The Nymph's Reply to the Shepherd Essays

In the poem, “The Nymph’s Reply to the Shepherd” by Sir Walter Raleigh, the author uses parallelism, alliteration, and imagery to help establish the message that over time, love, like physical gifts, will become worthless. The poem was written in response to “The Passionate Shepherd to His Love” by Christopher Marlowe, a poem about a shepherd trying to convince a nymph to live with him in the countryside. The shepherd bribes the woman with countless gifts and experiences, hoping that she would fall

Contrasting “The Passionate Shepherd” and “The Nymph’s Reply” The two poems, “The Passionate Shepherd” and “The Nymph’s reply”, are alike, and different in their own way. Both of these poems use a unique style of writing by having six stanzas with four lines each. Although each poem throws in different types of viewpoints regarding love, nature and time, the passionate shepherd is writing too what he thinks is the love of his life while the nymph is replying to the shepherd trying to tell him his love

In both poems Ode on a Grecian Urn and Ode to a Nightingale, Romantic poet John Keats narrates a state of envious longing for the immortal nature of his subjects, visualizing the idyllic, beautiful world that each encapsulates, thus offering him a form of escapism. This fancying forms a connection that immortality is beautiful compared to human mortality, with both poems realizing that this ideal world is unrealistic to be apart of. But, these poems differ in how the narrator views this immortal

Passionate Shepherd to His Love” by Christopher Marlowe and “The Nymph’s Reply to the Shepherd” by Walter Raleigh. The two poems are telling the same story or talking about the same ideas from two different people’s perspectives. A shepherd is talking to his beloved in “The Passionate Shepherd to His Love,” and his lover responds to him in “The Nymph’s Reply to the Shepherd.” The two speakers have two drastically different outlooks and views of their lives. The speaker in “The Passionate Shepherd to His

In the first poem in the unit, The Passionate Shepherd to his Love composed by Christopher Marlowe explains how nature can bring love to unity and can essentially make love blossom into something beautiful to his love, the Nymph. Marlowe states in Stanza one “Come love with me and be my love, And we will all the pleasures prove That valleys, groves, hills and fields, Woods or steepy mountains yields.” In stanza one Marlowe is essentially explaining how the valleys, groves, hills and fields will

Christopher Marlowe wrote a poem called “The Passionate Shepherd to His Love.” This poem was a love poem and it was to create an idealized vision of rural life within the context of personal emotion. Marlowe uses diction and imagery to portray a simple but beautiful and fulfilling life for his love, if only she chooses to come live with him. In response to Marlowe’s poem, in 1600, Sir Walter Ralegh wrote “The Nymph’s Reply to the Shepherd.” In contrast to Marlowe’s poem, Ralegh’s poem has a very

story writer seems to speak with herself, her doctor as well as husband, John and few times with Jennie. • John Keats in “Ode to a Nightingale” writer speaks to himself and Nightingale. • “The Nymph’s Reply to the Shepherd” gives the crystal-clear view that Sir Walter Raleigh is replying to the shepherd. What situation is being described? • The Yellow Wallpaper is a part of biography of the author in which she describes her mental illness after the birth of her child. She is supposed to stay away

“The Passionate Shepherd to his Love”, written by Christopher Marlowe, and “The Nymph’s Reply to the Shepherd”, written by Sir Walter Raleigh, accurately depict love in contrasting ways by using similar structure—form, meter, and rhyme—but different diction and imagery. Together, both works unintentionally depict a common human misfortune: unrequited love. Both authors employ the use of iambic tetrameter, or four iambs—unstressed, stressed syllable sets—per line. The pattern spans throughout all

In the poem “Raleigh was Right” by William Carlos Williams, there are many examples of the author comparing the two other poems, “The Passionate Shepherd to His Love” by Christopher Marlowe and “The Nymph’s Reply to the Shepherd” by Walter Raleigh, to prove his point that nothing is everlasting, whether it’s love or nature. Williams uses the time he lives in to act pessimistically about love and life. The first example of Williams using these poems to support his claim is when he uses the time he

When reading these two poems, one can tell that they go together. The first poem is clearly an invitation and the second poem is a reply to his invitation. They flow together perfectly and share a lot of things but remain quite different. These poems speak tone, imagery and theme. Tone is an attitude of a writer toward a subject or an audience. Imagery is broadly defined to any sensory detail or evocation in a work. Theme is broadly a common topic explored in a literary work. These poems speak on

Christopher Marlowe wrote a poem called “The Passionate Shepherd to His Love” about his speaker, a shepherd, asking a woman to come live in nature with him and be his love. A few years later, Sir Walter Raleigh came out with a poem that was a response to Marlowe’s, “The Nymph’s Reply to the Shepherd”  that contradicted the original with it’s diction. Both poems touch upon the topics of love and nature but in entirely different ways. Marlowe’s poem is about the positivity nature can bring and about

are all human, and the quote suggests that women should have equal opportunities to anything that a man does. A person’s race, gender, ethnicity, or religion should never deter their equal opportunity. In the selection “The Passionate Shepherd To His Love” a shepherd is confessing his love to a woman and offering her everything under the sun, just for her to take his hand and to live with him. A quote from the selection says, “A gown made of the finest wool / Which from our pretty lambs we pull; /