In the short story titled “Where Are You Going, Where Have You Been”, Joyce Carol Oates introduces us to Connie, a narcissistic, rebellious, and naïve fifteen-year-old girl coming into a world of sexuality and adulthood she thinks she’s ready for. Unknown by her parents, she regularly spends the evenings exploring her individuality and freedom by flirting with teenage boys at her local diner. One evening, she catches the attention of a creepy and strange boy named Arnold Friend, who later shows up at her house unannounced with the intention to take her away. Needless to say, any person reading this will not be prepared to witness the ending of the story, or of a young woman’s loss of innocence and life. Although “Where Are You Going, Where Have You Been” has been interpreted many ways by scholars and writers alike, I believe the interpretation that best fits this narrative is Connie’s search for independence that eventually leads to a brutal outcome. Connie’s search for independence increases as she nears her transition into adulthood, beginning with the changes in her persona. She rejects the role of sister, daughter and nice girl to cultivate her sexual persona needed for attracting the attention of older boys. For example, “everything about her had two sides to it, one for home and one for anywhere that was not home” (Oates). Her personality, clothes, hair, the music she listens to, the way she talks, walks and even the way she laughs are all different examples of her
Arnold Friend was there to take Connie away; away from her childhood and home, which never quite felt like home until her fantasy world deteriorated and reality set it. The next moment is pivotal, this is when Connie forgets her hedonism and becomes something of much more substance. Before Connie studies Arnold Friend’s abnormal personality and erratic behavior she is fascinated by him and even worries that she is ill prepared for this
In Joyce Carol Oates’ “Where Are You Going, Where Have You Been?,” the setting of the screen door created a fragile barrier between the evils of the outside and the safety of the home. In classic storytelling, the home is seen as a refuge, a safe place for the protagonist to be and the forest, the sea, the mountains, the desert, the world around their home or town is seen as deadly or dangerous. The world outside of the home or town is unknown and mysterious. Oates in her story takes the idea of the unknown and mysteriousness to the next level, invasiveness.
That also made her become more vulnerable to the real dangers and the evilness that exists in the world. That danger was represented by an old man who pretends to be an eighteen year old boy that seduced and kidnaped Connie. The end of the story Joyce Carol Oates leaves it open to the readers, because that way it makes the reader think of what might have happened, whether she got raped or whether she is killed, after the main character leaves with the antagonist of the story. Oates shows that ignorance, narcissism and the lack of
Author Harlan Coben once said, “Adolescence is always a war; no one gets out unscathed”. There are many attributes shared amongst teens, and in the story “Where Are You Going, Where Have You Been” by Joyce Carol Oates, the protagonist, Connie is the embodiment of the typical teenage girl. Oates depicts Connie in such a way by the use of Connie’s appearance and actions, as well as her relationships, and budding sexuality. One key element that characterizes Connie as an average teen is her appearance and actions.
The short story “Where Are You Going, Where Have You Been?” was written by the author Joyce Carol Oates in 1966. Oates describes her idea for the story after briefly reading an article about the real-life murderer, Charles Schmid, who lured and murdered three teenage girls (Kirszner & Mandell 523). She uses this idea to create the character, Arnold Friend, and his victim, Connie. Connie is a typical teenage girl portrayed as naïve and self-centered. The short story appears realistic, given that the conflict in the story is based off of real events.
In Joyce Carol Oates’s story, Connie decided to leave her friend for a little while, and when this happened, she caught the attention of a shaggy black-haired boy. She barely
Home is where the heart is, but what if home is no longer safe? Joyce Carol Oates explores this concept in her 1966 short story, “Where Are You Going, Where Have You Been”. On surface level, this story appears to discuss a rebellious young girl named Connie and her confrontation with Arnold Friend, a stalker. The ending leaves the reader to assume that Arnold Friend plans to sexually assault the young girl.
In the coming of age story “Where Are You Going Where Have You Been?” Joyce Carol Oates uses symbolism, conflict, and the third person to foreshadow fifteen-year-old Connie’s unfortunate, yet untimely fate. While one may think that the conflict stems from Connie’s promiscuity, it is clear to see her promiscuity is only a result to a much bigger conflict, her mother’s constant nagging and disapproval, alongside the lack of attention from her father. the author paints a vivid picture of what happens when a fifteen-year-old girl such as Connie goes elsewhere to find to find the love, attention, and approval that she lacks at home. All which is vital for her growth and wellbeing as a person.
Connie uses her attitude and appearance to attract boys. But she is not aware of the reality of the society in which she lives. Connie is living in a fantasy world, but when she gets trapped by Arnold Friend she is put into a scary reality. There
In her short story "Where Are You Going, Where Have You Been?", Joyce Carol Oates utilizes a variety of literary devices to strengthen the story in its entirety. This short story is essentially about a 16-year-old girl named Connie and the conflict between her desire to be mature and her desire to remain an adolescent. Throughout the story, the audience sees this conflict through her words in addition to through her behavior. The audience is also introduced to Arnold Friend, a rather peculiar man, who essentially kidnaps her. This short story by Joyce Carol Oates functions and is additionally meaningful because of her usage of literary devices.
In the story "Where Are You Going, Where Have You Been?" by Joyce Carol Oates Connie's mother was very jealous of her looks. Her 15-year-old daughter knew she was beautiful, and she loved her looks. Always looks at herself in mirrors and admires her looks. Her mother was always shaming her for it. Saying that she doesn't have to look at herself that much.
The short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates can be interpreted in a multitude of ways due to its ambiguity. A psychological lens, however, provides the most accurate viewpoint for analyzing the story as it clarifies certain obscure scenes and actions of Connie. One psychological issue of Connie that is easily inferred from the beginning of the story is her insecurity about her looks. Connie constantly worries about the way that she looks and takes any opportunity to do so, “craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right” (1).
Carol Joyce Oates’ “Where Are You Going Where Have You Been?” presents how falling into temptation leads to giving up control and innocence. Though her mother is unapproving of her actions, Connie spends her time seeking attention from male strangers. Home alone, Connie is approached by a compelling creature who convinces her to leave her life and join him on his unknown journey. Through disapproving her family, having multiple appearances, listening to music, and her desperation to receive attention from boys, Connie gives up control of herself losing the purity of adolescents and contributing to her detrimental fate. It is imperative that one should not be controlled because of a desire to impress others.
Connie’s first encounter with Friend was at a diner when he stated to Connie, “Gonna get you, baby”(pg.1142). Because Connie was use to this type of attention, she did not view it as strange that an older man was calling her in such away. However, if Connie had seen Friend as dangerous instead of just another man, her kidnapping might have been prevented. Later in the story when Friend showed up as Connie’s house, she walked outside and talked to him instead of questioning how he knew where she lived or calling the police. Oates described Connie's interaction with Friend by stating,“Connie liked the way he was dressed, which was the way all of them dressed: tight faded jeans stuffed into black, scuffed boots, a belt that pulled his waist in and showed how lean he was, and a white pullover shirt that was a little soiled and showed the hard muscles of his arms and shoulders”(pg.1145).
Oates’s biography explained her fiction writing as a mixture violence and sexual obsession. The writing style definitely fits the plot point of this story with both of her literary ingredients being present in not only Arnold Friend but in Connie as well. The Protagonist Connie is presented in a very self-centered way. She is obsessed with her looks and often fantasizes about all the boys she meets.