I decided to choose Sandy Skoglund’s “Fox Games” for my critique paper. It is a photograph of artist’s installation, Fox Games by Sandy Skoglund. Skoglund is a contemporary artist who most famous in her photographs and sculptures. “Fox Games was originally exhibited in 1989 at the Centre Pompidou in Paris as part of a photography exhibition titled, “150 Years: The Invention of an Art.” (Macmillian, 2009). Sandy Skoglund was born on September 11, 1946, in Weymouth, Massachusetts. She studied both art history and studio art at Smith College in Northampton, Massachusetts and received her BA degree in Studio Art in 1968. Then she went to the University of Iowa for a Master of Fine Arts Degree. She was interested in a variety of artistic disciplines …show more content…
The tables have a long gray, flowing tablecloths to make the scene look fabulous. I notice that each table contains a woven, wooden basket full of thick breadsticks, bentwood chairs. The shape of the chair curves into a heart in the middle, which brings elegance to the room. The windows and the tablecloths have a repetition of vertical lines; I can see curving lines on the chair backs. There is a chandelier in the middle hang from the ceiling and eight lighted candles on it. Some tables have salt and pepper shakers. A picture is placed on the wall on the left and near to customers. It seems to be an empty …show more content…
Then finally, she photographs the set. "Sandy Skoglund Talks about Fox Games” on the YouTube, Skoglund says, “The fox was sculpted molds from plastalene, an oil-based clay used by automobile designers for model making.” She cast the foxes in plaster, painted them gray. She painted the furniture, walls, floor, and ceiling with a matte pigment. She arranged the set with foxes and furniture. She hung some foxes with heavy duty invisible wire to make it look like they are floating and moving through space.
In the Fox Games, the viewers are physically immersed in the work of art as they are able to wander through the installation. “I use familiar space…and elements like furniture to take viewers out of the museum and place them in…a place that feels familiar to them. Then I interfere with that reality by changing the elements, changing them in terms of materials, Skoglund says. Her artworks often take the ordinary and make it into an almost dreamlike
I chose to write about Jim Germaux’s Parallel Play because it evokes beauty in a unique way using pattern, line, and color Germaux’s Parallel Play exemplifies beauty through eye-catching pattern. Each piece of this collection uses an arrangement of circles in a manner that is organized and yet spontaneous. The location of each circle is unpredictable, but the way the Germaux arranges the circles in his painting, side-by-side in no particular order, creates a sense of movement and playfulness that is attractive to the viewer’s eye. The viewer is drawn in by the mass quantity of these circles and is then challenged to look upon the spontaneity of the arrangement, and to try to find familiar patterns within. Germaux is making the viewer move his or her eyes over the circle pattern in several directions creating a commotion that pulls the viewer into the composition in such an effective way that is beautiful.
Thesis: Thornton Dial’s artwork invites the viewer to reexamine the importance of insignificant, everyday objects through his use of mixed media. The background is comprised of small wooden blocks that roughly form outlines of one-story houses. There are five houses in all, each possessing a small cloth bundle in the center. From left to right, the colors of the houses are yellow, orange, purple, orange, and red. In between the houses are bits of painted cloth, metal wiring, and thick layers of light blue paint.
In this assignment, I have chosen to analyze the two art pieces that I liked the most. The first is Hay Making, by Jules Bastien-Lepage, and the second is Thanatopsis, by Asher Brown Durand. Both pieces are take place in nature, and it is because of this that I enjoy them more so than others. To me being out in nature is
She got the idea of explaining herself through her art from
The figure of the woman seems to be backed up by no background but a white void. This sense of emptiness distantly resemble oriental Chinese painting. The figure seems to dissolve into the void. The composition is integrated and the painting seems harmonious and dynamic due to the curvilinear lines formed by the edges of flat color blocks. There seems to be musical rhythm to the painting.
The appealing factor of this paintings comes from its message and juxtaposition of colours and stroke
“One of my earliest memories involves sitting on my dad’s lap in his studio in the garage of our house and watching him draw. I remember thinking: ‘I want to do that, too,’ and I pretty much decided then and there at age 2½ or 3 that I was an artist just like Dad.” (http://www.art21.org/artists/kara-walker) Her father accepted a position at Georgia State University forcing her to move to move to Georgia when she was 13. There, she received her BFA from the Atlanta College of Art in 1991 and went to Rhode Island to receive her MFA from the Rhode Island School of Design in 1994.
Viewing the painting, brightens the light in the artwork. There is a sense of reality as the light seems to move through the clouds. The faces of the characters are shown by light and there is an effect of light moving by walking in front of the scene. Emotions are evoked when one looks at this scene. There is a state of protection and safety.
I seem to absorb advertisements quicker than I can process them; they breeze past any cognitive thought or qualifications and set up shop as doctrines for my life. Moreover, some advertisements are denied with twisted logic, like using brand loyalty to make decisions. In an effort to gain better understanding of advertising’s art of persuasion, I have been studying the rhetorical appeals and attempting to identify them in my daily ad intake. They are: pathos, an appeal to emotions; logos, an appeal to logic and reasoning; ethos, an appeal to credibility; and Kairos, the timeliness of the appeal. Recently, while walking through Overton Park, I came across a sign that advertises three park features: a zoo, art college, and art museum; rather
The painting is oil on canvas and contains an extensive amount of contrast. For example, the bright vermillion blanket against the dull eggshell colored door. The disparity between the colors used is prominent. Additionally, the fusion of ornate patterns and simplistic solids is evident. The tablecloth is a geometric mixture of cream and periwinkle.
Even the woman’s frame and posture seem to follow the lines created by the railings of the viewing box. The railings are also implied lines, the first thing our eyes go to is the woman, and then we follow the railings to the man who has his gaze set on the woman. The man’s gaze gives us implied lines that lead us back to the main focus of the painting, the woman. The artist also uses light and dark to guide our eyes to the important parts of the artwork. Most of the artwork is dark, while the woman and the man looking at her are in the light.
Study of Marilyn (Vanitas) II is one of the great fine art made by Jewish American artist Audrey Flack (1931, New York) in 1976, and made of oil over acrylic on canvas and it is 2.25 x 2.25 inches transparency was taken by the artist with the Hasselblad Camera and the projected from the slide onto the canvas where it was painted. It is purchased and housed in Arizona University Museum of Art. The reasons of choosing this painting are new realistic method and highly emotional and famine painting, famous photorealist, associated with life, death and pleasure, still-life painting and rich in symbols. Mainly, this painting refers to photographic expression of the vanities in life.
It is open during lunch and dinner hours. Inside, there are many tables that sit around the restaurant and are covered in white tablecloth and has flowers placed in a clear vase. The walls are bright coloured that create a vibrant mood as people enjoy their meals with an almost inaudible music.
There were rooms with abstract art with artists such as Sonia Gechtoff and in another room there
SULTAN QABOOS GRAND MOSQUE General Information: The Sultan Qaboos grand mosque is located in Muscat, Oman, designed by Mohammed Saleh Makiya and Quad Design for His Majesty Sultan Qaboos to be the largest most beautiful mosque in Oman, and to stand out a unique piece of architecture. The mosques can be visited by non-Muslims except on Friday, and it is considered as a contemporary Islamic architecture. Construction: