Two leader composers from Renaissance: Dunstable and Du Fay.
During the Renaissance courts and churches were highly concerned in arts, and they hired composers and musicians with the purpose to write music and to entertain. Musicians were constantly moving along different courts, trying to find the best salary. This exchange allowed them to learn new styles and genres. Also in this era, the end of the hundred years of war marked a strong presence of England culture in France, this would carry an influence in the composers writing. As a result music had significant changes that left away the medieval traditions.
A leader composer from this time was the English musician John Dunstable (1390-1453). He was a poet, musician and composer that changed
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For Dunstable all voices had equal importance and they had to move in the same rhythm. In his compositions the music was shape by the text, and it was presented often syllabic and rarely melismatic. Dunstable sometimes used the cantus firmus in the middle voice, then the rest of the voices were placed simultaneous in thirds and sixths in parallel motion. As a result his music had a unique sound that created an effect of chords progressions. Dunstable’s music sound became quickly famous, and it was recognized by the name English …show more content…
Although the quality was similar, this technique of writing had differences. The cantus firms was placed in the tenor voice and the upper voice was add a sixth above it. In order to create the parallel motions for all voices, an inner voice was place a perfect fourth below the upper voice. A famous composer associated with the development of this French style was Guillaume Du Fay.
Du Fay (1400-1474) was a famous French composer that inspired musicians from different generations. During many years Du Fay worked in different countries, and he was exposed into a variety of genres. Besides his isorhythmic motets, Du Fay’s music was mostly a combination of contrasting styles. His major works are both secular and sacred music such as masses, hymns, motets, chansons, rondeaux, ballades and more secular songs.
An example of his compositions with different genres is found at the book NAWM: the motet Resvellies vous. This motet has the French musical characteristics such as the used of ballade form: section A from measures 1-22, section B measures 23-52, and section C measures 54-67. However the smooth vocal melody with melisma in measures 5-6, 34-35, and 57-59 are the evidence of Italian elements in this
Most of his first compositions show this. They are mostly in Latin and have more than one melody at the same time. One of his most famous works Spem in alium (meaning “In No Other Is My Hope”) shows this style of music. He wrote this around 1570 which is after King Henry VIII broke away from Rome.
He considered his music as part of category of American Music and he devoted his life to music to give new meanings to the field (PBS). Organization of the paper: This research paper is based on the notable personality
Joaquin des Prez was influenced by Ockeghen’s compositions due to his talent with polyphony in music which in turn also influenced the Netherlands who often portray polyphony techniques in their Renaissance era music. Josquin’s most notable works would be his motets and masses, the text would typically be in Latin which was commonly found in music written for Mass. Because of the rise of polyphony in the church, Josquin included this technique with pre-existing music, later referred to as his cantus firmus compositions, an example of this is “Missa Pange Linqua”. His work with the church inspired a wide range of music Joaquin composed such as his lighter “frottola”, french chansons, and motet-chanson which featured dark textures such as in "Deploration on the death of Ockeghem/Nimphes des
He continued to stay in Rome after receiving this award and wrote songs for choruses and orchestras. Claude’s “unusual treatment of harmony” did not always satisfy the academy that sponsored him, so in 1887 Claude returned to Paris. When he returned to Paris he composed songs for piano and orchestra, influenced by Richard Wagner’s composition style. Claude, even though being influenced by Richard Wagner was attracted to Symbolists poets and Impressionist painters so he began to deny
Graduate Recital Program Notes: Charles Tomlinson Griffes, Poem for Flute and Orchestra Charles Griffes (1884-1920) was the director of music at the Hackley School in Tarrytown, NY from 1907–1920. He studied piano at a young age, to continue his education he moved to Berlin, where he studied piano, composition, and counterpoint at the Stern Conservatory. Griffes’s early compositions were influenced to some degree by German Romanticism, especially German Lieder. He never reached atonality in his music-making, however, at the end of his career he adopted an abstract phase that many critics among them Paul Rosenfeld, and Nicolas Slonimsky acknowledged to be impressionist and orientalist.
There are many differences and similarities between the fourth movement of Beethven’s Fifth symphony and the fourth movement of Berlioz’s Symphonie Fantastique, whether it is the orchestrastion of the pieces, the dynamics, form and period. Ludwig van Beethoven is one of the most well known Classical composers in music history, born into a family of musicians and was seen by his father as a profitable prodigy and had several of his piano compositions published by the age of twelve. He was the first successful freelance composer and changed the way music was composed and performed as he composed pieces that defied the standard ways of composing during the Classical era by using an expanded form structure, larger orchestra, dramatic themes and replaced minuet and trio with scherzo and trio making the third movements of his symphonies faster than traditionally performed. He also treated instruments as individuals instead of grouping them together such as the bass instruments which originally formed the Basso continuo. Beethoven experimented with the ways an instrument could be played , creating new sounds, and would have large pitch ranges between instruments which aided in the expressiveness and drama of his pieces.
Derived from its origin in poetry, music made an enormous leap in popularity during the Elizabethan era. As their love for artistic entertainment grew, the people of the Elizabethan period began to incorporate music into plays, courts, and everyday life. It was typical for the people of the Elizabethan era to play an instrument, where even Queen Elizabeth I herself was skilled in an assortment of musical instruments and dance techniques. While most of the customs and musical culture existed prior to Queen Elizabeth’s rule, she brought these customs to the forefront of the time’s society and forged a path of artistic creation. The importance of music was not only pertinent to the people of high status, but to all people of the era, creating an important evolution of musical instruments and incorporation during the age of the Tudor’s reign.
Summary To conclude my report, I would like to summarize my points. It can be seen that broadly polyphony had been developed thoroughly in the Renaissance period. Although the initial development of polyphony started in the medieval times most of the changes and moderations were made during the renaissance period. Also adding to this other musical developments such true
After the French Revolution and the Napoleonic wars it affected composers in several ways. With the war many aristocrats could no longer afford orchestras, private opera houses, and the composers that were residence of those places. The aristocrats were considered the highest class in society at this time. When this happened, it left many composers who originally had steady incomes to now fighting to survive on what little money they could bring in. With the wars having such an impact on the economy composers had to find a way to adapt to the current living situations, and this meant changes to their audience.
Ludwig van Beethoven was a famous composer of the eighteenth-century classical music and the nineteenth-century romanticism style of music. Beethoven is still remembered for his spectacular pieces in modern times. Beethoven’s music led others to take the art of music as a serious topic. His symphonies and sonatas were revolutionary to the music world, because of this, many people today are not aware of his deafness. His deafness eventually caused him to make sacrifices in his music career.
Frédéric François Chopin was a brilliant musician who made an incredible impact not only on the Romantic Era (19th century), which is when he composed his works but also on countless musicians to come. He was a beloved Polish composer and pianist who, during his short 39-year life, was able to rise to become a cultural icon in music history. His main focuses in music were the melody, harmony, and specific piano techniques that were prominent during the Romantic period. His skill on the piano and his heart-felt pieces forever revolutionized the use of the piano for solo, musical pieces. Chopin was born in a small town near Warsaw, Poland named Zelazowa Wola on March 1, 1810.
A composer by definition is "a person who writes music, especially as a professional occupation. " When musicians try to take on the additional title of “composer” we know that it can get interesting, and not always in a good way. In a way it’s very similar to an actor or actress becoming a director; being they take their individual style and ramp it up into a full on production of their “vision”. Enter Thelonious Monk. Thelonious Monk started playing the piano at a very young age and his style was first influenced by the Harlem stride pianist; a different style of jazz pianist that relied more on improvising and emphasized different notes based on the longer range of movement from their hands (their hands played more notes further apart).
In a cappella music, singers sang without instruments. Vocal music was still more important than instrumental music during this period. Madrigals were a type of song popular during the Renaissance; these songs were performed in
Wolfgang Amadeus Mozart greatly impacted the 18th century classical period and influenced other composers through his works and musical talent. Ever since he was a young child, music was a part of his life and gave him a reputation that would go down in history. Three aspects of his life that led to his impact are his talent as a young boy, the influence of his works, and his influence on other composers of his time period. First of all, as a young boy, Mozart showed incredible musical talent that set the stage for the work he would do in the future. Ever since the age of 3, Mozart had a great interest in music.
There are several theories that regard where and when the music originated. The historiographers pointed out that there are different periods of music with each period having its own characteristics, its composers, its instruments, its rhythm and significance to the existing music today. The first three periods; Medieval, Renaissance and Baroque are expounded in this essay. The periods span through different times albeit some overlapped one another. The essay also focuses on the common factor that triggered the existence of the music periods and its impacts on each period.