Christine Jorgensen Narrative Analysis

Canadians take pride in their health care system; however, most Canadians are unaware of the disparities that exist for transgender persons within health care. Being ridiculed, denied care, or treated unjustly because of a self-identification as transgender goes against the core values of the nursing profession (Canadian Nurses Association, 2009); despite this, ten percent of transgender participants in the Ontario Trans PULSE survey reported that they had experienced these demonstrations of prejudice when accessing emergency room services. This statistic may be lower than the reality due to transgender persons frequently avoiding the health care system (Bauer & Scheim, 2015). According to the Canadian Nurses Association (CNA) Code of Ethics (2009) nursing staff are expected to provide, “safe, compassionate, competent, and ethical care” (p. 3); however, due to lack of policies and lack of education nursing staff and physicians are detrimentally adding to the stressors of transgender life.

In more recent times, however, transgender representation in film and television has reached new levels and strides. There is Emmy-nominated actress Laverne Cox, who plays Sophia Burset in Orange is the New Black, a trans-woman of color; There is Amazon’s Golden Globe winning and first original series titled Transparent, that revolves around the story of a transgender woman. Popular shows such as Glee explored and developed a new arch about one of its main characters transitioning from female to male. Even ABC Family premiered a show on its network documenting a young man’s experience as his one of his parents comes out as transgender, calling it Becoming Us. But with all of the seemingly positive examples of trans-characters that are being

The LGBTQ community is one that faces an ongoing storm of stereotyping and stigmas and the media is no relief from it. One major factor in this is the common trope of the violent and aggressive transgender woman, which is often shown through

Janet Mock gives the world a piece of refreshing honesty in her novel, Redefining Realness, relaying her experiences of growing up as a multiracial transgender in poverty in America. This literary work provides insight to the unique challenges of a marginalized and misunderstood population. The American and even LGBT community often disregard the struggles of transgender women and men. As a result they are not treated as an equal people; their preferred gender pronouns are conveniently dropped in favor of forms of misidentification, they become subject to imposing interrogations about categories of sex organs and sex practice instead of appreciating questions discussing gender expression experienced by transgender individuals, and they become the topic of jokes and victims of violence. These terrors prove we live in a

The woman had only recently made the decision to stay with that gender completely. As the friend shared pictures of herself with Wilchins, Wilchins noticed how keenly her friend was analyzing her reactions with each different picture. This seemed to shock Wilchins as she herself is quoted saying “Which is to say that I do not, at first blush, inspire confidence as the best possible judge of such matters. I could not care less how either of us is read by nontranssexuals” (Wilchins). I believe this to be a powerful statement as she states although she does not care about how she is read, the effects of social inspection are often great.

In beginning, this study will compare the captivity narrative of Mary Rowlandson and Mary Jemison. These narratives of Indian captivity in the mid-17th century provide a way to understand the methods that both women employed to survive. The first similarity between these two women is related to their Protestant background, which was a normative part of colonial life in New England during this historical period. In this manner, Rowlandson utilizes the religious tenets of practical religious belief to define her captivity with the Indians: “Life-mercies are heart-affecting-mercies: of great impression and force, and to enlarge pious hearts in praises of God” (Rowlandson 10). This is also evident in the Protestant upbringing of Mary Jemison, which defines the foundations of their original cultural heritage that is shared in these capacity narratives: “For it was the daily practice of my father, morning and evening, to attend, in his family; to the worship of God” (Jemison 130). These are important cultural similarities about Rowlandson and Jemison protestant

Transgender is the term used to describe an individual whose gender identity does not align with their sex assigned at birth. The documentary, “Growing up Trans”, is a sensitive clip to watch about young youths who attempt to navigate family, friends, gender, and the medical decisions they face at puberty. “Growing up Trans” focuses mainly on transitioned young youths. The transgender youth from the documentary links to many theories from chapter eight. Theories such as socialization, gender, sexuality, homophobia, transphobia, and microaggression are associated with “Growing up Trans”.

In the article, “What Makes a Woman?” , American journalist, Elinor Burkett, addresses the topic of transgender females and natural females, along with their contrasting views. The article argues that transgender women can not transition and automatically generalize the entire female population. The purpose is to show that there is more to a woman than just her physical anatomy which is accomplished by Burkett. The rhetorical feature that influences the audience the most is pathos, such as when she talks about the struggles of changing from a young lady into a woman, and how a transgender can never truly understand this transformation.

However, like gays and lesbians, transgender people have always lived among us. In the United States in particular, they have existed since at least 1952, when Christine Jorgensen became the first American to go through a gender transition (albeit it took place in Denmark, not here). Of course, like their LGB brothers and sisters, they experienced endless discrimination from society and law enforcement. Local LGBT hangouts were regularly raided by the police, and unrest escalated between the two groups until enough was enough. On June 30, 1969, patrons of New York’s Stonewall Inn rose up against the attacking police force and rioted.

Steven Seidman’s Revolt Against Sexual Identity provides anecdotes that describe the liberation that comes with rejecting these norms, “...her identities as transgender, female,

In their respective pieces about the transgender community, Mari Birghe’s piece falls short due to its lack of detailed examples and its heavy reliance on eliciting sympathy from the reader to persuade as well as its failure to see the other side of the argument while Elinor Burkett’s piece proves far superior due to its multitude of extensive examples in addition to its surplus of concessions. Burkett’s piece is stronger in part due to the surplus of concrete examples provided in contrast to Birghe’s meager examples. In Elinor Burketts’s piece, which states transgender women are not entirely female because of their previous male privilege, she intertwines many specific examples that help to prove her overall message. This is that transgender

Life Goals In the essay “The Storyteller”, Sandra Cisneros describes how her identity was shaped by goals that she had for herself. Starting from a young Cisneros dreamt about living in her own silent home that fitted her taste. Years later after coming home from college she still had the dream of living on her own and also with a career goal of becoming a writer. Cisneros determination to follow her dreams was strong, however, her father’s did not agree with the dreams and even had a different idea of what he wanted for her.

J.C. Burke uses the narrative structure of prologue to show the protagonist, Tom Brennan’s, Australian voice in the novel. Tom’s voice is loud and clear in the simple yet compelling prologue. The brief prologue is powerfully reminiscent, engaging the readers interest when the Brennan family close “the front door of our home for the last time” The deceptively simple language communicates shame and regret and the rawness of pain is emphasised by the recurring reference to the need for silence ,’’down, down we glided in silence’’ . The prologues abruptly ends with the forthright affirmation of identity ‘’My name is Tom Brennan and this is my story” and the first person narrative really highlights the voice of the protagonist. It creates a blunt

The film, Growing Up Trans, was a great medium for me to better understand and reflect on gender socialization, gender identities, and countless variations within the transgender communities. Each child and his/her stories give the audience an insight to both the personal troubles of living as transgenders and the systemic errors of the society that intensifies these troubles. Undoubtedly, the children in the film expressed their discomfort of being characterized as the deviants. Deviants are those who are perceived as outsiders and who violate what the society considers true and correct (Charon). In our society, heterosexuality and gender conformity – one’s gender identity matching one’s sexual identity – are considered the norm.

Juwan stated, stated he like playing and watching basketball, sport, using his cell phone, and playing video games. Juwan stated, his family, getting good grades, cell phone and having friends. Jawana stated that his grades is okay, and he would like to do better in all his classes. Juwan stated that he is not doing well in his science class. Juwan stated, talking back to his mom, punching the walls, being disrespectful to his mom and leaving the house without permission. Juwan stated that he does not get along well with his mom because she is always yells at him for everything he does and punishing him for stupid reason. Juwan stated that his mom never listen to his side of the story and blame everything that goes wrong in the house on him.