Their Eyes Were Watching God Journal 3 Essay In the novel Their Eyes Were Watching God by Zora Neale Hurston, Hurston uses the idea of hope to represent the final destination for the main character, Janie. Janie uses her hopes and aspirations as motivation for achieving what she wants in life. Hurston uses the motifs of the Horizon and the road to symbolize hope or the lack of hope within the novel. Hurston uses the motifs of the road and the horizon to represent the hope and lack of hope as the novel progresses. Hurston uses the road to symbolize the path that one must take to achieve freedom or what it is that they are hoping for. Ever since Janie was a child her main aspirations in life were to find true love and happiness. Janie’s grandmother, …show more content…
Janie believed that Joe was finally going to free her from the restraints placed on here by her grandmother and believed that “he spoke for far horizon. He spoke for change and chance” (29). At first, their relationship seemed perfect until they arrived at their destination and Joe was showing his true colors. Joe would make Janie tie her hair up and work all day in a shop where she felt helpless and hopeless. Janie 's broken relationship with Joe makes Janie realize how much she dissented her grandmother after what she had done to her. Nanny would always tell Janie that love comes later in a relationship and that love is not as important in a relationship as security. Nanny shrunk the horizon, which for Janie represented her hope for a loving relationship, and made Janie believe that it was going to be something accessible. Some people 's dreams come true easily while “for others they sail forever on the horizon, never out of sight, never landing until the Watcher turns his eye away in resignation, his dreams mocked to death by time” (1). This quote explains that although some people may …show more content…
Hurston also uses the motifs of the road and the horizon to represent Janie 's character development throughout the novel. The motif of the road represents the journey that one takes in life. The road is sometimes bumpy and it has its ups and downs just as in life. After Janie abandoned the old relationships that stifled her she found someone who she truly loved, Tea Cake. Tea Cake and Janie traveled to a new place with“dirt roads so rich and black that a half mile of it would have fertilized a Kansas wheat field” (129). The roads that Janie describes as being “rich” represent how she is now happy with her life. Janie now has a man whom she truly loves and is in a place where she feels comforted. Janie is able to see her future ahead of her, the road, and with what she sees pleases her. Near the end of the novel before the hurricane came everyone was happy and they were able to see the horizon ahead of them. As the hurricane comes “the wind came back with triple fury, and put out the light for the last time” (160). Hurston uses the light in this quote represents the horizon, and how sometimes people or hard times such as the “wind” may try to blow out all lights and make it hard to see the horizon, but it is important to never lose hope and to never give up. In the beginning of the novel, Janie was young, naive, and scared of what was ahead of her. Janie wanted love and happiness which is not always easy to find. As the novel progresses Janie feels as though she is being
In Their Eyes were Watching God, Janie’s hair is described ad nauseum; in fact, it is described so often that one cannot help but notice its importance to the text as a whole. The author uses Janie’s hair to demonstrate Janie as an independent woman. To Janie, her hair is one of her defining features, and it becomes a surrogate for her identity. While Janie works inside her and Jody’s store, Jody forces her to wrap up her hair in a head-rag. To Janie, the “business of the head-rag irked her endlessly”, even though she did not want it wrapped up, Jody did.
Throughout their marriage Janie learns that Joe doesn’t treat her right, he treats her like an object. Janie begins to hate Joe, and she insults him in front of the whole town. Soon Joe becomes very ill, and Janie doesn’t talk to him for
Sit Still, Look Pretty Sitting on the front porch of a house isn’t exactly how women should spend every day of their lives. The modern woman has a busy life, working every day, as well as participating in outside activities such as clubs, sports, or meetings. Women in the novel, Their Eyes Were Watching God, play a very different role by doing almost nothing except providing at the service of their loved ones. The main character, Janie Crawford does this everyday of her life for twenty years while she is married.
In The Eyes are Watching God, the author Zora Neale Hurston expresses the struggles of women and black societies of the time period. When Hurston published the book, communities were segregated and black communities were full of stereotypes from the outside world. Janie, who represents the main protagonist and hero, explores these communities on her journey in the novel. Janie shows the ideals of feminism, love, and heroism in her rough life in The Eyes. Janie, as the hero of the novel, shows the heroic qualities of determination, empathy, and bravery.
Throughout the novel, Their Eyes Were Watching God, author Zora Neale Hurston exploits and recognizes the certain standards that are set for women. Compared to their counterparts, women are perceived as a group that does not deserve the same daily rights as men. They are seen as “less than,” and are expected to get married and care for their spouse, prepare the dinner every evening, and make sure the house is neat and tidy. The protagonist, Janie Mae Crawford, faces this problem first hand with each of her three husbands. Without an easy fix to these problems, Janie views the horizon as her escape outlet and as a symbol of oppression.
In Their Eyes Were Watching God, Hurston uses multiple voices throughout the story to show all the parts that come together to fully understand Janie’s story. It seems important to acknowledge that there are two narrators: Janie and the anonymous speaker that helps Janie tell her story. Although Janie is the main narrator, the anonymous narrator speaks every now and then about Janie. The main example is at the very beginning of the story when the anonymous narrator is telling of Janie walking back into Eatonville and describing the scene.
In Their Eyes Were Watching God, by Zora Neale Hurston, Janie suffers from hardship in two relationships before she can find her true love. Janie explains to her best friend, Pheoby, how she searches for love. Therefore Pheoby wants to hear the true story, rather than listening to the porch sitters. Throughout the book Janie experiences different types of love with three different men; Logan Killicks, Joe Starks, and Vergible "Tea Cake" Woods. At 16 Janie marries Logan Killicks.
Have you ever been in a past relationship and started a new one only to realize you have been comparing the two? You may realize that you desire the past spark that the present does not have. In Zora Neale Hurston's novel, Their Eyes Were Watching God, she utilizes juxtaposition to discreetly invite the audience to compare two scenes; whether it be Janie’s reactions to events, Janie’s outlook on a goal or fantasy versus someone else's, or how Janie is treated by her spouse. One of the juxtapositions Hurston includes in her novel is presented after the death of Janie’s second husband, compared to the death of Janie’s final husband. Any individual knowing Janie would idealize a grand funeral and a truly sorrowful widow to the death of her prosperous and well-known
Their Eyes Were Watching God tells the story of how one man, Tea Cake, changes how a grown woman named Janie views life, opportunity, and happiness. Zora Neale Hurston employs parallelism in order to reveal the dynamic of this relationship between Janie and Tea Cake and writes, “He drifted off into sleep and Janie looked down on him and felt a self-crushing love. So her soul crawled out from its hiding place” (Hurston 128). At the very end of the book, Hurston writes again, “Here was peace. She pulled in her horizon like a great fish-net.
Their Eyes were Watching God features Janie, the main character, narrating her life and her growth through the form of storytelling. The author masterfully crafts the piece so that Phoeby and the audience learn of Janie’s hardships and struggles and, as a result, the reader learns about the complications within the relationship between Janie and Joe that culminate into one single paragraph. In Their Eyes were Watching God, the author Zora Hurston uses a plethora of literary devices, including similes, metaphors, and personification, to help develop the main character Janie and on a larger, more universal scale, express the idea that male dominance over females is detrimental for women, as shown by the negative effects on Janie caused by Joe. First, Hurston uses personification to develop the main character Janie. When Hurston writes “The years took all the fight out of Janie’s face.
Toni Morrison’s A Mercy portrays a young slave, Florens, struggles with her past as well as her life as a slave. Zora Neale Hurston’s Their Eyes Were Watching God shows a woman, Janie, who struggles through various relationships in her life, but in the end, they help her find her freedom and individualism. Both stories have different story lines, but upon a closer look, it is easy to see that Florens and Janie have common factors in their lives; which includes, both characters are isolated by others, both characters want to love someone, both character’s guardians make decisions for them that they do not understand which causes conflict, and finally, both characters commit difficult actions which ends up changing their lives.
Thus, Zora Neale Hurston uses community as a motif to help prove her theme, using specific details such as Janie’s disallowance to go to the funeral and the community scorning her. In conclusion, the novel “Their Eyes Were Watching God” presents the theme of love and that being in a relationship hinders independence but in an unique way. Hurston uses symbolism like Janie’s head rag which stifled her independence and when burned, made her feel free. She also uses the motif of communities, which are ever present throughout the book, using specific examples such as when Janie isn't allowed to go to the funeral, which hinders her independence because she isn't making choices for herself and isn't doing
There are many lessons throughout the novel that could be taught and learned in our world, this society, today. They may be true; however, the reasons the lessons are taught in the first place is because of the society being presented in this literary work, The Road. This gives the sociological approach a more appropriate understanding approach to the road. The society and the characters can be analyzed thoroughly and effectively this way. “When your dreams are of some world that never was or of some world that will never be and you are happy again then you have given up.
In the poem, “The Road Not Taken,” Robert Frost uses beautifully crafted metaphors, imagery, and tone to convey a theme that all people are presented with choices in life, some of which are life-altering, so one should heavily way the options in order to make the best choices possible. Frost uses metaphors to develop the theme that life 's journey sometimes presents difficult choices, and the future is many times determined by these choices. Throughout the poem, Frost uses these metaphors to illustrate life 's path and the fork in the road to represent an opportunity to make a choice. One of the most salient metaphors in the poem is the fork in the road. Frost describes the split as, “Two roads diverged in a yellow wood, and sorry I could not travel both (“The Road Not Taken,” lines 1-2).
‘Stopping By Woods on a Snowy Evening,’ ‘Birches,’ and ‘Mowing’” (Rukhaya). The woods can also dually represent self-reliance and nonconformity. By acknowledging his choice in the woods alone, the traveler shows that he is willing to “oppose social norms” (Rukhaya) and rely on his own instinct to come to a decision. As an extended metaphor for choice, it makes sense that the roads represent the journey of life and decision. There are two roads, two choices, and two representations of decision.