The Yellow Wallpaper Essays

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    The Yellow Wallpaper

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    Throughout history, race and sex had always been topics of discussion among people, and many have been poorly treated based on their color and sex rather than their actions. The Yellow Wallpaper is not an exception to this, as describes the oppression society gives to women around the Victorian Era. The narrator, who is never truly mentioned by name, has been trapped on the top floor of a mansion in a nursery-like room where she can only sleep and eat. She keeps a journal around and writes down whenever she is alone to prevent her husband from taking her only source of entertainment away since at the time women could not write nor be smarter than men. John believes, because he is the best physician in the county, that he knows exactly what

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    The Yellow Wallpaper

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    Introduction In the late nineteenth and early twentieth century modernism gained great importance in fictive writing. Mentioning modernist writing, one of the first, most influential authors that should come to one’s mind is Virginia Woolf. The following work will take a closer look at her short story “The Mark on The Wall” as well as Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” regarding gender roles and feminist perspective that is portrayed in these short stories. Both stories focus on the objects which are first mentioned in the title of each story.

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    “The Yellow Wallpaper” is a short story that was written in first person during 1892. This story depicts society’s attitude towards women with a mental illness at that time. Ultimately, the story shows how women were treated in the 19th century. “And it is like a woman stooping down and creeping about behind that pattern.

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    Charlotte Perkins Gilman also known as the narrator of The Yellow Wallpaper uses imagery in this book. As a women in the 1980’s many women had very to little power or approbation to the society. During this time many women were noted to have an illness known as ¨Nervous Disorders¨, which is mentioned in the book by the narrator. Gilmans purpose of The Yellow Wallpaper was to free women from fostering their intelligence, emotional growth, and domestic servitude during this era of struggling women.

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    The Yellow Wallpaper The walls have eyes. It was believed that she was a prisoner in her summer home, by her husband, but its later shows that there are other contributing factors that that proves this may not be the case. According to her, she states, “There is a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down”.

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    Throughout short fiction, Charlotte Gilman is most famously noted for her ability to create strong gothic themes in her writing. This is especially true in her 1890s story “The Yellow Wallpaper.” Overall, an important theme in Charlotte Gilman short story “The Yellow Wallpaper” is that when combined, isolation and oppression often lead to negative consequences such as insanity and mental instability. Gilman achieves this through her thorough use of symbolism and settings that helps to highlight and establish the overall theme.

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    The Yellow Wallpaper narrator 's perspective on the wallpaper is that the wallpaper is so intriguing as it keeps changing. The lady in the wallpaper is herself being trapped in this house. The yellow wallpaper is yellow because of her depression throughout this story and partially the alcoholic recovery syndrome known as delirium tremens or confusion of trying to live without alcohol as a way to escape life, alcohol can turn things yellow such as teeth even paper but mostly is is a self reflection of her depression of not being able to see her newborn child.. I can 't exactly remember where I read that I can 't find it but I know she says something of a newborn son...

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    Barth, Melissa E.”The Yellow Wallpaper.” Masterplots: Short Story Series, Revised Edition. 2004. Literary Reference Center . Web.

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    Critical Statement: In “The Yellow Wallpaper”, Gilman employs exclamatory functions within her syntax to display the symbolism of the woman within the wallpaper to illustrate her own constricted freedom due the influence of the masculine dominance. In the beginning of the story, Gilman illustrates the wallpaper as a catalyst for exhibiting the intensity of the narrator’s psychological disorder. After the narrator and her husband settle into their new house, the narrator inspects her room, and begins discerning ominous relations and elements within the wallpaper.

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    Thirdly, the yellow wallpaper of the nursery itself symbolizes the domestic life that traps women in line with family, medicine and tradition imposed on by the patriarchal society of the Victorian era. The protagonist of The Yellow Wallpaper anthropomorphizes the floral elements of the yellow wallpaper, wherein wallpaper is typically a feminine floral decoration on the interiors of walls. These elements signify the scrutiny this 19th-century Western society makes of lives of its womenfolk, particularly of women who are creative and insubordinate to their spouses. The protagonist is one such woman; her writing denounces her highly active imagination and the surreptitious persistence of her writing denounces her matrimonial and feminine disobedience which were considered radical in her contemporary society. Gilman expresses the suppression felt by women from societal scrutiny to be one of “strangling”, through the narrator, who in one instance describes the wallpaper pattern like so: “it strangles so; I think that is why it has so many heads… the pattern strangles them off and

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    Traditionally, women were described in a sense that is dominated by men in literary works. However, Charlotte Perkins Gilman connected the social phenomenon in that time with her personal experience to create a fictional narrative about feminist “The Yellow Wall-paper” which is about an unnamed woman who has postpartum depression and is sent to a house by her husband in order to cue her mental illness, and finally gets mad because of her self-centred and dominating husband. The narrator, a nameless woman in order to symbolize any wife, mother, or woman, is oppressed and clearly represents the significant influence from the oppression of women. Gilman uses symbolism to portray the narrator’s self-expression and the oppression she suffers in the society in the nineteenth century.

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    In “The Yellow Wallpaper” the couple’s marriage is unsteady due to a mental illness of postpartum depression. Throughout the plot, the reader begins to realize there are two sides to the story. First there is the voice of the narrator who expresses her feelings freely; even though eventually she seems to be crumbling. Then there is the voice of her husband John, who seems convinced that the best medical treatment for his wife is the “rest cure”. Analyzing John and the narrator’s perspectives throughout the plot brings insight into the cause of the mental problem.

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    The dominant point of view in the short story “The Yellow Wallpaper” Is told by a first person. She tells her story from a closed room, so that she can receive the “rest cure” treatment for her nervous condition and depression. She is the major character in the story. She writes in her journal everyday about her situation. The first person focuses on her owns thoughts and feelings hoping she can overcome her mental state.

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    During the nineteenth century, there were many stereotypes of what was expected from women. In the short story “The Yellow Wallpaper” Gilman composes the story of a woman who suffers from postpartum depression and finds and infatuation with a wall covered with yellow wallpaper. Seeing that Gilman herself has experienced this form of mental illness, we can analyze the context of the text and see the reflection of her own life through “The Yellow Wallpaper.” “The Yellow Wallpaper” begins with two characters, John and his wife, whose name is never revealed. The woman has recently had a baby and is showing signs of postpartum depression.

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    Charlotte Perkins Gilman uses a psychological horror story to depict and critique the role a woman has in a marriage in the nineteenth century. It suggests that a woman’s position in the institution of marriage is to deal with the domestic affairs of the household and was not to partake in work outside of the house as that was left up to the man. It is because of this distinction between man and women that women remained in a state of ignorance, preventing further development as a person. Charlotte Perkins Gilman portrays all of this accurately through the setting, tone, and the symbolism that reveals itself in the story. The setting of this narration gives a lot of clues as to what the story is really about.

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    The story "The yellow wall-paper" briefly described the theme of gender inequality by telling us how did a normal female patient become crazy. In this story, the narrator has to follow the decisions which are all made by his husband, this makes her felt confusing and upset. Her husband has never listened to her ideas because he thinks that she has already had some kind of mental disease. The gender inequality problem and the conflicts come with it directly caused the madness of the narrator. Meanwhile, the conflicts between the narrator and herself, like she always tells herself that “John is professional in curing patients, he must be right”, and also the conflict between her husband and herself, like John often ignores her feelings, both perfectly illustrate the idea of “gender inequality”.

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    Until the end of time, women will find themselves asking, “What is one to do?”. This could be in the context of an abusive relationship, having children, choosing a job career, or any turning point in her life. Naturally, women are nurturers and will put others before themselves and for this reason it is a timeless question. In a short story, “The Yellow Wallpaper” written by Charlotte Perkins Gilman, the main character finds herself asking this question frequently. The story follows a young woman suffering from post-partum depression and is placed on “rest cure” by her husband.

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    Symbolism Analysis of The Yellow Wallpaper One might know that Charlotte Perkins Gilman, author of the short story “The Yellow Wallpaper” uses the wallpaper in the main character’s room as a symbol for a bigger underlying meaning. This is a short story about a young women diagnosed of depression and “a slight hysterical tendency”. In hopes of healing the narrator, her husband moves them into an old, ornate home for the summer and required her to refrain from any activity to calm her mind. However, instead of getting better, the narrator goes into a deeper level of madness. This madness is caused by her obsession over what she believes is animate patterns and a trapped women in a peeling, aged wallpaper in her room.

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    In “The Yellow Wallpaper”, Charlotte Gilman critiques the restrictive nature of patriarchal society through the bars in the female narrator’s bedroom window that represent her relationship with her husband. As the narrator’s mental health deteriorates near the end of the story, she recognizes that the bars on her window physically confine her to her room. She states that “To jump out of the window would be admirable exercise, but the bars are too strong even to try” (Gilman 1694). Thus, Gilman clearly reveals to the reader that the narrator desires freedom but is kept in her room by the bars on her window. These bars directly relate to the narrator’s relationship with her husband, John.

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    In the story “The Yellow Wallpaper”, the setting symbolizes much more than what appears to the reader in plain view. The story starts off with what seems to be a normal woman writing journal entries as she recovers from her post-mortem depression. As the story goes on, the reader soon realizes that the narrator is not as normal as once thought. She soon turns into a maniac with obsessive thoughts on the brink of insanity. As the narrator became manic, the setting becomes with manic along with her.

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