The House On Mango Street Gender Essay

Many girls desire a female role model from a young age. The way these women are treated, and deal with this treatment can heavily impact the way young girls view themselves, and their future as well. Sandra Cisneros’ The House on Mango Street brings attention to issues of sexism and gender roles. This is done through a series of vignettes about the main character Esperanza navigating life by the example of her many role models. Each role model impacts Esperanza in a special way, Sally who is married at 13, Marin who is waiting to be rescued by a man, and Alicia who is balancing school and home responsibilities. These problems coming to light through the many women Esperanza looks up to, drive her to rise above her obstacles, and become more than just another poorly treated woman.

In Sandra Cisneros’ The House on Mango Street, a young, impoverished girl with Hispanic origin, named Esperanza adapts to her new life in Chicago, on Mango Street. Throughout her time living on Mango Street Esperanza observes how other people are living around her, especially women and young girls like her. Esperanza has a variety of female role models in her life. Many are trapped in abusive relationships, waiting for others to change their lives. Some are actively trying to change things on their own.

In Mexican American society , women are deemed inferior to men, evident in traditional family roles, the male is the head of the family who provides for the family , while the woman stays at home to look after the children she is expected to provide for her husband . In the third vignette of ‘The House on Mango Street’ titled ‘Boys and Girls’ the reader is informed of the division between men and women when Esperanza refers to herself and her sister Nenny , and her brothers, “They’ve got plenty to say to me and Nenny inside the house. But outside they can’t be seen talking to girls”. The male dominance begins at a very young age.

Many people are undermined by the drawbacks of belonging to a low socioeconomic status. In The House on Mango Street, Esperanza is raised in a poor, Latino community, causing her to be introduced to poverty at an early age. This introduction of poverty affects Esperanza in many ways, one including that she is unable to find success. Esperanza struggles to achieve success in life because the cycle of poverty restricts her in a position in which she cannot break free from her socioeconomic status.

In The House on Mango Street, written by Sandra Cisneros, the main character, Esperanza, begins a silent fight against gender roles. As a woman, she is expected to be quiet and polite. Esperanza, a passionate young girl, desires to be stronger than that.

One cultural aspect presented in The House on Mango Street is gender roles. Throughout the book, I noticed differences between the roles of men and women in society. There are several similarities and differences between gender roles in the Hispanic culture and my own culture, the Indian culture. By researching and reflecting on the two different cultures, I gained more knowledge on the characters and plotline of The House on Mango Street.

Societal expectations are a part of everyone’s life, male or female. From the day people are born, there are roles they are expected to assume-- wife, homemaker, father, provider, mother and many others. While these aren’t necessarily negative, the stigma of not fulfilling these roles can be unpleasant. While the roles we are supposed to choose aren’t always clearly defined, the judgement that comes from choosing to take certain actions in life, like settling down or becoming a mother is palpable. Throughout The House on Mango Street, Esperanza’s view of the world is largely shaped by the people around her, which are her neighbors, family, and friends. These characters influence Esperanza’s choices and her overall viewpoint of life. Sandra

The House on Mango Street is set in a poor, primarily Hispanic neighborhood. Author Sandra Cisneros creates an atypical, yet easily digestible world for the reader to experience while learning about Esperanza’s childhood. The culture of her environment influences Esperanza’s development as she becomes a young woman, and contributes to the book’s driving theme of self-empowerment. Mango Street is the source of Esperanza’s growth through her childhood, and it hides sadness and longing underneath stereotypes of Hispanic people. The characters that live in the broken-down neighborhood all seem to represent pigeonholed views of Latino individuals.

Esperanza’s Odyssey Esperanza ’s journey of self-identification is apparent in the novel “House on Mango Street”. Her hopes of leaving the barrio were clearly shown in different vignettes: “House on Mango Street”, “Bums in the attic”, “Beautiful and Cruel”, and so on. Her process of self-identification will entail her realizing that she is growing more mature, figuring out her sexuality, and understanding her culture as a Latina.

Esperanza attempt multiple times to mature much faster than necessary making her feel as though she is stuck. Relying on the literary devices of motif and imagery, Sandra Cisneros, in her novella, The House on Mango Street, shows her audience Esperanza’s struggle to escape into independence. Cisneros encourages her readers to move past the hardships of growing up, despite the barriers in life. Not only is Cisneros’ use of motif showing Esperanza, and her friends, in a tough situation, but also how she is now becoming confused about and growing

The main protagonist Esperanza, matures from a childish girl to a young confident woman through many critical and life changing events in the story. Ultimately, the author, Sandra Cisneros implements the symbols of confidence, the house on mango street and the metaphor of shoes to show how Esperanza develops into a more mature state. Sandra Cisneros

Loss of Innocence In the book The House on Mango Street, Sandra Cisneros demonstrates in her writing how a child can be forced to mature too rapidly. Esperanza encounters sexism, racism, and discrimination towards the poor that impacted her paradigm of the world around her. The motif occurring throughout the novel is how a young girl must become a woman before they are ready. In the chapter “The Monkey Garden”, Esperanza makes one of her final transitions into the woman, her environment forces her to be, this is shown by the change of her opinion of her shoes, the realization of woman accepting manipulation by men, and her loss of childlike interest in the Monkey Garden.

From the internationally acclaimed and award winning author of Caramelo, Sandra Cisneros does not disappoint in this classic, coming-of-age story, mirroring her own childhood experiences. You will follow a young girl, Esperanza, growing up in an impoverished Latino neighborhood in Chicago – you guessed it- on Mango Street. Written in vignettes, it’s as if you are peeking into Esperanza’s diary, empathizing with her pain and joy as each story unfolds. You will find yourself rooting for her the whole way through. Aimed toward younger readers, it’s real-life challenges brings an opportunity for families to discuss dangers in society, and provides a humbling experience for readers more fortunate than Esperanza. Although she is mature, Esperanza’s

Although it is not always clear, women are constantly being treated as lesser than men. Women and men are approaching equality, but many women are still being treated unfairly. White communities usually pretend that everything is perfect and cover up this problem. Hispanics, on the other hand, often make the mistreatment of women perspicuous. This is portrayed in the novella The House on Mango Street, by Sandra Cisneros. Cisneros displays the mistreatment of women in the hispanic culture through the women in Esperanza’s life.

The House on Mango Street by Sandra Cisneros is a semi-autobiography shown through the eyes of the story’s narrator, Esperanza Cordero, an adolescent Mexican-American girl who is about thirteen and growing up in an impoverished, mostly Latino neighborhood in Chicago. The novel is a coming of age story, told over the course of about a year in a series of standalone vignettes, written in a non chronological order, that use poetic and figurative language, such as metaphors and similes, to convey its themes.