Theme Of Anger In Literature

I. Theoretical part, anger in literature Anger as a term has two separate meanings; the psychological and the literal one. Concerning the literal meaning, it has multiple definitions, and those definitions differ from one person to another. In her book, the artistry of Anger, Linda M Grasso, defines anger in different words; “Anger is the emotion which accompanies the first steps toward the libration action “(Grasso 1). Anger also is the response to one’s lived realities of the historical moments and events, because there is a relationship between feelings and the material world in which feelings are experienced (Grasso 8). In other words, it is a way of communication between people which delivers important information about

The reason why anger is expressed is that man seeks attention, respect, equal rights, and freedom. On the other hand, anger is the external response to man’s powerlessness, or to the social suppressions and the higher forces. The dilemma here is that man’s inability – on the personal level and the social level – to protect the principles and attain justice. In a book named working women by Nanneke Redclift, there is another definition of anger , but as a movement from their perspective ; when the idea of change comes to the mind of people or the nation , they begin to perceive another view of the world which conflicts with their old one (Redclift 238). This movement originally emerged in Britain in the late 1950s. Michelene wander, in his book Drama today, draws a map or a timeline for the history of British Drama, and the causes behind the emergence of anger in literature. In 1960s, a new wave of feminism appeared as a result of abandoning the women as the center of her

Nonetheless, new techniques had been inserted in plays ; involving irony as a new method to show contrast or the entire opposite in the real life ; for example : the irony between the washing machines and the nuclear bombs. Also using the verbal irony or the situational irony to the point out specific thing or figure in the real life ( Nicoll 250 ) . Another technique had been found in dramas called Alienation, this was intended by the writers to force audience to think critically beyond the obvious and the clear meaning. Concerning the plot in plays , dramatists abandoned the traditional plot or the well – made play , and preferred to use the one – act play. They also used non – chronological order or the play which lack the unity in its elements – concerning the stage – such as: the death of the salesman by Aurther miller , and the tragedy of Nan by John Masefield ( Nicoll 248 ). Plays contained different genres : The prose , the realistic , the tragedy , and the instructional plays. Most of them talked about the personal relationship of the characters. The imaginative , the symbolic , and the realistic elements are all co – exited together ( Nicoll 251 - 253