Scorsese Essay Two of the most noteworthy movies of the organized crime variety were directed by the same talented man, Martin Scorsese. Goodfellas and The Departed are both classics in their own right. However, if I was ever forced to choose the better of the two, then I would have to elect Goodfellas as the winner. Goodfellas’ use of camera, freeze frame, and music makes it superior. My favorite scene out of both movies is the one where Karen threatens to kill Henry in Goodfellas. What makes this scene so great is the camera high angle showing Karren’s view of Henry. This use of camera shows Henry’s momentary loss of power. It shows how one moment you can be on top of the world and the next you’re facing the possibility of losing everything. Another stunning use of the camera in Goodfellas is the medium close-up on Jimmy’s upper half as he kicks the crap out of Billy Batts. Jimmy’s body language is violent and his face shows minimal emotion, as if he couldn’t care less what he was doing to another human being. This seamlessly gets across Scorsese’s intended idea that the gangsters of Goodfellas are cold blooded (Cinematography in GoodFellas). …show more content…
While The Departed does display Scorsese’s trademark, Goodfellas does so in a more significant manner. From when his father beats him to being praised for his first court hearing, each freeze frame in the first half of Goodfellas shows pivotal moments in Henry’s life that bring him closer to letting the gangster lifestyle take over his entire life. The movie goes on for a stretch without freeze frames until almost the very end. In the scene where Henry and Jimmy meet in a dinner there are two freeze frames. “It is in these moments that Henry realizes that he has to let go of the life of a wise guy”(Zimmerman). These freeze frames show Henry’s demise just as the ones in the beginning displayed his rise to
COMPARATIVE ANALYSIS Submitted by: Marcus Timothy L. Montaos Submitted to: Prof. Valerie Anne C. Miranda English 2 / IT1421 Comparative Analysis: Scarface (1983) and The Godfather (1972) I. Introduction Scarface is a crime-drama film that is famously known for being one of the most violent and profanes films during its time of release. Focusing on the rise of Tony Montana (Al Pacino) on the criminal ladder and becoming more psychotic as his career as the leader of his drug empire progresses, leading to his eventual downfall. Directed by Brian de Palma, written by Oliver Stone and with performance of the cast with the lead Al Pacino, Scarface became a cult classic among the masses.
One of the massive aspects of movie making is the movement and angles at which the camera is held. One film that does a great job of creating this form of cinematography is Raising Arizona, directed and produced by the Coen brothers. This fast paced crime comedy does an excellent job of capturing the audience’s attention by making them feel as though they are actually a part of the action. An example of the great camera movement is when the camera bobs up and down as it gets closer to the Arizona’s house, this creates the effect that the viewer is actually the person who is approaching the house.
History Vs. Hollywood: The Untouchables The Untouchables is an action packed movie, set in Chicago, 1920s. Crime controls the city, the system has gone corrupt, and people are dying.
Communication is an important element in video analysis. Ideally, a careful analysis of the different characters in the scene and their role in enhancing interpersonal communication is much more important. In consideration of this concept the underlying principles of interpersonal communication, there is a need to assess its applicability in the movie; Goodfellas. The three-minute scene titled, "I'm funny how, I mean funny like I'm a clown" is a reflection of how self-concept, perception, and non-verbal communication work together in the context of dyadic communication.
The film “Raging Bull” made in 1980 by Martin Scorsese was based on a self destructive, highly emotional boxer named Jake La Motta as he battles through life. As his fierce attitude and violent temper takes him to the top of ring it ruins his family and life outside of boxing. Throughout the film we discussed the importance of the cinematography through out the film and why it played such an important role in developing “Raging bull”. Also the theme of anger and violence is displayed throughout the film. Jake never changes, from start to finish he is an emotional wreck, isolated and quick tempered.
In “Rebel Without a Cause”, “Pleasantville”, and “Catcher in The Rye” values the 1950’s’ causes conflicts within their movies/novels. The characters have multiple situations that can alter their stories. The characters have dealt with different scenarios that all tie in together. In the movie “Rebel Without A Cause” In ways that aren’t appropriate, Jim Stark doesn’t react well when people call him “chicken”.
Creating a suspenseful movie without it becoming boring, or creating a funny movie that’s not full of cheap jokes are both feats in their own right but the Coen brothers were able to combine the two into there one with their knockout debut Blood Simple. Blood Simples editing creates a suspenseful neo noir film that is full of dramatic irony. The audience knows going on behind the scenes but the characters don 't and they keep making the worst choices. The first edit I will look at in the film is when Marty breaks into Rays house and grabs hold of Abby.
Furthermore, Scorsese shows us how Henry Hill in Goodfellas lives the life of a gangster and finally gets away from it succesfully. Something that most of the audience would readily accept. Kolker says that: ―Henry speaks for the viewer. Like him, we love the gangster life. At least we love looking at representations of it.
This creates a contrast with the darker and lighter parts of the scene, and creates the subject of the scene to be hidden in the shadows. This lighting technique is perfect for a gangster film such as the Godfather. Francis Ford Coppola’s has made apt use of lighting in this scene. In this scene, almost all the frames are low lit, especially the scenes where Don Corleone’s eyes are darkened.
The director conveys good vs evil through the use of mise-en-scene. The scene begins with a long shot in low key lighting of the Commissioner walking into interrogate the Joker, after Commissioner sits down the scene gets shot with side lighting slowly zooming into his face close up. After Commissioner leaves in changes to high key lighting with a low angle shot of batman slamming Jokers head on the table with diegetic sounds of a bang and the Joker saying “Never start with the head the victim gets all fuzzy, he can’t feel the next.” When Batman grabs Joker and shoves him against the wall there is a diegetic sound of a bang with a two-shot side on close up, then going to a close up with more diegetic sounds of bangs and then glass shattering. After glass has shattered it changes to a low angle shot of Batman’s face and a high angle shot of Jokers face with nondiegetic sound of intense
The critically acclaimed film, Goodfellas, is a gangster crime drama that features an incredible amount of talent. Household names such as: Robert De Niro (Jimmy Conway), Joe Pesci (Tommy DeVito), Paul Sorvino (Paul Cicero), and promising stars like Ray Liotta (Henry Hill) and Lorraine Bracco (Karen Hill), attracted numerous Oscar and Golden Globe nominations. That type of cast power, linked with the signature talent of Martin Scorsese as a director, made for cinematic gold. Unquestionably, the actors and actresses did an excellent job augmenting the verisimilitude of this film and compelling audiences to empathize with their characters. But the cinematography in this film plays just as large a role in having audiences feel what the characters
Communication is an important element in video analysis. Ideally, a careful analysis of the different characters in the scene and their role in enhancing interpersonal communication is much more important. In consideration of this concept the underlying principles of interpersonal communication, there is a need to assess its applicability in the movie; Goodfellas. The three-minute scene titled, "I 'm funny how, I mean funny like I 'm a clown" is a reflection of how self-concept, perception, and non-verbal communication work together in the context of dyadic communication.
La La Land, directed by Damien Chazelle, has won many awards and is about the love story between Sebastian and Mia, who come together because of their common goal of making it big time in Hollywood. The scene that follows is when they are having dinner after some time apart. It portrays the theme of how change can affect relationships. Initially in the scene, the camera is placed over the shoulder of Sebastian, with the view of Mia as they are having a conversation over dinner. This is a two shot scene accompanied by very minimal editing, indicating they are sharing the frame as a couple.
The final scene uses a lot of close up shots to capture the emotions of Romeo and Juliet, we see a lot of anguish and hopelessness in Romeo’s face when he sees Juliet dead, and we see joy in her face when she first opens her eyes and sees Romeo, but that quickly morphs into shock and heartbreak when she sees him dying. The use of close up shots was very effective because it allowed the audience to really feel the emotions portrayed in the scene. A long shot was used in the inside of the church to capture all the interior details of the church. After they are both dead, an overhead shot is used to show them lying next to each other to symbolise their eternal love and peace in each other. In the Great Gatsby, we see a long panning shot of his house, and the lake to show how abandoned it looks.
As a result, The Godfather ends up becoming a successful blockbuster, but it’s also artistic, and reflective of our society. The Godfather caters to both casual and critical audiences. Coppola uses graphic violence to draw in casual viewers, but he draws in critical viewers by having the film become a social critique of society. Auteur films are meant to give us a view of the world. In addition, the film draws parallels between the mafia and the police, by essentially stating that our society is corrupt.