The Godfather Essays

  • Masculinity In The Godfather

    548 Words  | 3 Pages

    Revenge, Masculinity and Glorification of Violence in the Godfather Abstract: Crime films have been the most enduringly popular genre since the dawn of sound era in Hollywood. Mob and gangster films are a sub-genre of crime films and deals with the mafia and their organized crime focusing on rise and fall of power. These films primarily have stacks of money, guns, flashy cars, illegal goods, cluster of goons, crime families, and a plot with a central theme coupled with violence. Hollywood gangster

  • Violence In The Godfather

    1656 Words  | 7 Pages

    The Godfather (1972) is a one of a kind movie; it is even considered by many an American classic. The American Film Institute (AFI) has The Godfather listed at number two in 2008 as one of the greatest films in American culture today. This movie has everything from great action scenes to world famous actors. This movie stars Marlon Brando, Al Pacino, and James Cann among many others. The Godfather portrays one major theme throughout the entire movie and that is violence. Almost every scene in this

  • Character Analysis: The Godfather

    1017 Words  | 5 Pages

    C. Comparison The film has a notable distinction in its characters. The Godfather has the honor of having a more refined set of characters in regards of execution and the distribution of traits, in comparison. Scarface has characters that are spread thin, with the few having the most concentration of traits. Tony, Manny, Gina, Elvira and Sosa are the only notable characters that have concentrated traits. Michael and Tony’s personalities are polar opposites. Michael is a law-abiding citizen, aspiring

  • Auteur Theory In The Film 'The Godfather'

    1514 Words  | 7 Pages

    and aesthetically pleasing. A good example of an auteur film is The Godfather. Sarris states that an auteur is one that has a that can create both commercially and aesthetically pleasing films, and Coppola transformed a story fit for a low-budget gangster film, into something far more. As a result, The Godfather ends up becoming a successful blockbuster, but it’s also artistic, and reflective of our society. The Godfather caters to both casual and critical audiences. Coppola uses graphic violence

  • Similarities Between Scarface And The Godfather

    747 Words  | 3 Pages

    INTRODUCTION The films Scarface (1983) and The Godfather (1972) are both crime-drama films which focus on the rise of their respective characters up the criminal ladder, becoming leaders on their own right and experiencing parallels on their stories while interacting with characters with duality in rules for both films. Scarface’s Tony Montana opted for drug trade and started his own empire on the back and blood of the people he killed, while Michael Corleone took matters to his own hands when he

  • The Great Gatsby And The Godfather Analysis

    1981 Words  | 8 Pages

    society is that if one does not do one of those things they are lesser than the ones who do. These types of people are seen as outcasts and since they want to be accepted they change who they are. In the novel, The Great Gatsby, and the movie, The Godfather, each main character starts off their lives as respectable and honorable individuals. In the end though,

  • Goodfellas And The Godfather: Film Analysis

    1343 Words  | 6 Pages

    films are Goodfellas and The Godfather (the trilogy). Both movies are widely considered two of the greatest of all time, garnering many Academy Award nominations and wins. Although there is no denying the popularity of both of these films, we have speculated that they may not be the most accurate depictions of how the mafia operates. Violence is definitely a part of the mafia’s history, but not in the way it has been portrayed in film. In Goodfellas and The Godfather, it seems like every time a

  • Comparative Analysis: Scarface And The Godfather

    760 Words  | 4 Pages

    COMPARATIVE ANALYSIS Submitted by: Marcus Timothy L. Montaos Submitted to: Prof. Valerie Anne C. Miranda English 2 / IT1421 Comparative Analysis: Scarface (1983) and The Godfather (1972) I. Introduction Scarface is a crime-drama film that is famously known for being one of the most violent and profanes films during its time of release. Focusing on the rise of Tony Montana (Al Pacino) on the criminal ladder and becoming more psychotic as his career as the leader of

  • Gang Violence In The Godfather

    1273 Words  | 6 Pages

    The American crime film “The Godfather,” created in 1972, directed by Francis Ford Coppola and produced by Albert S. Ruddy, greatly depicts the formation of gangs and gang violence as well as the American immigration experience. Don Vito Corleone plays an integral part in the movie as the mafia boss. He is well respected in the community, always dressed in his fine suits as he handles many favors on behalf of his friends. Though before he immigrated to America and gained his title as the mafia boss

  • Corruption And Evil In The Godfather

    348 Words  | 2 Pages

    Don Corleone once offered a bandleader “an offer he couldn’t refuse” (Puzo). The chilling line sets the tone for the remainder of the movie, The Godfather, an American crime masterpiece released in 1972 based on a book by Mario Puzo. As part of the series and movie, each of the characters matures differently based on their role in this crooked atmosphere. However, Corruption and evil develop cohesively in the undertakings of the Corleone family. Critically acclaimed, the film explores the mafia

  • Mario Puzo's The Godfather

    796 Words  | 4 Pages

    1969, Mario Puzo, an Italian-American writer, published the book The Godfather, which was about the life of a Mafia family in New York. Inspired by the book, the film The Godfather came out in 1972 and was directed by Francis Ford Coppola. Puzo and Coppola collaborated on the film and what the duo experienced during filming was unlike that of any other in film history. The Mafia was an “Italian-American faction of organized crime,”, who were known for causing trouble. Puzo decided to write a

  • Movie Analysis: The Godfather

    830 Words  | 4 Pages

    The Godfather follows a similar pattern of the many medium classics Hollywood used to create in time periods or circumstances that are not here any longer. It absolutely was created during a era when the recent Hollywood folded, and therefore the new rules hadn 't been established. The studios were willing to experiment and to provide the film author 's free reign over their projects. One of such authors was Francis Ford Coppola. The movie that earned its cult standing by satisfying both the high

  • The Godfather Michael Corleone Analysis

    1195 Words  | 5 Pages

    Godfather: The Spiritual Desolation of Michael Corleone The Godfather, directed by Francis Ford Coppola, is known as one of the most infamous films in American history. Since its release in 1972, it continues to transcend generations of people; never wavering from its appraised status. The film illustrates the gradual moral and spiritual descent of a young Michael Corleone as he suddenly inherits the family business. In the beginning, Michael show’s a great dislike for his family’s way of life and

  • Symbolism In The Godfather

    1145 Words  | 5 Pages

    THEMES AND SYMBOLS IN THE GODFATHER In the middle of 20th centuries, number of film that influenced by the period after WW I, was featured on. One of the most successful ones can be undoubtedly The Godfather. It is a crime film, which is directed by Francis Ford Coppola and produced by Albert S., from a screenplay by Mario Puzo and Coppola is based on and dates back a novel written in 1969 by Puzo. This film tells about an Italian criminal family lives in New York after the war by mirroring to features

  • Film Analysis: Cinematic Analysis Of The Godfather

    1967 Words  | 8 Pages

    Cinematic Analysis of The Godfather Plot Summary The Godfather action plots spans around the twentieth century and takes places in the years after World War II. It centers around two protagonists, Vito Corleone and Michael Corleone. Michael is the youngest son of Vito Corleone, Don of the Mafia criminal family. When Vito was unexpectedly shot and “passes away”, Michael, a seemingly innocent ordinary American and a World War II hero was reluctant to take over his father 's throne and assume control

  • Film Analysis: The Godfather

    983 Words  | 4 Pages

    The Godfather has been known as one of the greatest films of all time for its unique style of filming and the ability to show the theme throughout the movie in an exclusive manner. The director, Francis Ford Coppola, uses many different film techniques to show the growth and changes in all the characters throughout the course of the film. The movie follows two major characters in addition to everyone else, "Don" Vito Corleone and Michael Corleone. One exceptional element of this motion picture shows

  • Theme Of Consumerism In The Film Industry

    1149 Words  | 5 Pages

    The American film industry is one of the world’s greatest cultural forces, and it is also the driving force of the entertainment industry as an oppressive machine. First of all, film forcefully incorporates people into the system of commodity fetishism and consumerism. The cinema, especially the industrial cinema, has a strong relationship with the commodity. Films are themselves commodities and they also constantly put commodities on display. When watching movies people are bombarded with an endless

  • The Godfather Cinematography

    1291 Words  | 6 Pages

    On the 24th of March in 1971 an epic criminal drama “The Godfather” by Francis Ford Coppola was released. In a moment, from young to old, “The Godfather” captured attention of many millions of viewers, critics and politics – every man who was somehow connected with cinema and society. This film can be admired, this film can be criticized, but the fact remains - this film cannot be ignored. “The Godfather” became a brilliant masterpiece, which changed the very concept of what is real movie and in

  • Summary Of The Godfather

    815 Words  | 4 Pages

    28th 2015 “The Godfather, I and II”: Patterns of corruption By Anthony Ambrogio There is a case to be stated that the first two Godfathers films form the “Great American Movie” of the twentieth century. The Godfather part one was first released in 1972. On the other hand, The Godfather part two was released in 1974 to great critical acclaim. Francis Ford Coppola’s The Godfather is among one of the best films ever produced

  • The Godfather Cinema

    1419 Words  | 6 Pages

    Another reason for The Godfather being a masterpiece of cinema is the film’s reception and cultural influence. Upon its release, The Godfather received acclaim from both critics and audiences as well. Critics and people alike praised the film for its capture of the time period and places it features, along with the performance of the cast and the score of the movie. Most critics of then and today cite the film as one of the most influential films of all time, which even shows with review websites