a part of the mafia’s history, but not in the way it has been portrayed in film. In Goodfellas and The Godfather, it seems like every time a

  • Comparative Analysis: Scarface And The Godfather

    760 Words  | 4 Pages

    COMPARATIVE ANALYSIS Submitted by: Marcus Timothy L. Montaos Submitted to: Prof. Valerie Anne C. Miranda English 2 / IT1421 Comparative Analysis: Scarface (1983) and The Godfather (1972) I. Introduction Scarface is a crime-drama film that is famously known for being one of the most violent and profanes films during its time of release. Focusing on the rise of Tony Montana (Al Pacino) on the criminal ladder and becoming more psychotic as his career as the leader of

  • Gang Violence In The Godfather

    1273 Words  | 6 Pages

    The American crime film “The Godfather,” created in 1972, directed by Francis Ford Coppola and produced by Albert S. Ruddy, greatly depicts the formation of gangs and gang violence as well as the American immigration experience. Don Vito Corleone plays an integral part in the movie as the mafia boss. He is well respected in the community, always dressed in his fine suits as he handles many favors on behalf of his friends. Though before he immigrated to America and gained his title as the mafia boss

  • The Godfather Sparknotes

    556 Words  | 3 Pages

    “The Godfather” is a fictional novel written in narrative format by Mario Puzo, published on March 10, 1969. The story is about the history of an Italian mafia family and their organized crime over a ten-year period of time. It centers around the head of the family Don Vito Corleone who is a powerful head of the mafia but is well respected by the Sicilian community. The story delves into the corrupting influence of power but it is centered upon family responsibility, a father's legacy, and the complex

  • Movie Analysis: The Godfather

    830 Words  | 4 Pages

    The Godfather follows a similar pattern of the many medium classics Hollywood used to create in time periods or circumstances that are not here any longer. It absolutely was created during a era when the recent Hollywood folded, and therefore the new rules hadn 't been established. The studios were willing to experiment and to provide the film author 's free reign over their projects. One of such authors was Francis Ford Coppola. The movie that earned its cult standing by satisfying both the high

  • Corruption And Evil In The Godfather

    348 Words  | 2 Pages

    Don Corleone once offered a bandleader “an offer he couldn’t refuse” (Puzo). The chilling line sets the tone for the remainder of the movie, The Godfather, an American crime masterpiece released in 1972 based on a book by Mario Puzo. As part of the series and movie, each of the characters matures differently based on their role in this crooked atmosphere. However, Corruption and evil develop cohesively in the undertakings of the Corleone family. Critically acclaimed, the film explores the mafia

  • Mario Puzo's The Godfather

    796 Words  | 4 Pages

    1969, Mario Puzo, an Italian-American writer, published the book The Godfather, which was about the life of a Mafia family in New York. Inspired by the book, the film The Godfather came out in 1972 and was directed by Francis Ford Coppola. Puzo and Coppola collaborated on the film and what the duo experienced during filming was unlike that of any other in film history. The Mafia was an “Italian-American faction of organized crime,”, who were known for causing trouble. Puzo decided to write a

  • Stereotypes In Godfather Films

    1418 Words  | 6 Pages

    phrases used in actual mobster vernacular, which prior to the Godfather films did not exist. The term “godfather” was also created by Puzo and as stated by Megan Gambino is still used by the FBI and the mob to describe the head of the crime family forty years later (Gambino Web). Audiences were drawn to the early gangster films and were reintroduced to the gangster through the emergence of modern gangster films such as The Godfather, released in 1972. The American gangster appealed to the public

  • Film Analysis: Cinematic Analysis Of The Godfather

    1967 Words  | 8 Pages

    Cinematic Analysis of The Godfather Plot Summary The Godfather action plots spans around the twentieth century and takes places in the years after World War II. It centers around two protagonists, Vito Corleone and Michael Corleone. Michael is the youngest son of Vito Corleone, Don of the Mafia criminal family. When Vito was unexpectedly shot and “passes away”, Michael, a seemingly innocent ordinary American and a World War II hero was reluctant to take over his father 's throne and assume control

  • The Godfather Michael Corleone Analysis

    1195 Words  | 5 Pages

    Godfather: The Spiritual Desolation of Michael Corleone The Godfather, directed by Francis Ford Coppola, is known as one of the most infamous films in American history. Since its release in 1972, it continues to transcend generations of people; never wavering from its appraised status. The film illustrates the gradual moral and spiritual descent of a young Michael Corleone as he suddenly inherits the family business. In the beginning, Michael show’s a great dislike for his family’s way of life and

  • Symbolism In The Godfather

    1145 Words  | 5 Pages

    THEMES AND SYMBOLS IN THE GODFATHER In the middle of 20th centuries, number of film that influenced by the period after WW I, was featured on. One of the most successful ones can be undoubtedly The Godfather. It is a crime film, which is directed by Francis Ford Coppola and produced by Albert S., from a screenplay by Mario Puzo and Coppola is based on and dates back a novel written in 1969 by Puzo. This film tells about an Italian criminal family lives in New York after the war by mirroring to features

  • Film Analysis: The Godfather

    983 Words  | 4 Pages

    The Godfather has been known as one of the greatest films of all time for its unique style of filming and the ability to show the theme throughout the movie in an exclusive manner. The director, Francis Ford Coppola, uses many different film techniques to show the growth and changes in all the characters throughout the course of the film. The movie follows two major characters in addition to everyone else, "Don" Vito Corleone and Michael Corleone. One exceptional element of this motion picture shows

  • What Does The Godfather: I Believe In America?

    527 Words  | 3 Pages

    plea to Brando's captivating performance as the patriarch of the Corleone family not only shows the difference of justice from Vito and America, but more importantly, family is key. Francis Ford Coppola's 1972 classic translates Mario Puzo's The Godfather, 1969 onto the big screen. It follows the Corleone family between 1945-55, the passage of power in the face of huge changes and the longevity of family. Winner of 3 Academy Awards for Best Adapted Screenplay, Picture and Actor for Brando from the

  • Comparing Dramatic Irony In Macbeth And Coppola's The Godfather

    928 Words  | 4 Pages

    very similar and very different from Francis Coppola’s interpretation of Michael Corleone. Both protagonists come to power by killing, they both distance themselves from their wives out, but they deal with their power in different ways. In The Godfather, Coppola uses a combination of zoom, pan and close-up shots with strategic lighting to portray how Michael Corleone comes to the decision to assassinate those who wronged his family. In the scene, the dark lighting, as in most of the family business