The film “Raging Bull” made in 1980 by Martin Scorsese was based on a self destructive, highly emotional boxer named Jake La Motta as he battles through life. As his fierce attitude and violent temper takes him to the top of ring it ruins his family and life outside of boxing. Throughout the film we discussed the importance of the cinematography through out the film and why it played such an important role in developing “Raging bull”. Also the theme of anger and violence is displayed throughout the film. Jake never changes, from start to finish he is an emotional wreck, isolated and quick tempered. “Raging Bull” displays great work of cinematography which basically means the art of making motion pictures. Its the recording of light that …show more content…
Many say the best aspect of this film was its cinematography which greatly affected the feel and look throughout. From the opening credits to the last scene of the film the Cinematography was very important, the first scene of the film Jake LaMotta is alone preparing for a fight in a smoky ring. While this scene was shot in slow motion, with its wide angle lens which enlarged the size of the boxing ring. The use of the close frame composition techniques makes the viewers notice that Jake LaMotta is completely …show more content…
Jake throughout the whole entire film cant control his emotions, his anger and physical violence towards his opponents and his own family follow him throughout the film. Jake being the main focus he is not the only one with high tempered issues. His Brother Joey played by the great Joe Pesci ,for example Joey literally beat the neighborhood gangster Salvy senseless because he was fooling around Jakes wife Vickie. Joey brutally attacked Salvy played by New jersey native Frank Vincent, joey wouldn 't stop, no one could hold him back and it show that violence and anger runs in the family. “Raging Bull” is American classic, Its again arguably one of Martin Scorsese’s best films. the cinemetogaphy displayed throughout the whole film gives the movie a different feel to it then any other drama or so called sports film ever made. This is easily one of the most powerful films that was ever made, “Raging Bull” is a cinematic masterpiece and will go down as one of the best films of all time thanks to its constant fluid theme of violent and anger and most important it cinematography which made the movie so noir . “Raging Bull” has changed the way american films and film writers are
We can almost see the fight happening in our minds as we read which makes us see a somewhat better quality and more action-packed fight than what the movie ends up showing. The quality of this scene is very descriptive and detailed which makes the quality of this stick out into our minds as we continue on in the
“The screen is a magic medium. It has such power that it can convey emotions and moods that no other art form can hope to tackle.” The written word and the moving image have always had their entwining roots deeply entrenched in similar narrative codes, both functioning at the level of implication, connotation and referentiality. But ever since the advent of cinema, they have been pitted against each other over formal and cultural peculiarities – hence engaging in a relationship deemed “overtly compatible, secretly hostile” (Bluestone 2).
Cinematography shows us the special participation camera movements and lighting have on every film. It makes us see movies in the way that the director wants the audience to see it. Analyzing the movie Drunk-Punch love was a challenge because of the many cinematographic elements shown in it, but it was worth it. The film starts with the character Barry, seated on a desk that is placed lonely and close to the corner.
The editing, camera angles, and the music all rang bell. Comparing this film to the preview films weve watched this one was beyond in a different level. The film broke the hays code the
During his emotional moment, the camera was directed at his face and the audience was able to see witness the true feelings that the young man had towards his life. Although exposing a person’s emotional breakdown on film is questionable and controversial, the scene had a powerful impact on the film and the audience was able to understand the frustrations of the young
From the cinematic techniques to the plot line, the film incorporates many elements of the style of film. Despite being set in an older period of time and adapting the elements of the spaghetti westerns, it appeals largely to the modern audience due to the certain things which capture their attention. Director Jocelyn Moorhouse
It uses cinematography and film techniques such as misé en-scene, shot duration,
Film takes photography to another level. Film, or the cinema “is objectivity in time.” For the first time with film “the image of things is likewise the image of their duration, change mummified as it were”. Bazin argues "only the impassive lens, stripping its object of all those ways of seeing it, those piled- up preconceptions, that spiritual dust and grime with which my eyes have covered it, are able to present it in all its virginal purity to my attention and consequently to my love.
Topic Sentence Cinematography: Cinematography is the act and art of making a movie and in shutter Island Robert Richardson handled cinematography. Robert Richardson uses two main cinematography techniques to emphasizes the story telling, which is lighting and shot proximity. Evidence and Example: a. The lighting helps to create the mysterious and suspenseful tone of the film. Server low lighting aids in the creation of a dramatic atmosphere of a dramatic scene.
Baz Luhrmann is widely acknowledged for his Red Curtain Trilogy which are films aimed at heightening an artificial nature and for engaging the audience. Through an examination of the films Romeo + Juliet, Moulin Rouge and The Great Gatsby, the evolution and adaptation of his techniques become evident. Luhrmann’s belief in a ‘theatrical cinema’ can be observed to varying degrees through the three films and his choice to employ cinematic techniques such as self-reflexivity, pastiche and hyperbolic hyperbole. The cinematic technique of self-reflexivity allows a film to draw attention to itself as ‘not about naturalism’ and asks the audience to suspend their disbelief and believe in the fictional construct of the film.
The way a story is told is as important as the story itself. Each form of narration engages the audience on different levels. For instance, restricted narration involves the viewer intimately with only one character. Often, this is used to extract more empathy from the audience, especially if the character at hand would be disliked otherwise. For instance, in Martin Scorsese’s film, Raging Bull, the main character, Jake LaMotta, is an aggressive Italian boxer.
Sidney Lumet 's staggering courtroom drama 12 Angry Men mostly takes place in the cramped jury room where a dozen “men with ties” decide the fate of Puerto Rican teenager accused of murdering his abusive father. Yet the prologue to their civic imprisonment, which takes place beyond these confined walls, sets the stage for Lumet 's overarching concerns about the contradictions of the democratic process. After a few short establishing shots where men, women, and children traverse the plaza steps and interior hallways of the court building, Lumet and director of photography Boris Kaufman focus on a particular door, where one of many cases currently in motion is just about to reach critical mass. The legal arguments have subsided, leaving the courtroom mostly silent and the fate of the accused in the hands of the aforementioned 12 white men. Before their dismissal, the judge looks down at the group and bequeaths them to “separate the fact from
Baz Luhrmann’s films are known their ability to make a watcher feel as if they are part of the show. Between his use of camera angles, shots and the use of a narrator, it’s no wonder he is able to keep viewers on the edge of their seat. But how does Baz Luhrmann pull off this spectacular feat of his? This is probably explained best by referring to Baz Luhrmann’s films and how he himself has evolved as a director.
The Revenant is a splendid and inspiring story that does not give a minute to withdraw eyes while the film is playing. This movie presents drastically new meaning to man-versus-nature drama, to a greater extent, because of the brilliant acting performance of Leonardo DiCaprio. The Revenant was directed by Alejandro G. Iñárritu who, after the majestic success of Birdman in 2014 found an inspiration in the less civilized area, specifically, North America of the 1820s. The shooting took place in rough, freezing conditions and, what is more, most productions shoot for twelve hours a day minimum. Iñárritu and director of photography Emmanuel Lubezki were forced to shoot in a more fractured manner due to the creative choices made, notably shooting
There are many things that make a film interesting. This include historical context (ex. social, government, econ, etc.) and the theory around it. Films represent their times and everything that comes with it. On the other side, is the aesthetic.