In Cohen’s elucidation of Othello, he comments on the strong and prominent theme of white supremacy. Othello has pushed aside most, if not all, of his cultural characteristics in favor of adopting Venetian traits. He does this as a way to earn back some respect that he lost because of his skin color. Throughout the whole play, Othello is the victim of racial slurs that would demand serious punishment if they were directed at a white man. Cohen contradicts himself in this article when he says that Othello’s suicide “proclaims the triumph of the white civilization”(325) while demeaning himself, but then comments on how Othello reasserts his value with a simple statement. He goes from saying how Othello’s suicide reassured people’s beliefs that black people are inferior in their actions, to how his death left him with a clear resolution of the difficulty that he faced in his life. (150)
In Solomon’s interpretation of Othello, Emilia’s courage is greatly accentuated. This article puts Othello in a completely different light. Instead of the spotlight being directed on one of the main characters,
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Empson produces his information in a way where it is easy to understand and comprehend without adding in personal bias. He explains that, if anything, Iago is true to himself about his own desires. He knows what he wants and he is not afraid to put in work to get his desired results. When he is twisting the truth, “the feeling is genuine but not the sense it may imply”(180). Iago tells people variations of the truth but has such conviction and belief in his words that it would be difficult not to believe him. For instance, Desdemona had only good traits that Iago managed to turn “into a positive insult”(181) against her, such as her being fruitful and free. Iago is able to trick everyone because he believes that his words have truth to them and “thinks [them] credible”(181).
Othello is the General of the Cyprus army with honest Iago by his side. During this time racism was happening and Othello was a part of it. Othello tried his best for everybody to like him; people would talk behind his back, call him names, and would eventually ruin his life. Iago was an ensign in the army, and his “good” friend, who would put lies into Othello's head, which eventually, he took control of Othello. In this essay Othello will display cultural criticism and how it displays him as a person in the story.
Since Othello utters that since he is with Desdemona, her reputation “is now begrimed and black,” it presents how a black man can tarnish the “fresh” identity of a white women. Since Othello is accepted and praised as a war hero, but not accepted as lover, love becomes a barrier that leads to a tragedy. Societal expectations push people to the point where they try to surpass society’s norms. Though, when they reach this tipping point, tragedy will
To see Iago simply a liar and fraud, while viewing Desdemona as simply pure and fair would flatten Shakespeare’s depiction of this human reality. Often when characters feel “real”, they are stereotyped illusion based on an audience’s feelings. The reader does not want to realize unpleasant flaws in an “honorable” character; just
When it comes to Iago, he is constantly using others in the story as “pieces” in his larger game. He knows how to trick others into thinking that ideas that are completely absurd and very unrealistic are true. The only thing is that nobody realizes his intentions until it is too
Iago uses very clever methods of persuasion and manipulation aimed to use Othello’s hamartia against him, pointing out that “ “She (Desdemona) did deceive her father, marrying you,” so much so that Brabantio “thought ’twas witchcraft”. Through this, Iago is subtly raising the issues of Othello’s cultural differences with Desdemona; a root cause behind Othello’s insecurities with his wife – along with inadequacy due to race, degree of sophistication and age. As Iago prompts Othello to think the worst, his utterances are short and uneasy, revealing the beginning to his downfall, whilst Iago’s dialogue is at length highlighting his growing power of
With the laws of Venice miles behind them, the characters of Othello seem to have entered a Hobbesian state of nature where anything is permissible so long as it furthers the individual interest. Indeed, upon arriving in Cyprus, the majority of the characters have lives that are “poor, nasty, brutish, and short” (Hobbes 76). Othello is the perfect illustration of the dangers of rhetoric. Iago exemplified the type of rhetoric that made the Greek demagogues threatening.
The correlation between relationships and experiences are co-existing functions that assist in operating societies. Since ancient times, social classes have existed within all communities and cultures; a sense of belonging is often determined by one’s position in the social hierarchy. Shakespeare’s Othello highlights determinants including race and gender that affect one’s standing in the hierarchy. An excerpt of Act 1, Scene 1 (Lines 110-112) explores this concept when Iago exclaims “Because we come to do you service and you think we are ruffians, you’ll have your daughter covered with a Barbary horse, you’ll have your nephews neigh to you.” Shakespeare cleverly incorporates animalistic imagery to showcase the role that race has in a society
This extent of hostility and aggression coming from several other sources in the play was enough to ruin Othello. Thus, Othello’s downfall was more of a result of his race being that the main underlying motive behind the characters’ efforts to destroy him was racism. It is inadequate to bypass the sociology behind racism, the concept of race, prior to defining what racism actually is. The common understanding of race suggests the division of groups based upon the color of one’s skin, hair, eyes, etc. “Although biologically meaningless when applied to humans – physical differences such as skin color have no natural association with group differences in ability or behavior – race nevertheless has tremendous significance in structuring social reality” (Clair).
When people of one race believe themselves to be superior to those of another, only catastrophe can result. In the sixteenth and seventeenth centuries, racism was extremely prevalent, and white supremacy was much more pronounced. In William Shakespeare’s play Othello, both covert and overt racism, assimilation, and jealous dispositions all foreshadow the untimely death of Desdemona and Othello. Most characters in Othello display both covert racism and overt racism towards Othello.
In describing Iago, the word honest is used to highlight the contradiction between the idea of an honest man and his actions. Iago used claims of love and honesty as motivations for his actions yet his actions are motivated by other goals. Also, because all of the characters believe in Iago’s honesty, it alienates the audience in their knowledge of Iago’s true intentions and therefore magnifies the dramatic irony for the audience. The use of the word honest in addition to questioning words such as yet and maybe demonstrates how quickly Desdemona’s reputation changes with just a whisper of dishonesty. This highlights the dramatic irony because the audience knows of Desdemona’s faithfulness yet they are powerless in stopping Iago’s plan.
Manipulation of the African Race in Othello In William Shakespeare’s Othello, racism is a principal theme that drives the plot of the entire play. An outlier in Venice, Othello the moor or African, is targeted by his ensign Iago because Cassio who seems to be unqualified, was promoted to a lieutenant before he was. Iago is driven by envy and jealousy and creates a confusing and elaborate plan to deprive Cassio of his position. Iago also shares these envious motives with Roderigo, a man lusting over Othello’s wife.
For Shakespeare’s plays to contain enduring ideas, it must illustrate concepts that still remain relevant today, in modern society. Shakespeare utilises his tragic play Othello, to make an important social commentary on the common gender stereotypes. During early modern England, Shakespeare had to comply to the strict social expectations where women were viewed as tools, platonic and mellow, and where men were displayed as masculine, powerful, tempered, violent and manipulative. As distinct as this context is to the 21st century, the play exposes how women were victimised by the men who hold primary power in the community in which they compelled women to conform to the ideal world of a perfect wife or confront an appalling destiny for challenging the system. Moreover, Shakespeare utilises the main antagonist, Iago, to portray how men are desperate to achieve what they want and to indirectly fulfil the stereotype of masculinity and power through manipulation.
Othello is for instance not really Othello 's play. Othello is not Othello 's story” (Buntin). Othello is focused more on the schemes of Iago and the tragic life of Desdemona. By retelling this story Sears is putting Othello in the centre of the narrative and giving focus to the nuances of his life as a black man. Dickson
Iago embodies dishonesty using lies and deceit to entangle everyone in his trap. In Act 1, Roderigo questions Iago’s faithfulness to Othello. Iago answers by saying, “Whip me such honest knaves,” meaning he only pretends to be faithful and loyal to Othello, fooling him into trusting Iago (1.1.49). As the play progresses, people describe Iago as honest; however, Iago decieves everyone into believing his word. Othello frequently describes Iago as “A man he is of honesty and trust” (1.3.284) as well as “most honest” (2.3.6).
Throughout history, societies have succumbed to the toxic concepts of racism, causing an unthinkable amount of chaos and devastation. While racism on its own can lead to many societal evils, racism coupled with jealousy can create a truly catastrophic force that can only lead to pure destruction. When someone of a different race and culture is placed in this kind of society, this destruction will only naturally follow. In the play Othello, William Shakespeare focuses on the tragic outcomes of Othello, a Venetian general and black Turkish Moor, and Desdemona, his white Venetian wife. Throughout the play, both covert and overt racism, assimilation, and jealous dispositions all foreshadow the untimely death of Desdemona and Othello.