Bassanio And Antonio In Shakespeare's The Merchant Of Venice

Customarily, an author will construct a narrative in which the protagonist, a character contrived to be implausible, as well as honorable is destined to decline along the path of tragedy leading to suffering and misfortune. Distinctive writing strategies corresponding to the theme, motifs, symbols and characters contently allow the scripter to plot the flaws dominating the descent of the advocate. Amongst Fitzgerald and Shakespeare’s central characters, Jay Gatsby and Othello, both filled with passionate love for their significant other are corrupted by their lack of judgement causing them to lose the one they lust over. Similarly, both characters originated from a meager past which they were forced to struggle to achieve a position where they

Although Shakespeare’s Othello and Aphra Behn’s Oroonoko had two divergent plots, yet both share the same themes of love, honor and trust; which was specifically portrayed by the main characters Othello and Oroonoko. Who also share indistinguishable qualities. Othello is an example of how Shakespeare masterfully manipulates love as a tragic theme, or cause of misery and sadness, to reveal his characters' vulnerabilities. At the same time, in Oroonoko, love is a theme that allows love triangles to develop, fuels power conflicts, and even leads to death. Othello and Oroonoko shared a main characteristic, they both were men of honor; who would do anything to protect it. This is shown throughout the play Othello, where various male figures seek

In the beginning of the story, everyone was convinced that Antonio was fixed on becoming a priest just like his mother had wanted. Later in the story, when Ultima came and stayed with Antonio’s family he started questioning what his true purpose on this Earth was. In the end he trusted and followed Ultima more than he did his own parents. Even though his mother dreamed of her son becoming a priest and his father dreamed of his son becoming a Vaquero, Antonio always wanted to follow in the footsteps of his one true love, Ultima. Doing so, Antonio began to learn her ways.

Antonio begged God to forgive Andrew (Antonio’s brother) “Your brother has sinned with the whores, and so I condemn him to hell for eternity!”(Pg.173). Antonio’s demeanor portrayed confusion and fear of why he is the chosen one to save his brothers when he is hopeful for their saving of him. “Oh, I cried, forgive me Lord! I have sinned, I have sinned exceedingly in thought, word, and deed. My thoughts have trapped me and made me flee from you!”(Pg.173). Antonio believes he has sinned as he questions God for punishing his brothers who in his eyes are great men of intentions as they’ve been through the war. His begging then represents his fear towards God showing that even questioning him may attract consequences. He becomes petrified that he would be punished and eventually fail his family because he wouldn’t fit the criteria being a coming selfish

Antonio knows plenty about being a Catholic, but since Ultima shows him, that he does not have to follow in his mothers religious steps if he does not wish too. He is learning that having beliefs based on his morality is acceptable. For example, when Antonio’s mother is praying he can not help but admire the Virgin Mary. Antonio believes that a female goddess is more greater than a male god. “God was not always forgiving. He made laws to follow and if you broke them you were punished. The Virgin always forgave. God had power. He spoke and the thunder echoed through the skies. The Virgin was full of a quiet, peaceful love”(44). He explains how God used fear while the Virgin used love, which is very noble. With the help of Ultima, Antonio is learning how to explore new

1. Consider one of the male-female relationships in Othello (Othello and Desdemona; Iago and Emilia; and Cassio and Bianca). Do they love or hate one another, or, is it both? How are the women treated in each relationship? Explain.

Maria puts pressure on Antonio to be a priest while Antonio feels an inner peace when he's with Ultima but this does come with a crucial realization. It could be argued that by having glimpses of Ultimas lifestyle Antonio has realized he has been within sin and that he lost his innocence a long time ago. His mind and beliefs are not confined to the thought of religion as they used to. This all ties with the idea of wisdom being an interpretation of experiences; the idea of being ascertained to sin and realizing he was no longer innocent made Antonios struggle between secular and spiritual thoughts even more gargantuan than it already was. A harbinger of Ultimas role in a relentless

During the summer, I was tasked with the job of reading three books and acknowledging the external and internal conflicts of the main characters and how they affect their decisions throughout the novel. The three books were A Painted House, by John Grisham, Farewell to Manzanar, by James D. Houston and Jeanne Wakatsuki Houston, and Othello (drama), by William Shakespeare.

Throughout the book, Antonio is given many situations where he has to choose between many given options. In the beginning of the novel, Antonio’s mother wants Antonio to become a priest. After thinking about it, he says, “I was to

He is with Ultima often in the novel; in multiple events Antonio is with Ultima, he is is in fear. “I had never felt such fear before, as the whirlwind seemed to call my name,” (Anayas 123). Antonio remembers a story about how God punished him once in the form of a whirlwind. He considers the whirlwind as Ultima's first blessing had on him. He is equally afraid and stunned. The fear Antonio displays as he grows is not because of foolishness but because they are life threatening. “I heard a low moan as Tenorio aimed his pistol at the head of Narciso. I screamed in fear and Tenorio spun around and saw me,” (Anayas 352). Even though Antonio is growing into a pretty tough young man, he can not escape from fear. He could have been in another situation where his life could have ended at an very early

The following passage is significant to the play ‘Othello’ in retrospect to the plot progression, as it reiterates themes and introduces important facets to the plot development. Through Iago’s cunning manipulation and Shakespeare’s crafting of language, this passage is constructed as a pivotal point of the play, marking the transition of Othello’s personality and revealing his deepest insecurities that eventually lead to his downfall and tragic ending.

In the story, “The Merchant of Venice,” there is a character named Shylock. Shylock is a Jewish citizen who lives in Venice, a place where Jewish people are one of the lowest class of citizens. This piece by Shakespeare creates this controversial character that can be viewed as a villain or victim. In this play, through the archetypal lense, we can see that Shylock is a villain because of his hatred and his desire for revenge.

In William Shakespeare’s Othello, racism is a principal theme that drives the plot of the entire play. An outlier in Venice, Othello the moor or African, is targeted by his ensign Iago because Cassio who seems to be unqualified, was promoted to a lieutenant before he was. Iago is driven by envy and jealousy and creates a confusing and elaborate plan to deprive Cassio of his position. Iago also shares these envious motives with Roderigo, a man lusting over Othello’s wife. These two villains slander Othello to the point of eradicating any pity the audience could have developed towards Othello. The Venetians also have a hidden fascination for Othello and his foreign qualities but, they mask feelings with negative slurs. The audience also affected by the portrayal of Othello, and are persuaded to feel pity for him because of his circumstances; being betrayed by his ensign and being looked down upon because of his Moorish descent. Shakespeare also uses racism as a creative apparatus to generate a metaphor between Desdemona and Othello. The exploitation of Othello’s race leads to the manipulation Roderigo, Cassio, Brabantio, the Venetians, and the audience to see Othello as inferior although, the only difference between him and the Venetians is his lineage.

Othello loses his respect and nobility when he falls right into Iago’s trap. In Act IV, an upset Othello strikes Desdemona. The Venetian gentleman, Lodovico, sees for the first time Othello behave violently. Lodovico asks,” Is this the noble Moor whom our full Senate/Call all in all sufficient?” (IV,ii,259-260). Lodovico in this scene sees Othello significantly change because he had been well respected in Venice. Othello’s behavior in Act IV differs from Act I, showing how a tragic hero falls and how they can destroy themselves and their

Romeo and Juliet is such an interesting play because even now, five hundred years later we are still talking and learning about this play. It is so relatable till date because people fall in love now as Romeo and Juliet did, families fight, as the Montagues and Capulets did. We can relate to each character in some. Which is what makes this play so compelling and lets it live, five hundred years later. Romeo and Juliet is a tragic tale of two lovers, separated by an epic feud of their two houses (Romeo a Montague and Juliet a Capulet.) In these two houses there are many relatives and friends that make up much of the population of fare Verona. In the house of Montague there are two men. Mercutio and Benvolio. Both dear friends of the young Romeo. These two friends, so different in their ways are never found apart, or ever far from Romeo.