Introduction In this essay, I am going to analysis the film named “Cloverfield”, which was released on 18th January 2008 in North America. I will talk about the genre, key scenes, media institution, other media company, film marketing, marketing mix, media technology, audience, digital platforms, convergence and regulation. It was a PG13 film which mean parental guidance is required for children if they are under 13. It was directed by Matt Reeves and starring with Lizzy Caplan, Jessica Lucas, T.J. Miller, Michael Stahl-David, Mike Vogel and Odette Yustman. It was produced by J.J. Abrams and Bryan Burk from Bad Robot Productions. Distributed by Paramount Pictures. Also, it was filmed in the US, and it is about 85 minutes running time. Budgeted $25 million and Box office $170.8 million. Genre This movie is mainly science fiction movie, and it also a thriller and action film. Reason why this film is a science fiction film is because this film used a lot of new technology called Computer-generated imagery (CGI), and this film contains something that does not exist in the real world, for example, the monster in the film. In fact, there are no monster …show more content…
When “Transformers” was almost release, Paramount Pictures decided to put trailer of Cloverfield in the beginning of the film, but they decide to keep it secret so they just showed the scene in the beginning of Cloverfield and let audience see that this movie was using handheld camera, in the end of trailer, it showed the date of the film release, they didn’t give the information of the film’s title at all (Sciretta, 2007). Later, Paramount Pictures public this film but still didn’t public the title and information about the film. But the advertisement website and poster present that the Statue of Liberty without the head and something looked like a monster invading New York
This movie is meant to be the prequel to Cloverfield and sets up how the entire incident in New York happened. Within the movie we see that a group of scientists from around the world board a spacecraft and head to space. There, they try and figure out how create a sufficient unlimited power source to save the Earth from power depletion. In order to create this power source, the scientists fire up this machine that accidentally create this portals to other dimensions, and as a result, the monster in Cloverfield is able to transport onto the Earth and wreak havoc on New York City. Although these movies are connected in their storyline, they also have many differences.
The semiotics of the movie vary by using different technologies for a film and makes the moviegoer feel more immersed in the story in different ways. For 1940’s audiences, it was the realism of Korda’s 40-acre jungle that he brought to life by “importing vines, bamboo, elephant grass, taro plants and more and collecting over 300 animals from local zoos and farms” (Turner Classic Movies). For 1967 moviegoers, it was the use of xerography and in the 2016 version it was the use of motion capture and computer-generated imagery known as CGI. As we look at the history to see these techniques being used, we can see that they all are not so different in their psychological tactics to attract audiences in another way as well, casting. All three movies employed movie stars to vamp up their productions.
The film Miracle portrays one of the most significant moments in U.S Olympics history. The thought of a group of college hockey players beating the “lab-made” Russians was almost inconceivable at the time. Although this sporting achievement was immense, the political significance of the Americans beating the Russians was far more significant. Following World War II, Eastern and Western nations faced geopolitical tensions, and eventually, entered into the Cold War. While the U.S and Russia never fired a shot during the Cold War, the tension between the two nations was ever-present.
The film’s ethos, pathos, and logos all contribute to persuasion, as the poster forces a determination regarding interest in the upcoming film. I will discuss the poster for The Wolf of Wall Street and how it uses each rhetorical device as a means to establish the tone and setting for the film. A film’s ethos focuses on certain actors, directors, and production companies with loyal fanbases. An actor, such as Leonardo DiCaprio, has the ability to drive up a film’s success at the box office, simply by attaching his name to the poster.
Madison Avenue advertising executive Roger Thornhill’s (Cary Grant) life changes drastically after he is kidnapped and mistaken for a spy named George Kaplan. After a successful escape from attempted murder by Phillip Vandamm (James Mason), Roger Thornhill begins a journey to search for George Kaplan. On his itinerary, he meets the beautiful Eve Kendall (Eva Marie Saint). A romantic relationship is started between the two, leaving Thornhill to believe that Even Kendall would cooperate and help him to meet Kaplan.
There is no denying that the film, Aftershock, directed by Feng Xiaogang is the most bankable domestic blockbusters in mainland China and wins the box office of more than six hundred million in 2010 (Coonan, 2010). It reproduces the grave earthquake took place in Tangshan, Hebei Province on July 28, 1976. Such a 7.8 magnitude earthquake turned Tangshan into ruins in only twenty-three seconds and caused 250 thousands death. The successful release of the film has caused the high attention and intense discussion among the community until nowadays. As an excellent work of contemporary Chinese realism film, it moves audiences through its setting, expression, characters and also the touching plot.
The two movies used to compare and talk about for this assignment, is the 12 Oscar nomination “La-La Land” and the nominee to the Festival de Cannes “It’s Only the End of the World”. The decision of using “La-La Land” for this assignment were made upon the quality of the movie and making it the must-see movie of the year and “It’s Only the End of the World”, from the Miami Film Festival, because it was a French movie and the casting crew was very interesting. During this assignment, a summary of both movies will be given followed by an analysis of the way of filmmaking techniques such as cinematography, sounds narrative structure, production design and the editing side of the movie. Making a film is not an easy task. No matter if the cast members or production are well experienced, it takes a lot of time to plan a good movie and win awards.
Blade runner 2049 review and sequels in Hollywood A cathartic monologue pairs well with an unrelenting downpour, while nothing beats a genial powdering of snow for finally hanging loose and making peace with the bullet hole in your gut.1Both work as resolution, just shades apart. When a Londoner wants to project pathos onto a cityscape he adds rains, a Montréalais adds snow. Blade runner 2049 revisits the city of Ridley Scott 's 1982 Original, just paints it with a different palate. The Los Angeles 2049 is indeed a colder place.
One of the massive aspects of movie making is the movement and angles at which the camera is held. One film that does a great job of creating this form of cinematography is Raising Arizona, directed and produced by the Coen brothers. This fast paced crime comedy does an excellent job of capturing the audience’s attention by making them feel as though they are actually a part of the action. An example of the great camera movement is when the camera bobs up and down as it gets closer to the Arizona’s house, this creates the effect that the viewer is actually the person who is approaching the house.
Released September 29, 1950, Sunset Boulevard is a film noir of a forgotten silent film star, Norma Desmond, that dreams of a comeback and an unsuccessful screenwriter, Joe Gillis, working together. Ultimately an uncomfortable relationship evolves between Norma and Joe that Joe does not want a part of. Sunset Boulevard starts off with an establishing shot from a high angle shot with a narrative leading to a crime scene shot in long shot (a dead body is found floating in a pool). The narrative throughout the film established a formalist film. Cinematography John F. Seitz used lighting and camera angles in such a way to create a loneliness and hopefulness atmosphere.
Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.
Films are a great way of communicating a message to the viewers. One of the most controversial topics conveyed is politics and for this reason, Mr Smith Goes to Washington is a movie that explores the American political system through the life of Senator Jefferson Smith a newly elected politician. He comes out as a radical after realising that he cannot serve the interest of those who elected him to the government. The director of the film explores a radical sense ideological spectrum through a character who maintains integrity in the midst of harsh criticism in the political system. The director is radical trying to anger the political class and then win acclaim from the public.
Throughout the course of one’s life, there is a constant search for some form of happiness. We may not always realize we are on the quest for it, but it’s part of human nature. In “Silver Linings Playbook” we see this happen throughout with Pat and Tiffany, who are both searching for happiness. The film is relatable to us all in that many times we go looking for happiness only to come up empty-handed.
Throughout life we are told to express our individuality and swim against the stream of the general population to put emphasis on the characteristics that make us, in short, individuals. Cherishing what makes an individual special and different is what establishes roots in creativity and self expression, however there is a forced false sense of comradery in today’s society that takes the form of involvement with the masses; peer pressure forces many people to fall into the mold of an average character. The Academy award winning film, “The Incredibles” displays the themes of expressing one’s true self and special qualities, and in contrast repression by society to fit a basic mold. These themes are elaborated on through the development of the main characters and expressed further through the supporting roles and their dialogue and endeavors.
One of the best usage of sound design as a tool of storytelling has to be in the first sequence of The Exorcist. As a horror movie, which as a genre builds itself on the vicarious experience it provides, uses more complex patterns of sound design templates to enhance the adventure of watching the movie. Throughout the first scene, Ken Nagle lays what the audience will be the experiencing through the duration of the movie with sound design; the duel between good and evil. The Exorcist’s first sequence, the audience can hear the digging sound of the workers, which resembles the heart pounding.