“The Cask of Amontillado,” is a short story by Edgar Allan Poe. As told by the narrator, Montresor, the story is of the murderous revenge Montresor takes on his friend Fortunato deep within the “catacombs of the Montresors” (167). Throughout the composition, the author expresses the theme of betrayal among friends using verbal, situational, and dramatic irony. In the first line of speech, verbal irony is observed when Montresor greets his friend at the carnival. When the two encounter at “about dusk” (166), Montresor welcomes his friend exclaiming warmly, “My dear Fortunato, you are luckily met” (166). However, Fortunato is oblivious to how Montresor intends to murder within the coming hours. Thus, Montresor’s greeting of his friends is a form of verbal irony. Fortunato is not at all “luckily met” (166) as Montresor claims since Fortunato would have been better off not seeing his friend at all. By having Montresor great his friend using verbal irony, the author is able to emphasize the theme of betrayal among friends. While Fortunato truly thinks that the encounter was lucky, both Montresor and the reader know of the devastating deed to come. …show more content…
This can be discovered in the setting. When the story begins, it is dusk in an unnamed Italian City that is in the midst of “the supreme madness of carnival season” (166). During carnival season, a Mardi Graw type festival occurs and the people party in the streets drinking wine. In general, this is a joyous time for the people in the city. However, in this case, the setting is ironic as Fortunato is soon to be murdered by his trusted friend Montresor. By constructing the piece so that the two find each other at the carnival, a time of celebration, Poe is able to reinforce the theme of betrayal between friends. The slaying and betrayal occur at an unexpected time due to the celebratory nature of the
At the beginning of the story the narrator chooses the setting of Carnival. When one thinks of the carnival, the thought of joyful people, celebration and social interaction comes to mind. No one would have thought that that was the precise moment for Montresor to take revenge. The name of Fortunato itself is ironic, because the name of Fortunato means fortune in Italy. When Montresor reveals the audience that he “had fettered [Fortunato] to the granite”, the scene sends chills throughout the reader’s body (Poe 471).
In “The Cask of Amontillado” Edgar Allan Poe uses verbal irony to emphasize the evil intentions of Montresor. Poe uses several instances of irony to demonstrate that Forntunato’s death is imminent and Montresor knows all along. One example of irony being used is when Fortunato says “the cough is a mere nothing; it will not kill me. I shall not die of a cough. ”(119)
In Edgar Allen Poe’s, “Cask of Amontillado”, Poe skillfully uses verbal irony in order to demonstrate the villainous intentions of Montresor. The first example of verbal irony is when Fortunato, the victim, toasts “to the buried that repose” and Montresor, the murderer, “And I to your long life”(page 119). By now the reader is beginning to understand. Montresor's murderous intentions by Poe’s verbally ironic statements about life and death. Another, example of verbal irony is the play of the word “masons”.
The very setting of the story is ironic, in that Montresor has chosen the festive carnival season to execute his murder because no one will be at his estate to witness the crime. Fortunato himself is dressed in a jester's outfit, and the jingling of his jester's bells reminds us as readers, of the atmosphere of happiness and cheer outside the catacombs. Later, as they drink the Medoc, Fortunato drinks to the dead and buried, not realizing that he is about to join them, and Montresor blithely drinks to Fortunato's
“Evil is always devising more corrosive misery through man's restless need to exact revenge out of his hate.” This quote by Ralph Steadman, exemplifies the heart of the character, Montresor, in Edgar Allen Poe's short story “The Cask of Amontillado.” Poe, a compelling writer, weaves together a story in such a way that it captivates and entices the reader to want more, even if it leads to mounting horror. He is an author that develops characters and reveals their complex personalities through descriptive language and imagery. The reader is able to imagine, in their mind's eye, the plot being played out.
The short story never explains the wrong doing that Fortunado inflicted on Montresor, it only reveals Montresor’s need to kill Fortunado in order to perform the perfect act of vengeance. After he seals the tomb, however, he calls out “Fortunado!” twice almost as if he is waiting for a response. Hearing no answer, he speaks of his heart growing sick (Poe). It lets the reader know that he feels some sort of remorse, he is guilt ridden.
One who would read the story would tell you that the whole thing is about revenge and it can be looked at as revenge twists the mind of a person who is vengeful, to begin with, or as revenge is a driving force behind a person going so far as to commit a murder. Such a person might be so obsessed with vengeance that he imagines reasons to obtain it are the right doing. In this story, Montresor 's family prides itself on leaving no insult unavenged. Montresor 's obsession with this has perhaps made him imagine that Fortunato has insulted his family just so that he, Montresor, has something to try his family 's pride on. As when the narrator says ‘’THE thousand injuries of
Edgar Allan Poe’s short story “The Cask of Amontillado” is the narrative of a man named Montresor who seeks vengeance against a man named Fortunato. Fortunato insults Montresor. Next, Montresor meet Fortunato at a carnival, eventually luring him into the catacombs of his home to bury Fortunato alive. Moreover, different types of irony are portrayed in this short story. Dramatic irony consists of the character in the story knowing less about his or her situation than the reader.
Everybody will eventually want revenge on an old friend or just someone they know. Montressor, similar to many people in the world, wants revenge on one of his old friends, Fortunato. The story opens with, “The thousand injuries of Fortunato I had borne as best I could; but when he ventured upon insult, I vowed revenge” (Poe 212). In this statement, Montressor tells the reader what the cause of his revenge against Fortunato is. “The Cask of Amontillado”, written by Edgar Allen Poe, tells the story of how Montressor brings Fortunato into the catacombs to bury him alive.
Poe carries verbal irony throughout the rest of the story, as well; Montresor refers to Fortunato as “my friend” in many instances, however, the reader knows
In Edgar Allan Poe’s “The Cask of Amontillado,” irony is applied throughout to help foreshadow future and give more of an insight to the readers, all while adding some humor. Irony is divided into three main types: dramatic, situational, and verbal. Poe uses dramatic irony when he has Fortunato dress as a jester, “a tight-fitting parti-striped dress and his was surmounted by the conical cap and bells” (Poe). The get-up makes Fortunato looks foolish and foreshadows his actions of following Montresor into the catacombs to taste some wine. Montresor even compliments the outfit and says “My dear Fortunato, you are luckily met” (Poe), but it was not Fortunato who was in luck, but Montresor who would gain profit of their meeting.
Characterization proves the theme that Fortunato's insults make an enemy of Montresor. Montresor becomes vindictive when Fortunato’s insults start turning towards his family. Montresor’s family motto is no one punishes me and gets away with it. This gives reason to believe that honor dictated that Montresor avenge the insults Fortunato
In the beginning of the story the author's choice of words in the descriptions makes the reader feel angry. Montresor tried to ignore Fortunato and his insults, but they were
“The Use of Irony in "The Cask of Amontillado" Edgar Allan Poe is a phenomenal writer and makes many points in his writings. There are three different ways in Poe 's writing of "The Cask of Amontillado" that irony is used: verbal, situational and dramatic. Verbal irony can be seen when Montresor first sees Fortunato at the carnival. Situational irony is also used and can be seen between the meaning of Fortunato 's name and his destiny, as well as Montresor 's response to his own. The last way irony is used is dramatic irony, this can be seen by any reader, this occurs when Montresor tells Fortunato he is also a mason.
Montresor says, “My dear Fortunato, you are luckily met” (237). Montresor wants Fortunato to think he wanted to see Fortunato, but in reality it was the perfect time for murder. Fortunato has a cold and is coughing. Fortunato says “the cough’s a mere nothing, it will not kill me. I shall not die of a cough”.