Sight is a gift that people are given that an abundance of people takes for granted in countless ways. In the story “Cathedral”, written by Raymond Carver, readers are introduced to a modern story on people realizing the truth behind the art of not seeing. He uses intense and lyrical descriptions on both sides of being blind and seeing through someone who cannot physically see. An abundance of people has found themselves under the ridicule of judging, and finding this unfortunate defect within someone’s unique genetic makeup to be a burden or even a curse from God. Within this story the main character learns to see without actually seeing with the help of his new-found friend Robert who teaches him new ways of looking upon his own life. In the beginning of the story, the narrator is described as hateful towards the blind man that his wife has invited to stay with them. Robert, the blind man has just lost his wife and decided to visit his old friend (the narrator’s wife) while he was down to see his in-laws. The narrator was not jealous or vein about the man, but more so intimidated and uneasy about his blindness as a whole. He based his ideas on the blind as what he saw in the movies as being “the …show more content…
She tells him “If you love me you can do this for me. If you don’t love me, okay. But if you had a friend, any friend, and the friend came to visit, I’d make him feel comfortable.” (1497) He then begins to talk about how bad he feels for the blind man’s wife for she could never see how her lover saw her through his own eyes. He thinks on how he could never compliment her beauty or how she looked that. He could never admire her in his own eyes as one looks upon his wife. He was more worried about how the man felt about his wife physically more so than the strong connection they built emotionally. It’s not all about looks, and he could not genuinely look past
The story follows the narrator encountering his wife’s friend Robert, who is blind, and assimilating his prejudices throughout the encounter. When the story begins the narrator is more than closed off to the idea of the blind man visiting his home. He is uncomfortable with Robert’s knowledge of him because he does not wish to associate himself with a blind man, a condition which he looks down upon. When Robert arrives, he attempts to be friendly to the narrator, a sentiment that is little reciprocated. While never encountering a blind man, he has many preconceived notions prior to his arrival.
The unnamed narrator does not see Robert, the blind man, as a person, but as someone different. The grandmother, on the other hand, believes in her appearance and belief that is better than other people. After the challenges they both face, they end up finding enlightenment. In “Cathedral,” the narrator was not certain on how to describe the Cathedral to Robert. The narrator resorts to drawing and with a pen in his hand, he had realized that Robert “closed his hand over my hand” and asks the narrator to “close your eyes” as they drew the Cathedral (75-76).
Each thought is rapidly flowing through his mind, and he cannot stop thinking about his wife being with the blind man, Robert. The language of the narrator depicts the emotion that he has frequently attempted to conceal from his wife. Furthermore, the excessive use of the word “she” demonstrates how the husband is upset over his wife’s action, not the blind man’s. The husband is not upset when Robert is with his wife, but he is enraged over the thought of his wife voluntarily hanging out with Robert. “She worked with this blind man all summer.”
The narrator pictures the blind as slow-moving and never laughing (34). As he finally meets Robert, the narrator is shocked that the man makes no use of a cane or dark glasses, as he “always thought dark glasses were a must for the blind” (38). Finally, the narrator’s ignorance toward Robert peaks as he asks which side of the train he sat on, because, according to the narrator, “going to New York, you should sit on the right-hand side of the train, and coming from New York, to the left-hand side” (38) to best enjoy the scenery of the Hudson. The jealous mindset of the narrator, however, drives most of his sarcasm and ignorance. One of his initial instances of jealousy occurs as he depicts a moment shared between his wife and Robert.
Literal blindness can be seen in “Cathedral” as Robert was introduced to the narrator. Although he was blind, Robert was a sympathetic man who was insightful. He also demonstrates wisdom and friendliness. This characterization is important, because ironically, the narrator himself was figuratively blind. His blindness was caused by ignorance, prejudice, and social awkwardness.
The main character speaks of the blind in a repugnant way. He says things such as “his being blind bothered me” and “a blind man in my house was not something I looked forward to” all within the first paragraph of the story. The author had included in the story that the husband had never met a blind person, so one could deduce that his negativity towards the blind was unfounded and ignorant. His wife, however, did not feel this way towards the blind man, Robert.
His jealousy, his prejudice against blind people, and his sense of humor are presented in absurd ways, allowing him to be a realistic and flawed character in an enjoyable way. The narrator’s relationship with his wife and Robert are also made more realistic through Carver’s use of humor. It also allows the reader to see the changes in the narrator’s character as he becomes less standoffish towards Robert and finally begins to understand and relate to
The narrator lives an unhappy life and relationship with his wife. He bases his views on the blind by what he sees on television, reads, and the stereotypes that are associated with the blind. “My idea of blindness came from the movies”(Carver 32). The narrator mentions that Robert does not use a cane or wear dark glasses which he expects him to use.
“While I admired her understanding and fancy I loved to tend on her, as I should on a favorite animal; and I never saw so much grace both of a person and mind united to so little pretension.” He was in love with her since he saw her and the beauty, both physically and mentally, she
From the beginning of the novel the narrator shows ignorance and prejudice towards Robert, he is fighting with his own of jealousy and insecurity. Being unhappy with his own life, the narrator sees Robert as a possible threat to his usual evening with pot and TV, without realizing that in order to be satisfied he should step out of his habitual
When telling anecdotes, the narrator seems to be indifferent, instead giving every last detail as shown with little to no opinion. When he does have an opinion it is usually mocking and is shown through the use of italics or parentheses. For example, when he asked whether the blind man knew which side he was sitting on thinking, “Going to New York, you should sit on the right-hand side of the train, and coming from New York, the left-hand side.” The narrator, throughout the first half of the story, maintains this skeptical and condescending tone that eventually impacts his change in judgment. The shift in tone from skeptical to more of an accepting an open one is apparent after the narrator, his wife, and the blind man have dinner as the narrator states, “ I watched with admiration as he used his knife and fork ….
Throughout the story the reader can affirm that the wife has a deep, strong relationship with the blind man. The wife and the blind man share an intimate and vulnerable moments together; one includes when she lets him touch her face so he can remember her. Similarly, the narrator gets to share an intimate moment with Robert that leads to an epiphany. The epiphany that the narrator experiences when drawing a cathedral refers to seeing life from Robert, the blind man’s, point of view and seeing the struggles as well as life experiences a blind man must encounter on a daily basis.
The story revolves around three characters, a husband who is also referred to as Bub, his wife, and a blind man, Robert. The story begins with the wife reminiscing back at the times that she shared with Robert. She continues to talk about how much she enjoyed spending time with him. She talks about how she has kept in touch with him and how she has even written about Robert before. Even though the narrator doesn’t directly state to his wife, he happens to be “irritated” (Facknitz) by the fact his wife tends to have a connection with Robert.
In his contemporary short story, “Cathedral,” Raymond Carver tells the story of an unnamed narrator, his wife, and an old friend, a blind man named Robert. Robert has come to visit the narrator’s wife, who is quite excited to see this man whom she hasn’t seen in ten years, yet the same can’t be said of the narrator who is noticeably and vocally uncomfortable about his visit. The story is told through the narrator’s first person point of view, showcasing his thoughts and the events that take place when Robert comes to visit. Carver highlights the theme of having the ability to see, but not truly seeing, through his use of colloquial language, and creation of relatable characters. “Cathedral” begins with the narrator informing the audience
The narrator brought home a friend from her past of ten years. A blind man named Robert. When Robert first came into the narrators’ life he was difficult and stubborn and wouldn’t listen to what his wife wanted. She wanted a nice evening with an old friend and her husband. They had dinner and enjoyed the evening and the company more as the night went on.