Caleb Marchan Ms. Panasiti Ela 7 The House on Mango Street is a coming-of-age novel written by Sandra Cisneros. Cisneros's unique writing style and diction are enhanced by her use of literary devices. Throughout the novel, Cisneros uses quite a few literary devices, which include simile, personification, and imagery, to emphasize and represent the themes of identity, belonging, and growing up. One literary device that Cisneros frequently uses in The House on Mango Street are similes. A simile is a comparison of two things using "like" or "as." His hair is like a broom, all up in the air." This simile emphasizes the wild and unruly nature of Esperanza's father's hair For example, when describing her father's hair, Esperanza says, "His hair is like a broom, all up in the air." (Cisneros 4) This simile emphasizes the wild and unruly nature of Esperanza's father's hair which is a representation of his free spirit. Cisneros's use of simile allows the reader to visualize the characters and settings in the novel, making the story more …show more content…
Personification is the attribution of human qualities to non-human entities. For example, when describing how she views the trees she compares them to herself giving them human-like features showing personification. This is shown in the text when Esperanza states “Four skinny trees with skinny necks and pointy elbows like mine Four who do not belong here but are here. Four raggedy excuses planted by the city. From our room we can hear them, but Nenny just sleeps and doesn't appreciate these things. Their strength is secret. They send ferocious roots beneath the ground. They grow up and they grow down and grab the earth between their hairy toes and bite the sky with violent teeth and never quit their anger. This is how they keep.” This quote shows personification because of how she is able to give the trees human-like qualities that relate to
With this insertion of imagery, it is clear that Esperanza craves a free-spirited life, but she finds herself bout to the shackles that Mango Street brings to her life. Esperanza comparing herself to a balloon indicates how she is metaphorically filled with air,
‘The House on Mango Street’ is an engaging story. I believe this because of the constant figurative language that CIsneros uses, Esperanza’s character development, and the conflict that flows throughout the book. These claims are what makes the book engaging and entertaining for the readers. The first reason why ‘The House on Mango Street’ is an engaging story is because of the figurative language that is used in the book.
Isabelle Muldowney Mrs. Itzen English III, Honors 12 April 2023 Cultural Context of the Novel The House on Mango Street The House on Mango Street by Sandra Cisneros takes place in a low-class neighborhood of Chicago around the 1960's. The story narrated by a young Latina girl, Esperanza Cordero, as it follows her growing up and coming to grips with her surroundings.
PERSONIFICATION Personification is when a passage is giving human qualities to animals or objects. Gary uses personification in chapter thirteen paragraph two which
House on Mango Street analysis essay: Hopes and Dreams In the House on Mango Street, a novel by Sandra Cisneros, she suggests the notion that hopes and dreams can be obtained even when people are at the bottom of the totem pole as seen in Esperanza’s desire to live in a better place and find friends. One way that Sandra Cisneros suggests this theme is when Esperanza feels ashamed of her current house and knows “she has to have a real house. One she can point to and feel proud of (Cisneros 5) Another example is when Esperanza and the nun are talking and the nun asks where Esperanza lives and she is forced to “point to the the third floor, with the paint peeling”
Personification is the practice of imputing human characteristics to inanimate objects or living creatures. There are numerous personification examples in the text. The reeds along the stream bobbed and bowed in a respectful manner. Samantha was persuaded that these trees were watching her like protective parents. The stream is personified in the first example as it swished, splashed, and crept over the tiny stones.
Respect Hope “One of the greatest regrets in life is being what others would want you to be, rather than being yourself.” -Shannon L. Alder. Acting like someone who you are not just to fit in is the worst thing you can do since it is not really you. House on mango street is a book written by Sandra Cisneros. The book tells a story about a girl named Esperanza who tries to fit in with others knowing she is not like them.
She is a Puerto Rican girl that wants “someone to change her life” and spends her days babysitting at her house (27). Esperanza gets the idea of marrying a rich man to get out of Mango Street. Marin also tells her about boys “is for the boys to see us and for us to see them” (27). These two ideas Marin shared with Esperanza shows how she can leave Mango Street and live a better life. To conclude, Sally, Mom, and Marin are the three most influential characters in the novel The House on Mango Street by Sandra Cisneros for opening abusive relationships, staying in school for the better, and leaving poverty by marrying a rich man to the main character
This is shown in the text when, “There. I had to look where she pointed- the third floor, the paint peeling, wooden bars Papa nailed on the windows so we wouldn't fall out. . . The way she said it made me feel like nothing” (Cisneros 5). This supports Cisneros's use of imagery to emphasize Esperanza’s living situation and how people judged her. By Cisneros using imagery to describe
In the novel The House on Mango Street, Sandra Cisneros utilizes vignettes, which typically captures a single moment by using imagery, and explains a lot with not as many words to explain Esperanza’s life that shows the complex feelings relating to her childhood. Cisneros uses imagery to capture a single moment in the book many times throughout the novel. In the vignette “Bums in the Attic” (Cisneros 86), Esperanza dreams about having a house on the hill like the ones her family visits. She feels ashamed but imagines that people living on the hill have forgotten about poor people like her family. She figures out by the end that she still wants to have a house like theirs but wants to invite the bums into her attic
The House on Mango Street is a touching and timeless tale told in short vignettes. It tells the story of a young Latina girl growing up in Chicago. Her life, and the lives of the people around her, are laid bare to the readers in this touching novella. In the beginning, Esperanza is not accepting of herself. Her family’s poor financial situation, the sadness of the people around her, and the problems she faces in her daily life make her very cynical.
These qualities of the trees lead esperanza to idolize them, “When I am too sad and too skinny to keep keeping, when I am a tiny thing against so many bricks, then it is I look at trees.” (pg. 75) she looks up to the trees and by comparing herself to them, is reminded that she too can grow tall and mighty like the trees before her. Later in the passage, she writes “Four who grew despite concrete. Four who reach and do not forget to reach.”
In the House on Mango Street, Esperanza is seeking for an identity of her own. In her current neighborhood, she struggles with economic, cultural, and gender based barriers to personal growth, and she believes that changing her surroundings is her solution; however, she realizes that to discover her identity, her ultimate destination is a home in the heart. The house on Mango Street was one that was the opposite of what Esperanza had dreamt her entire life. The house is, “…small and red with tight steps in front and windows so small you 'd think they were holding their breath... bricks...crumbling in places, and the front door...so swollen you have to push hard to get in". (Cisneros 5)
In the book The House on Mango Street by Sandra Cisneros, Esperanza uses metaphors to display the connection she feels between her and objects. For example, in the vignette “Boys & Girls”, Esperanza states her exasperation of how she didn't have any friends to talk to except her sister, Nenny. She mourns the fact that everyone has a best friend except her, and in addition she doesn't have somebody “ who will understand my jokes without my having to explain them”(9). She explains that until she has a best friend of her own, “one I can tell secrets to,” then “I am a red balloon, a balloon tied to an anchor” (9). The color red is a symbol of prosperity and happiness.
3. Esperanza distinguishes herself from Nenny in this story by what they say. Nenny says "stupid" things about hips. Esperanza says "scientific" things about boys.