Baz Luhrmann Film Analysis
Baz Luhrmann’s films are known their ability to make a watcher feel as if they are part of the show. Between his use of camera angles, shots and the use of a narrator, it’s no wonder he is able to keep viewers on the edge of their seat. But how does Baz Luhrmann pull off this spectacular feat of his? This is probably explained best by referring to Baz Luhrmann’s films and how he himself has evolved as a director. This is best done by comparing two of his films, namely, Romeo and Juliette and The Great Gatsby. Although both these films have a large variety of common factors, such as the spectacular parties, the use of music and symbolism, it is how these techniques are executed that show us how he has evolved as a director. One technique that Baz Luhrmann has mastered is his ability to show the importance of a specific idea. This is clearly seen in his films like Romeo and Juliette, where he emphasized on the importance of violence by using guns rather than swords, he went even further in The Great Gatsby where he made Gatsby’s parties wild and crazy, not something that actually happened in the time when Gatsby is …show more content…
This helps to invoke the powerful feelings of death into the audience and in both Gatsby and Moulin Rouge, these scenes are followed by the writer character in the films explaining how they feel about the character’s deaths and how they cope with them. These scenes are accompanied by intense music scores to help convey the feelings of shock and trauma of how such great beings such as Satin and Gatsby are just as susceptible to death as anyone else. This draws away from the seemingly amazing lives of the main characters and we find ourselves not just having feelings for the deceased characters but also for the characters who are mourning the loss they have
Nightjohn Film Analysis
584 Words | 3 PagesIn the movie Nightjohn directed by Charles Burnett their were many differences than the book Nightjohn by Gary Paulsen. The differences are minimal and sometimes would not even be noticed. Most movies would be very boring if they would be the same as the book. In the book all the characters are different than they are in the movie. One character is Mrs.Waller the wife of Clel Waller.
Examples Of Wilson In The Great Gatsby
1285 Words | 6 PagesWilson’s POV: As I approached Gatsby’s estate, I felt God’s eyes following my every movement, beckoning me to avenge my beloved wife who was ripped away from me. I was going to take her somewhere safe, where she would no longer be pursued by other men, but I failed her, I failed Myrtle. The monster Gatsby may have thought that he could escape from his sins, stealing my wife and then throwing her away like garbage, but God saw everything, and he could not run forever. His inconsiderate actions have angered our Father, who did not approve of such a manipulative man with revolting hauteur. Gatsby lived like a king in his castle, protected by his wealth, and oblivious to the consequences of his actions.
Passchendaele Movie Analysis
741 Words | 3 PagesPasschendaele takes place 3 years into World War 1, the Great War. Sgt. Michael Dunne is sent back to Calgary, Alberta after being diagnosed with neurasthenia due to the trauma he suffered during a fierce battle in the war. He meets Sarah Mann the nurse who is helping him recover. In the meantime, David Mann, Sarah’s brother, is desperately trying to get Cassie Walker’s father to accept his relationship with his daughter.
Night Of The Living Dead Film Analysis
2307 Words | 10 PagesThe horror film’s central focus is primarily the family. The family is one of the most understood aspects in the world because it is the connection that everyone is grown up with throughout their life. The way to connect with a person is by dealing with family. The dynamics of family become part of the normality of each culture in the world. In Night of the Living Dead the cannibalistic nature of the androgynous monster becomes part of the world which threatens the social constructs of normality, and stretches family dynamics.
Fritz Lang's M Film Analysis
659 Words | 3 PagesFritz Lang’s M is a combination of a social film and a murder mystery—directed in 1931, in the midst of the Nazi movement’s takeover of German goverment, the film chronicles the public’s congregation to catch an infamous serial killer. Beckert, the child murder himself is presented to the audience several times throughout the film; he is shown to be involved with a constant internal struggle between allowing the darkest parts of his mind to overcome him and remaining sane. However, this film is, in some respects, making a statement less about murder and more about society at the time in which the film was released. More specifically, the film warns against and even mocks the competency and ability of the police to perform their jobs. There is a scene within the film involving an organization of beggars with the common goal of catching the child murderer.
Perception In The Great Gatsby
1070 Words | 5 PagesBaz Luhrmann, Director of The Great Gatsby, demonstrates how the pursuit of an ideal may be promising, however, it can also easily lead to destruction, due to the course of action taken for achievement. This is significant since Gatsby was driven to the point of using dirty money in order to obtain wealth, which leads to Gatsby’s shaming, and ultimately, the death of others and of he himself. Luhrmann expresses emotion and awareness by using
Mise En Scene In A Voyage To The Moon
1562 Words | 7 PagesIn this paper I hypothesize that A Voyage to the Moon was most innovative in cinematography and editing. Although mise en-scene was the main focus of the film, I hypothesize that mise en scene wasn’t as innovative as the other two. As mentioned earlier, mise en scene made A Voyage to the Moon easy to understand and follow along. In the first scene of the film, this power
The Great Gatsby Corruption Analysis
703 Words | 3 PagesTitle The Great Gatsby is a book that contains an abundance of motifs. F Scott Fitzgerald uses these motifs very masterfully to enhance the novel The Great Gatsby. One of the motifs that he uses is that money corrupts. The corruption is shown in many different ways and through many different people.
Significance Of The Weather In The Great Gatsby
797 Words | 4 PagesWeather Representing Emotions Normally weather and emotions are not associated, but throughout the novel The Great Gatsby, F. Scott Fitzgerald makes multiple references comparing the feelings of Jay Gatsby to the weather outside. He uses rain to represent the times of sadness or awkward situations. When those moods uplifted the clouds would break, and the sun would shine. Other times he would use heat to represent times of anger, or tension.
Death In The Great Gatsby
865 Words | 4 PagesLiterary deaths always have a meaning, and the abrupt demise of various characters in The Great Gatsby is no exception. As tensions build and secret loves are proclaimed, characters begin to meet untimely deaths. F. Scott Fitzgerald uses Gatsby and Wilson's deaths, along with Gatsby's funeral, to symbolize the death of the American dream. Both men simply want to be successful and happy, and neither of them achieve their ultimate dreams.
Namastey London Film Analysis
1159 Words | 5 PagesNamastey London (bollywood movie): Study of cultural differences between Indian and European cultures. ABSTRACT The study aims at analyzing the cultural differences between European culture and Indian culture, comparing different dimension of cultures. How cultural differences can be managed.
Baz Luhrmann's Film-Making Style
903 Words | 4 PagesBaz Luhrmann is known world wide for his eccentric and flamboyant film-making style. Luhrmann’s signature bright colours, fast-paced camera-cuts and zooms, and bold costumes are all key characteristics of his films and assist Luhrmann in putting forward the themes and motifs he regards as essential in each of his works. However, Luhrmann still receives much criticism for not staying true to the original source material of the stories he introduces to the big screen. One fails to realize the fact that, “Luhrmann’s films are not so much adaptations as re-imaginings” (Vogue Magazine) and through analysis of his various techniques, as well as his overall cinematic language in his films, “Strictly Ballroom” (1992), “Romeo + Juliet” (1996) and “The Great Gatsby”, one can see this clearly, through Luhrmann’s evolution as a director. Luhrmann makes his films his own from the start, the opening scenes of all three of these films implement post-modern techniques which instantly informs the audience that they are entering into Luhrmann’s
Romeo And Juliet Cinematography Analysis
823 Words | 4 PagesThe final scene uses a lot of close up shots to capture the emotions of Romeo and Juliet, we see a lot of anguish and hopelessness in Romeo’s face when he sees Juliet dead, and we see joy in her face when she first opens her eyes and sees Romeo, but that quickly morphs into shock and heartbreak when she sees him dying. The use of close up shots was very effective because it allowed the audience to really feel the emotions portrayed in the scene. A long shot was used in the inside of the church to capture all the interior details of the church. After they are both dead, an overhead shot is used to show them lying next to each other to symbolise their eternal love and peace in each other. In the Great Gatsby, we see a long panning shot of his house, and the lake to show how abandoned it looks.
The Prisoner Of Azkaban Film Analysis
1536 Words | 7 PagesFurthermore, the shot styles between the films are reflective of each other. The extreme close-ups, slow moving camera, and mis-en-scene are impactful in creating atmosphere. In the third film, the slow moving camera takes on a presence rather than a character, which embodies the omens that are essential to the films
Analysis Of Baz Luhrmann's Contribution To The Art Of Film
836 Words | 4 PagesBaz Luhrmanns contribution to the art of film, brings about a flamboyant and revitalizing side to the industry. Through the use of cinematic language, his story telling techniques and belief in the theatrical cinema come to life. Baz Luhrmann has a very distinctive directing approach with particular techniques that define his style. He presents his films as if he were telling a story, which he invites you into. His stories are simple and he tends to give away the ending at the beginning of the film, which intrigues you to find out more about what had taken place.
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