Adam Skoda
Professor Kim Neuendorf
COM 320 ? History of Film
10 October 2015
Martin Scorsese ? An Italian Odyssey Throughout Martin Scorsese?s teen years, he has watched movies with his father to bond with him because they both shared together their love for cinema. They watched Italian films in particular because they loved the emotions captured in each and every film. Marty loved going to the theater and before he paid attention to the names of directors, he would draw out storyboards of his own ideas and concluded it with, ?directed and produced by Martin Scorsese? as a teen. Growing up, he saw himself as a filmmaker following in the path of his favorite Italian directors such as Vittorio De Sica, Roberto Rossellini, Federico Fellini, Giovanni
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He became fascinated with his Sicilian heritage and found out that they moved to America because of the ongoing atrocities of war in Sicily. These atrocities were also captured by the pure raw emotion in the films he saw such as Roberto Rossellini?s Paisan (1946) and Rome, Open City (1945). In the documentary My Voyage To Italy, Scorsese openly states that some of the most powerful images that were captured in Paisan had affected his grandparents to the point of crying. Scorsese has always followed the formula of realistic narrative. That is why he always encourages improvisation on some of his greatest films such as The Wolf of Wall Street, Goodfellas, and Casino. He feels that capturing the raw emotion from his characters is more effective than having them read word for word from the script; the raw emotions and improvising lines from his own script have made his films more believable due to how dedicated the actors get into their …show more content…
La Strada is one of Fellini?s great films that he directed. Scorsese states this film as one of his most intense films. It is about a carefree girl that is sold by her mother to an entertainer that puts her through a lot of pain. This film is a great movie due to many reasons: Scorsese explains that Fellini accomplishes what most filmmakers do not, and that?s making a film with sensitive subject matter and making it a job well done. Many more films are explained and new trends of Italian films are discussed as well.
Reference:
Armani, Giorgio [Producer]. Scorsese, Martin [Director]. 2001 My voyage to Italy (Motion Picture) United States. Miramax
Waldo, Jennifer [Producer]. Apple, Wendy [Director]. 2004 The cutting edge: the magic of movie editing (Motion Picture) United States, Warner Home
I think he enjoys creating projects such as “Diary of A Mad Black Women” because those type of actions is taking place in today’s generation. He is certain that others would enjoy watching it, that is exactly why he continues to produce such outstanding movies. Even though his creations are very similar to each other, each movie has it’s own unique purpose. Although, the
Matthew McConaughey is the very bane of my existence. How he managed to have such a well-known and prestigious acting career is far beyond my understanding. He’s the kind of person that just shouldn’t be allowed to open their mouths. The long, drawn out, unbearable amount of time it takes him to get out a single god forbidden sentence is exhausting and plain painful to watch. His “famous Texan accent” makes him sound extraordinarily stupid, almost as though he grew up in a rural village that used horses as their only source of transportation, burned all books other than the bible as a religious practice, and watered their plants with Gatorade.
Scorsese Essay Two of the most noteworthy movies of the organized crime variety were directed by the same talented man, Martin Scorsese. Goodfellas and The Departed are both classics in their own right. However, if I was ever forced to choose the better of the two, then I would have to elect Goodfellas as the winner. Goodfellas’ use of camera, freeze frame, and music makes it superior.
The film, Goodfellas, released in 1990 and directed by Martin Scorsese is a film based on a true story that takes place in Brooklyn, New York. Goodfellas provides drama, suspense and anxiety. There are a number of extraordinary scene, characterization, points of view, lighting, as well as high, small and/or stable angles of shots to analyze. The Copacabana is a scene narrated by Karen, Henry Hill’s future wife.
This film was about a Italian man in the 1930’s who is a everyday man and even a thug. He has seven sisters and is the only boy. One of his sister turns to prostitution and falls in love with her pimp. Pasqualino decided this man has disgraced his sister and kills him. His sister turns him in and he pleases insanity.
The film is a myriad of deconstruction of the mafia stereotype; it does not gratify gang life of any form. In fact, it tries to subvert several of them. First is the inclusion of Michael, the oddest of the family, a college educated war veteran with a normal girlfriend. He is the anti-thesis to another anti-thesis, which is Vito Corleone. Vito, the father of the family, is not the typical ruthless crime lord; instead, he is the role model of the family, honorable, smart, sociable and very kind.
Spike Lee did not only do a great job using the elements from the italian neorealism but also putting some his own ideas that were never seen
Christy Chandra Professor Sole Anatrone Italian Studies 170 Viewing Log – Nuovomondo (The Golden Door) Title: Nuovomondo (The Golden Door) (2007) Director: Emanuele Crialese Date: 21 October 2015 The Golden Door reminds me of neorealism movies like La Dolce Vita and Bicycle Thief. Even though the movie was invented and released decades after World War II (one essential element for neorealism genre), The Golden Door embraces the idea of telling struggles of the early Italian immigrants. Through hardships while sailing with a ship full of people with wishful thinking of getting a better source of labor and foods (most of them, particularly the main character, being hypnotized with a “false” hope that the New World (America) is a place that cultivates giant agricultural
He made films to express his personality. A lack of funding was a limitation for him to make his films, but he was still able to reach something that he wanted in his film. Characters he has made were the outcome of his deliberation. For example, Stranger than Paradise is one of his successful films, and it really pulls audiences to think about their life. He made movies not for input
The Godfather potrays the aftermath of World War II in a dark and cynical way. Depressing alleys, jazz music and long
“Leone’s original version tells this story in a complex series of flashbacks, memories, and dreams.” – Roger Ebert “Sergio Leone was known for his Westerns, but his last film and one of his greatest was set in New York City” – Martin Scorsese ‘Once upon a time in America’ is the immortal work of the famous Director. The film, which touches the most important questions of life, such as love, friendship, duty, death, betrayal, happiness and unhappiness, education and outlook. This film is an entire cinematic heritage.
What Scorsese did differently was that he made male protagonists vulnerable again, just like they were in the old mobster movie days, but in a bit more realistic way Scorsese produces movies in a way that, according to Kolker, he „Determines our point of view and our emotional and intellectual attachment to the film. We are therefore, scarcely allowed any separation from what the central character is seeing. “ (218). He even does this directly by breaking the fourth wall twice in Goodfellas, and therefore making us feel as though we are the acomplices in all the things that were happening in the film. And we all know that it is very hard to judge ourselves effectively.
The Godfather (1972) is said to be one of the greatest films ever made. When this movie was released in 1972, it was nominated for Ten Academy Awards and it won three: Best Picture, Best Actor and Best Adapted Screenplay. The film was adapted from the book with the same name written by award winning author of mafia fiction, Mario Puzo. This film takes place in a span of ten years following the life of Don Corleone, the head of the Corleone Crime Family. It was a film that changed the history of cinema, introducing a very talented filmmaker and several acting legends in the telling of a story of a Sicilian Crime Family.
The critically acclaimed film, Goodfellas, is a gangster crime drama that features an incredible amount of talent. Household names such as: Robert De Niro (Jimmy Conway), Joe Pesci (Tommy DeVito), Paul Sorvino (Paul Cicero), and promising stars like Ray Liotta (Henry Hill) and Lorraine Bracco (Karen Hill), attracted numerous Oscar and Golden Globe nominations. That type of cast power, linked with the signature talent of Martin Scorsese as a director, made for cinematic gold. Unquestionably, the actors and actresses did an excellent job augmenting the verisimilitude of this film and compelling audiences to empathize with their characters. But the cinematography in this film plays just as large a role in having audiences feel what the characters
Similarly, Scorsese had made documentaries about superb directors and films, but choose to use storytelling to