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Figurative Language In Poe's Literature

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Fear can inhibit you from acting foolishly in the forthcoming. Additionally, horror alerts us of what may soon happen and restrains us from future affliction. By being set in the minds of others during these hair-raising situations, we learn to not go down the wrong path. By doing so, you avoid future misfortune. Nonetheless, fear alters our brain and crams it with horrific ideology. Dread can lead to insanity and causes you to become obsessed. Consternation can lead you to become so overly-obsessed that preposterous ideas begin raiding your head. Symbolism, irony, and figurative language are used in “The Tell-Tale Heart”, “The Pit and the Pendulum”, and “The Masque of the Red Death” to delineate how dread deceives the protagonist's’ mind and how obsession overcomes their mind. Poe integrates symbolism into his texts to create many layers of thinking and to form an affiliation with the reader. Poe symbolizes time and the irresistibility of death throughout lots of his work. The narrator in “The Tell-Tale Heart” describes the old man’s watch as the “... watch’s …show more content…

Poe uses figurative language to create an association with two thoughts to influence the reader and produce a connection. “The Masque of the Red Death” describes the red death as if it were a “thief in the night.” “ And now was acknowledgment the presence of the Red Death. He had come like a thief in the night”(61). The phrase “thief in the night” refers to an unseen or unexpected act without it being seen. Prince Prospero created the masquerade to try to evade disease. The red death entered the masquerade and killed not only the prince, but everyone. Poe makes this comparison to effectively show the inevitability of death. Prince Prospero’s obsession with avoiding death caused him to seal all entrances from disease. The obsession distorted his mind into unknowingly finding himself with the red

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Edger Allen Poe is an incredible author of horror. His story, The Masque of the Red Death, was an amazing chiller about a party that was ended by a disease. Throughout the kingdom a disease is spreading from citizen to citizen, killing each one who possesses it so the king invites those closes to him to a party where no one can leave and will be safe from the disease but yet in hindsight they were locking themselves in with the disease. Throughout the course of this hair-raising story, several symbols are represented to array Poe’s theme of death. Symbols such as the seven colored rooms, the clock, and lastly the Red Death are all symbols that are displayed to help get Poe’s notion across.

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In "The Masque of the Red Death," by Edgar Allan Poe, Prince Prospero's evolution from fear to bravery in his encounter with the Red Death, Poe captures Prospero's transition from initial fear to bravery or impulse, through irony, visual imagery, and foreshadowing. Initially, Prospero believes himself and his followers to be above the reach of the Red Death, he retreats into his abbey, fortifying its walls and hosting a masquerade ball as if he can run from the Red Death. All these and security were within. Without was the “Red Death.” This is ironic because the guests, who believe they can escape death by hiding in the abbey, ultimately meet their demise within its walls during what was supposed to be a festive event.

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Poe uses Gothic diction to explain the dire significance of the red death, while also creating an ominous mood. Early in the story the speaker introduces the devastation that the Red Death causes. The speaker describes the effects as “So fatal.” (1.1) The word fatal is often used when regarding something that causes death.

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And in “The Raven” death is represented by the Raven showing up and bringing death along with it “”Be that word our sign of parting, bird or fiend!” I shrieked, upstarting-”Get thee back into the tempest and Night’s Plutonian shore!”(Poe Lines 97-98). Another difference all these stories have is tone. “The Masque of the Red Death” tone is mysterious and dark, “The “Red Death” had long devastated the country.

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This story of death works out, because Edgar Allen Poe gives good use to author’s craft. Edgar Allen Poe uses imagery, symbolism, and setting to create an effective story. In the “Masque of the Red Death” Poe uses description to give imagery.

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Poe demonstrates this by showing how Prince Prospero challenges the “Red Death” as a character. Prince Prospero faces a time when an intruder, the Red Death, gets inside like a thief at night. The Red Death goes through all the rooms and makes his final move at the black with red room. At the black and red room the Red Death disappears and instantly Prince Prospero dies. He falls to the floor and dies.

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People being to die every minute once the Red Death enters. Poe wrote a good story because of the decisions he made in using the author’s craft. In “The Masque of the Red Death” he uses the setting, imagery, and symbolism to create an effective story. One way the author creates an effective story is through the setting.

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Scholars are undecided as to whether Poe’s story, “The Masque of the Red Death ''Death”, should be considered an allegory or satire, and if so, what exactly for. This story should be read as an allegory, a story, poem, or picture that can be interpreted to reveal a hidden meaning, typically a moral or political time. “The Masque of the Red Death '' isDeath” is a short story that tells the story of a prince who tries to avoid a plague, the Red Death, by locking himself and his friends in a castle. The castle, the story’s setting, consists of seven symbolically colored rooms. After six months in seclusion, the prince throws a masquerade ball for his guest, but as the night continues a mysterious figure resembling the Red Death appears and begins

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Poe paints a vivid picture of the Red Death by his clothing. He compares his mask to a “stiffened corpse” being “besprinkled with the scarlet

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In "Masque of the Red Death", Poe uses symbolism to convey the idea that shutting ourselves in doesn't guarantee protection from the afflictions of the outside world. In "Masque of the Red Death", Poe uses the castle-like abbey to convey multiple ideas. The castle represents refinement, grandeur, wealth, and eloquence. "This was an extensive and magnificent structure, the creation of the prince's own eccentric,

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Edgar Allan Poe fills ‘The Masque of the Red Death’ with symbolism to bring his theme to life. By using the color of the rooms and the marker of movement from one to the other, the reader gets a clean picture of the meaning behind the

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In “The Masque of the Red Death” Poe creates strong images of various decorative rooms which have been designed to go from east to west. This is no coincidence, as the rooms seem to imitate the course of the sun from daytime to nighttime, or even the course of human life- birth to death. The first room, coated in the colour blue, represents the freedom and tranquility felt by the guests in the castle. In contrast, the final room, coated in the colour black symbolises the fear and despair felt by the guests in relation to death and its inevitability.

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The simile Poe uses is by comparing the red death to a thief. The figurative language of personification and simile of the red death contribute to the tone of the story. The red death is described as, “ He had come like a thief in the night” (Poe 3). This contributes to the tone because Poe gives the story a more ominous sense by giving the red death human characteristics of a thief as well as comparing the red death to a thief that steals.

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The entire short story can be envisioned as a scary dream. Poe sets the tone of the story in the very beginning, stating, “The ‘Red Death’ had long devastated the country. No pestilence had ever been so fatal, or so hideous. Blood was its Avatar and its seal- the redness and the horror of blood,” (Poe 3). This sets an emphatically dark and horrific tone for the reader, which carries into the plot of the story.

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